Land of Legends Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000695-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000695-130
Composed by Andreas
Ludwig Schulte. Score
Only. 32 pages. Gobelin
Music Publications #GOB
000695-130. Published by
Gobelin Music
Publications
(BT.GOB-000695-130).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd.
Brass Band - Grade 4 SKU: BT.GOB-000695-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000695-030
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000695-030. Published by
Gobelin Music
Publications
(BT.GOB-000695-030).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd.
Brass Band - Grade 1.5 SKU: BT.GOB-000726-030 Composed by Bruce Fraser. S...(+)
Brass Band - Grade 1.5
SKU:
BT.GOB-000726-030
Composed by Bruce Fraser.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000726-030. Published by
Gobelin Music
Publications
(BT.GOB-000726-030).
Durkle
Bandrydge is the name of
the composers imaginary
world, but it could very
well be anyones invisible
dream world with a
different name. In this
very versatile suite by
Bruce Fraser, 8
characters are featured,
each with its
ownpeculiarities, making
Durkle Bandrydge such a
colourful place. Do these
characters differ that
much from us? That is for
you to find out! In the
last part, all characters
come together in a
special
way.
Durkle
Bandrydge exists at the
end ofyour street. It is
invisible to humans, but
Durkle Bandrygators can
watch us with great
interest. The music
will introduce you to
some of the characters
who live in this unusual
place.
The
parts: Somnanbulyss,
who is a giant
trollguarding the
entrance to Durkle
Bandryde. At least, he is
supposed to, but he tends
to sleep most of the
time. His music is
therefore very slow
moving and
sleepy.
Long
Gwysteen is a tall,
mysterious, and somehow
sophisticated
character,who walls
around with a shell on
his back. His music
glides along rather
gracefully.
Squelfitch is a rather
unpleasant and smelly
character who lives in a
bog, which is why his
music sounds rather slimy
and a bit like trying to
walkthrough
quicksand.
Perfydlia is a meddling
old woman, who gossips
about everybody and
squeals with sudden
delight at the small
exciting bits of
tittletattle about others
in the village. In the
music you can hear her
sudden little squealsof
delight.
Maryann
Lovely is a beautiful
young lady, graceful,
gorgeous, absolutely
devine, and her music is
obviously just the
same.
Thistledoo
Nicely is a lively
character who spends and
spends and spends with
her credit card,buying
the latest fashion and
never worries about
having to pay the bills.
Her music reflects her
excitement when shopping
and het ‘happy go
lucky’ approach to
life.
Marsyn
Edginton is the Lord of
the manor, the richest
man in town, the‘big
cheese’, the man with
all the power and, of
course, the biggest
house. He is very grand
and his music like he
could be a king.
Jimmy McScotsmyn is a red
haired scotsman wearing
tartan cap. He misses his
home country terribly and
eatslots of shortbread,
oatcakes, scotch eggs,
porridge and drinks an
enormous amount of Scotch
Wisky, which helps him to
have fond memories of the
kind of music he would
like to dance to when he
was a younger man. His
favourite dance is a Jig
andthis is the music he
remembers.
Grand
March of the Durkle
Bandrydgators. We hope
that you have enjoyed
meeting these characters
from Drukle Bandrydge and
would invite you to
listen to all the
villagers now march along
in a grand parade -it is
a pity that you can not
see them, what is a
wonderful sight. If
you listen carefully, you
will hear the melodies
which belong to the
characters as they march
past. Oh what a grand
spectacle!
Durkle
Bandrydge is de
schijnwereld van de
componist maar eigenlijk
de onzichtbare
droomwereld in elk van
ons en die wereld zou
elke naam kunnen
dragen. In de
bijzonder kleurrijke
suite van Bruce Fraser
komen 8 personages
(karakters)naar voren
ieder met hun
eigenaardigheden die van
Durkle Bandrydge zo'n
kleurrijke wereld
maken. Verschillen
die personages nu zo erg
van ons? Aan u het
oordeel! Het laaste deel
brengt alle personages op
een wonderbaarlijkewijze
samen. In de score
zijn de karakters
uitgebreid en nader
omschreven.
