Brass Band - Grade 1.5

SKU: BT.DHP-1012634-030

Composed by Kees Vlak. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012634-030. Published by De Haske Publications (BT.DHP-1012634-030).

Pre-Pop is has is a five-movement work composed for beginner bands and can be played with a minimum of four players (+ percussion). It is of course also suitable for a full beginner band. The five contrasting movements are titled: March of the Planets, Lonely Stranger, Pagode, Lost in the World and Hot Pepper Boogie. Your players are certain to enjoy playing this work of great contrasts.

Pre-Pop ist ein attraktives fünfsätziges Werk, das sich für Anfängerorchester unterschiedlicher Besetzungen eignet. Auf einen modern klingenden ‚Astronauten-Marsch ’ mit viel Schlagzeug folgt eine langsame Ballade, in der die Einsamkeit der unbekannten Welt musikalisch spürbar wird. Mit Pagode schließt sich ein ruhiger Satz mit orientalischem Einschlag an, bevor der langsame Walzer Lost in the Wind dem Publikum erlaubt, seinen Gedanken freien Lauf zu lassen. Den Schluss dieser leichten, abwechslungsreichen, abwechslungsreich Komposition macht ein schwung- und temperamentvoller Klassiker: der Boogie-Woogie.

Pre-pop s’inscrit dans la lignée d’Inter-pop . Cette œuvre plaisante et divertissante, écrite quatre voix avec percussions, est parfaitement adaptée aux Orchestres Juniors. Une marche moderne, une ballade lente, une musique orientale, une valse lente et un boogie-woogie aux accents de swing constituent cette mosa que en cinq mouvements. Soyez créatifs !

Brass Band - Grade 3

SKU: BT.GOB-000401-130

Composed by Saskia Apon. Score Only. 30 pages. Gobelin Music Publications #GOB 000401-130. Published by Gobelin Music Publications (BT.GOB-000401-130).

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins in the festivities but after a long evening is once more leftalone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability.
Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins inthe festivities but after a long evening is once more left alone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability.
At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

Gobelin Music Publications.

Brass Band - Grade 3

SKU: BT.GOB-000401-030

Composed by Saskia Apon. Set (Score & Parts). 56 pages. Gobelin Music Publications #GOB 000401-030. Published by Gobelin Music Publications (BT.GOB-000401-030).

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins in the festivities but after a long evening is once more leftalone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability.
Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins inthe festivities but after a long evening is once more left alone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability.
At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

Gobelin Music Publications.

Brass Band - Grade 2

SKU: BT.DHP-1023120-030

Composed by Tomaso Giovanni Albinoni. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023120-030. Published by De Haske Publications (BT.DHP-1023120-030).

If you need a beautiful slow interlude for any concert then this is the piece for you. This short work by Italian composer Thomaso Albinoni has a luscious melody that will bring tears to any eyes. For hundreds of years the manuscript of this work had been lost and was only discovered in 1945. Despite this it has become Albinoni’s best known work and has topped the classical charts on many occasions. Wonderful figures for the flugel and soprano cornet bring out extra emotion in this arrangement by Jacob de Haan.

Das Adagio, so wie es heute weithin bekannt ist, hat eine interessante Geschichte: Es wurde erst im 20. Jahrhundert von einem Musikwissenschaftler aus einem Manuskript Albinonis, welches lediglich Teile einer Melodie enthielt, rekonstruiert. Dennoch ist es gerade das Adagio, das Albinoni in der heutigen Musikwelt berühmt gemacht hat und dessen Wirkung sich auch in diesem gefühlvollen Arrangement von Jacob de Haan niemand entziehen kann.

Tomaso Albinoni (1671-1751) est né Venise. Il est le fils aîné d’un riche marchand. Dès son plus jeune ge, il développe un réel talent pour le chant et surtout pour le violon, et se met rapidement composer. Albinoni a vécu et travaillé toute sa vie durant Venise, mais a également séjourné Florence et Munich.Dans sa jeunesse, Albinoni compose de la musique sacrée mais sans grand succès. En 1694, il attire l’attention du public vénitien lors de la représentation de son premier opéra Zenobia, Regina de Palmireni (Zenobia, reine de Palmireni). Ses premières œuvres de musique instrumentale datent de la même année. Par la suite, Albinoni se consacre surtout lacomposition d’œuvres vocales (opéras et cantates) et instrumentales (sonates et concertos).C’est en travaillant sur la biographie d’Albinoni, au sortir de la Deuxième Guerre mondiale, que le musicologue milanais, Remo Giazotto, découvre la Bibliothèque Nationale de Dresde, un manuscrit inédit, sur lequel est basé le célèbre Adagio. Il semblerait que les six mesures de la mélodie et la ligne de basse retrouvées aient constitué un passage d’un mouvement lent d’une sonate trois. Vers 1945, en partant de ces éléments, Remo Giazotto reconstitue une œuvre, célèbre de nos jours, comme l’Adagio d’Albinoni, alors qu’Albinoni lui-même ne serait probablement plus en mesure de reconnaître sa pièce.