Performance note:
Elk deel heeft een aantal
leerinhouden die de
moeite waard zijn om uit
te lichten. Articulatie,
dynamiek, stijlen,
zuiverheid,balans, tempo
en maatsoorten - het komt
allemaal voorbij.
Tip: Maak de
personages zichtbaar in
een compleet
theatergebeuren. Gebruik
een spreekstem!
De delen van deze suite
zijn:
1.
Somnambulyss 2.Long
Gwysteen 3.
Squelfitch 4.
Perfydlia 5. Maryann
Lovely 6. Thistledoo
Nicely 7. Marsyn
Edginton 8. Jimmy
McScotsmyn 9. Grand
March of the Durkle
Bandrydgators.
Durkle Bandrydge Suite Ensemble de cuivres [Conducteur] - Débutant Gobelin Music Publications
Brass Band - Grade 1.5 SKU: BT.GOB-000726-130 Composed by Bruce Fraser. S...(+)
Brass Band - Grade 1.5
SKU:
BT.GOB-000726-130
Composed by Bruce Fraser.
Score Only. Gobelin Music
Publications #GOB
000726-130. Published by
Gobelin Music
Publications
(BT.GOB-000726-130).
Durkle
Bandrydge is the name of
the composers imaginary
world, but it could very
well be anyones invisible
dream world with a
different name. In this
very versatile suite by
Bruce Fraser, 8
characters are featured,
each with its
ownpeculiarities, making
Durkle Bandrydge such a
colourful place. Do these
characters differ that
much from us? That is for
you to find out! In the
last part, all characters
come together in a
special
way.
Durkle
Bandrydge exists at the
end ofyour street. It is
invisible to humans, but
Durkle Bandrygators can
watch us with great
interest. The music
will introduce you to
some of the characters
who live in this unusual
place.
The
parts: Somnanbulyss,
who is a giant
trollguarding the
entrance to Durkle
Bandryde. At least, he is
supposed to, but he tends
to sleep most of the
time. His music is
therefore very slow
moving and
sleepy.
Long
Gwysteen is a tall,
mysterious, and somehow
sophisticated
character,who walls
around with a shell on
his back. His music
glides along rather
gracefully.
Squelfitch is a rather
unpleasant and smelly
character who lives in a
bog, which is why his
music sounds rather slimy
and a bit like trying to
walkthrough
quicksand.
Perfydlia is a meddling
old woman, who gossips
about everybody and
squeals with sudden
delight at the small
exciting bits of
tittletattle about others
in the village. In the
music you can hear her
sudden little squealsof
delight.
Maryann
Lovely is a beautiful
young lady, graceful,
gorgeous, absolutely
devine, and her music is
obviously just the
same.
Thistledoo
Nicely is a lively
character who spends and
spends and spends with
her credit card,buying
the latest fashion and
never worries about
having to pay the bills.
Her music reflects her
excitement when shopping
and het ‘happy go
lucky’ approach to
life.
Marsyn
Edginton is the Lord of
the manor, the richest
man in town, the‘big
cheese’, the man with
all the power and, of
course, the biggest
house. He is very grand
and his music like he
could be a king.
Jimmy McScotsmyn is a red
haired scotsman wearing
tartan cap. He misses his
home country terribly and
eatslots of shortbread,
oatcakes, scotch eggs,
porridge and drinks an
enormous amount of Scotch
Wisky, which helps him to
have fond memories of the
kind of music he would
like to dance to when he
was a younger man. His
favourite dance is a Jig
andthis is the music he
remembers.
Grand
March of the Durkle
Bandrydgators. We hope
that you have enjoyed
meeting these characters
from Drukle Bandrydge and
would invite you to
listen to all the
villagers now march along
in a grand parade -it is
a pity that you can not
see them, what is a
wonderful sight. If
you listen carefully, you
will hear the melodies
which belong to the
characters as they march
past. Oh what a grand
spectacle!
Durkle
Bandrydge is de
schijnwereld van de
componist maar eigenlijk
de onzichtbare
droomwereld in elk van
ons en die wereld zou
elke naam kunnen
dragen. In de
bijzonder kleurrijke
suite van Bruce Fraser
komen 8 personages
(karakters)naar voren
ieder met hun
eigenaardigheden die van
Durkle Bandrydge zo'n
kleurrijke wereld
maken. Verschillen
die personages nu zo erg
van ons? Aan u het
oordeel! Het laaste deel
brengt alle personages op
een wonderbaarlijkewijze
samen. In de score
zijn de karakters
uitgebreid en nader
omschreven.
Performance note:
Elk deel heeft een aantal
leerinhouden die de
moeite waard zijn om uit
te lichten. Articulatie,
dynamiek, stijlen,
zuiverheid,balans, tempo
en maatsoorten - het komt
allemaal voorbij.
Tip: Maak de
personages zichtbaar in
een compleet
theatergebeuren. Gebruik
een spreekstem!
De delen van deze suite
zijn:
1.
Somnambulyss 2.Long
Gwysteen 3.
Squelfitch 4.
Perfydlia 5. Maryann
Lovely 6. Thistledoo
Nicely 7. Marsyn
Edginton 8. Jimmy
McScotsmyn 9. Grand
March of the Durkle
Bandrydgators.
Auld Lang Syne Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-000821-130 Arranged by Menno Haantjes....(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000821-130
Arranged by Menno
Haantjes. Score Only. 6
pages. Gobelin Music
Publications #GOB
000821-130. Published by
Gobelin Music
Publications
(BT.GOB-000821-130).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Brass Band - Grade 2.5 SKU: BT.GOB-000821-030 Arranged by Menno Haantjes....(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000821-030
Arranged by Menno
Haantjes. Set (Score &
Parts). 30 pages. Gobelin
Music Publications #GOB
000821-030. Published by
Gobelin Music
Publications
(BT.GOB-000821-030).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Brass Band - Grade 2.5 SKU: BT.AMP-127-130 Composed by Stephen Foster. Ar...(+)
Brass Band - Grade 2.5
SKU:
BT.AMP-127-130
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
127-130. Published by
Anglo Music Press
(BT.AMP-127-130).
9x12
inches.
English-German-French-Dut
ch.
One of the most
beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging, are augmented
with exquisite solo
figures for cornet and
flugel horn. Once you
have played this you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar
voren.
Jeanie
with the Light Brown
Hair stammt von
Stephen Foster, der im
19. Jahrhundert in
Amerika lebte und
zahlreiche heute noch
bekannte Lieder
komponierte. Viele seiner
Lieder handeln von der
Befreiung der Sklaven,
dieses Lied widmete er
jedoch seiner Frau
während einer langen,
unfreiwilligen Trennung
von Ihr. Mit Philip
Sparkes sensibler
Bearbeitung für Brass
Band springt der Funke
des romantischen Liedes
garantiert auf Musiker
und Publikum über!
There is a
popular misconception
that Stephen Collins
Foster (1826—1864)
found success as a
song-writer writing many
of his songs aiming to
‘humanise’
the black American
slaves. He was a
meticulous worker and
sometimes spent months
perfecting the lyrics of
a song. His first success
was Oh! Susanna
(1848) and as his
popularity grew he moved
with his young family to
New York to be near his
publishers. This was not
a success and Jane, his
wife and Marion, his
daughter, moved back to
Pittsburgh in 1854.
Foster wrote Jeanie
with the Light Brown
Hair as a result of
her continued absence.
Philip Sparke’s
arrangement of this
beautiful song will make
an excellent
slowinterlude in any
concert.
Brass Band - Grade 2.5 SKU: BT.AMP-127-030 Composed by Stephen Foster. Ar...(+)
Brass Band - Grade 2.5
SKU:
BT.AMP-127-030
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
127-030. Published by
Anglo Music Press
(BT.AMP-127-030).
9x12
inches.
English-German-French-Dut
ch.
One of the most
beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging, are augmented
with exquisite solo
figures for cornet and
flugel horn. Once you
have played this you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah, My
Old Kentucky Home
en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezicht
te geven.Jeanie with
the Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van Philip
Sparkeprachtig naar
voren.