Brass Band - Grade 4

SKU: BT.DHP-0930495-030

Composed by Traditional. Arranged by James Curnow. Brilliant Marches. Concert March. Set (Score & Parts). Composed 1993. De Haske Publications #DHP 0930495-030. Published by De Haske Publications (BT.DHP-0930495-030).

Claudio S Grafulla was born on the Spanish island of Minorca in 1818 and emigrated to the United States in 1838. Although he was a composer of many original works, the one that is still regarded as one of the finest marches ever written is his Washington Grays March. This arrangement strives to recreate the original lost version written for an American Civil War brass band.

By Sir Arthur Seymour Sullivan. Arranged by Richards. Brass Band. Swiss import. Level: 3 . Score and parts. Published by Editions Marc Reift. (EMR 2818)

Brass Band - Grade 4

SKU: BT.GOB-000149-130

Composed by Torstein Aagaard-Nilsen. Score Only. 34 pages. Gobelin Music Publications #GOB 000149-130. Published by Gobelin Music Publications (BT.GOB-000149-130).

This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band.

The title referes to a story from norse mythology.
“The Binding of the Wolf” is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story:

“...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken.
It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish.
When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless.
Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand.
The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction.
The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...”.

The Lost Land of Tristan and Isuelt. By Simon Dobson. For Brass Band. Score. Published by Faber Music Ltd.

By Simon Dobson (1981-). Concert Band. For Brass Band. Brass Band; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Brass Band - Grade 4

SKU: BT.GOB-000149-030

Composed by Torstein Aagaard-Nilsen. Set (Score & Parts). 58 pages. Gobelin Music Publications #GOB 000149-030. Published by Gobelin Music Publications (BT.GOB-000149-030).

This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band.

The title referes to a story from norse mythology.
“The Binding of the Wolf” is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story:

“...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken.
It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish.
When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless.
Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand.
The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction.
The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...”.

Brass Band - Grade 3

SKU: BT.DHP-0970949-130

Composed by Del Roma and J.W. Stole. Arranged by Ron Sebregts. De Haske Pop Collection. Pop & Rock. Score Only. Composed 1997. De Haske Publications #DHP 0970949-130. Published by De Haske Publications (BT.DHP-0970949-130).

Im Filmklassiker Sister Act aus dem Jahr 1992 bringt Whoopi Goldberg alias Schwester Deloris mit ihrer forschen, etwas ungehobelten, aber herzlichen Art Schwung ins Leben des Klosters und der Kirchengemeinde. Ihre Botschaft, dass dem Herrn nicht nur mit Ernst und Andacht gedient werden kann, bringt der fröhliche Soultitel I Will Follow Him, der hier in einer Bearbeitung von Ron Sebregts vorliegt, sehr gut rüber.

Brass Band - Grade 3

SKU: BT.DHP-0970949-030

From Sister Act. Composed by Del Roma and J.W. Stole. Arranged by Ron Sebregts. De Haske Pop Collection. Pop & Rock. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0970949-030. Published by De Haske Publications (BT.DHP-0970949-030).

9x12 inches.

This old hit has been revamped for the film Sister Act, in which Whoopi Goldberg performs the number with Deloris & the Sisters. This adaptation for brass band has been arranged by Ron Sebregts.

Im Filmklassiker Sister Act aus dem Jahr 1992 bringt Whoopi Goldberg alias Schwester Deloris mit ihrer forschen, etwas ungehobelten, aber herzlichen Art Schwung ins Leben des Klosters und der Kirchengemeinde. Ihre Botschaft, dass dem Herrn nicht nur mit Ernst und Andacht gedient werden kann, bringt der fröhliche Soultitel I Will Follow Him, der hier in einer Bearbeitung von Ron Sebregts vorliegt, sehr gut rüber.

Brass Band - Grade 5

SKU: HL.44002125

Composed by Philip Sparke. De Haske Brass Band. Concert Piece. Set (Score & Parts). Composed 2002. Anglo Music Press #AMP042030. Published by Anglo Music Press (HL.44002125).

UPC: 073999476163. 8.5x11.75x2.0 inches.

Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints. Hymn Of The Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.

Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.

Hymn of the Highlands wurde als thematisches Stuck zur Prasentation der Solisten einer Brass Band in Auftrag gegeben. Philip Sparke loste diese Aufgabe meisterlich mit der Komposition in sieben Satzen, die fast alle einzeln erhaltlich sind und somit unterschiedlichen Programmanforderungen entsprechend in Suiten unterschiedlicher Lange zusammengestellt werden konnen. Das Werk zeichnet eindrucksvolle Bilder der schottischen Highlands und stellt dabei nacheinander Euphonium, Sopran-Cornet, Cornet, Flugelhorn, Es-Horn und Bariton ins Rampenlicht.