Jeanie
with the Light Brown
Hair stammt von
Stephen Foster, der im
19. Jahrhundert in
Amerika lebte und
zahlreiche heute noch
bekannte Lieder
komponierte. Viele seiner
Lieder handeln von der
Befreiung der Sklaven,
dieses Lied widmete er
jedoch seiner Frau
während einer langen,
unfreiwilligen Trennung
von Ihr. Mit Philip
Sparkes sensibler
Bearbeitung für Brass
Band springt der Funke
des romantischen Liedes
garantiert auf Musiker
und Publikum über!
There is a
popular misconception
that Stephen Collins
Foster (1826—1864)
found success as a
song-writer writing many
of his songs aiming to
‘humanise’
the black American
slaves. He was a
meticulous worker and
sometimes spent months
perfecting the lyrics of
a song. His first success
was Oh! Susanna
(1848) and as his
popularity grew he moved
with his young family to
New York to be near his
publishers. This was not
a success and Jane, his
wife and Marion, his
daughter, moved back to
Pittsburgh in 1854.
Foster wrote Jeanie
with the Light Brown
Hair as a result of
her continued absence.
Philip Sparke’s
arrangement of this
beautiful song will make
an excellent
slowinterlude in any
concert.
Brass Band - Grade 2.5 SKU: BT.GOB-000990-030 Composed by William Vean. S...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000990-030
Composed by William Vean.
Set (Score & Parts). 60
pages. Gobelin Music
Publications #GOB
000990-030. Published by
Gobelin Music
Publications
(BT.GOB-000990-030).
The Netherlands
have been an important
trading nation for a long
time partly as a result
of their geographical
situation. One of the
first multinationals in
The Netherlands was the
‘Verenigde Oostindische
Compagnie’ (VOC).
The aim of the VOC was to
send ships to Asia in
order to buy pepper and
spices, and to take over
the Portuguese monopoly
in this field. The
Company was successful.
An era of great
prosperity resulted, in
which the art of painting
(Rembrandt van Rijn) as
well as science
(Constantijn Huygens)
flourished alongside a
thriving economy.
1. The Sails are set :
There is a lot of hustle
and bustle on the quay.
The crew are preparing
fordeparture. Goodbyes
are said and once the
sails have been hoisted
the ship sets out to
sea.
2. A Visit to
the Rajah of Yogyakarta:
After a voyage of many
months the place of
destination is reached. A
visit to the Radja, the
king of the area around
Yokyakarta, follows. The
dishes and beverages and
the native culture in
general are very pleasant
after having been on a
diet of ship’s biscuit
and water for such a long
time.
3. The Holds
have been loaded: The
holds have been loaded to
the brim, and the voyage
home can be
begin!
4. Death
sails along: Life at sea
is rough. not seldom did
a sailor die of a
tropical disease or
scurvy. After a memorial
service, the Captain
would speak the words
‘One, two, three, in
God’s name ...’ and
the body, wrapped in
canvas, would be
committed to the
sea.
5. A joyful
homecoming: After many
months of hardship coming
home is perhaps the best
part of the entire
voyage. The quay is
filled with people eager
to give the crew a warm
welcome.
1.
The Sails are set: Aan de
kade is het een drukte
van belang. De bemanning
maakt het schip klaar
voor vertrek. Er wordt
afscheid genomen en als
de zeilen gehesenzijn
zetten we koers naar
volle zee.
2. A
Visit to the Rajah of
Yogyakarta: Na een
maandenlange reis wordt
de bestemming bereikt. Er
volgt een bezoek aan de
Radja, de koning van de
streek rond Yokyakarta.
De spijzen, drankenen de
inheemse cultuur zijn
zeer aangenaam na maanden
scheepsbeschuit en
water.
3. The
Holds have been loaded:
De laadruimtes zijn
volgestouwd. De thuisreis
kan beginnen.
5.
A joyful homecoming: Na
maanden van ontberingen
is het thuiskomen
misschien wel het mooiste
van de hele reis. De kade
staat weer vol om de
bemanning een warm
onthaal te geven.
Voyage with the VOC Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-000990-130 Composed by William Vean. S...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000990-130
Composed by William Vean.
Score Only. 22 pages.
Gobelin Music
Publications #GOB
000990-130. Published by
Gobelin Music
Publications
(BT.GOB-000990-130).
The Netherlands
have been an important
trading nation for a long
time partly as a result
of their geographical
situation. One of the
first multinationals in
The Netherlands was the
‘Verenigde Oostindische
Compagnie’ (VOC).
The aim of the VOC was to
send ships to Asia in
order to buy pepper and
spices, and to take over
the Portuguese monopoly
in this field. The
Company was successful.
An era of great
prosperity resulted, in
which the art of painting
(Rembrandt van Rijn) as
well as science
(Constantijn Huygens)
flourished alongside a
thriving economy.
1. The Sails are set :
There is a lot of hustle
and bustle on the quay.
The crew are preparing
fordeparture. Goodbyes
are said and once the
sails have been hoisted
the ship sets out to
sea.
2. A Visit to
the Rajah of Yogyakarta:
After a voyage of many
months the place of
destination is reached. A
visit to the Radja, the
king of the area around
Yokyakarta, follows. The
dishes and beverages and
the native culture in
general are very pleasant
after having been on a
diet of ship’s biscuit
and water for such a long
time.
3. The Holds
have been loaded: The
holds have been loaded to
the brim, and the voyage
home can be
begin!
4. Death
sails along: Life at sea
is rough. not seldom did
a sailor die of a
tropical disease or
scurvy. After a memorial
service, the Captain
would speak the words
‘One, two, three, in
God’s name ...’ and
the body, wrapped in
canvas, would be
committed to the
sea.
5. A joyful
homecoming: After many
months of hardship coming
home is perhaps the best
part of the entire
voyage. The quay is
filled with people eager
to give the crew a warm
welcome.
1.
The Sails are set: Aan de
kade is het een drukte
van belang. De bemanning
maakt het schip klaar
voor vertrek. Er wordt
afscheid genomen en als
de zeilen gehesenzijn
zetten we koers naar
volle zee.
2. A
Visit to the Rajah of
Yogyakarta: Na een
maandenlange reis wordt
de bestemming bereikt. Er
volgt een bezoek aan de
Radja, de koning van de
streek rond Yokyakarta.
De spijzen, drankenen de
inheemse cultuur zijn
zeer aangenaam na maanden
scheepsbeschuit en
water.
3. The
Holds have been loaded:
De laadruimtes zijn
volgestouwd. De thuisreis
kan beginnen.
5.
A joyful homecoming: Na
maanden van ontberingen
is het thuiskomen
misschien wel het mooiste
van de hele reis. De kade
staat weer vol om de
bemanning een warm
onthaal te geven.
Brass Band - Grade 2.5 SKU: BT.GOB-000958-030 Composed by Peter Martin. A...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000958-030
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 5 pages. Gobelin
Music Publications #GOB
000958-030. Published by
Gobelin Music
Publications
(BT.GOB-000958-030).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-000958-130 Composed by Peter Martin. A...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000958-130
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only. 36
pages. Gobelin Music
Publications #GOB
000958-130. Published by
Gobelin Music
Publications
(BT.GOB-000958-130).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Brass Band - Grade 2 SKU: BT.DHP-0910325-030 Composed by Traditional. Arr...(+)
Brass Band - Grade 2
SKU:
BT.DHP-0910325-030
Composed by Traditional.
Arranged by Herman
Oldenstijl. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1991. De Haske
Publications #DHP
0910325-030. Published by
De Haske Publications
(BT.DHP-0910325-030).
This lovely
Scottish hymn, also known
as The Lord’s My
Shepherd, first appeared
in 1929 in the Scottish
songbook Northern
Psalter, where it was
incorrectly credited to
David Grant, an Aberdeen
businessman and amateur
musician. It was, in
fact, composed by Jessie
Irvine the daughter of
the parish minister at
Crimond. This arrangement
will be a musical jewel
in your concert
repertoire.
Crimond
ist ein geistliches Lied
aus Schottland aus dem
Jahr 1836.
Fälschlicherweise
zunächst einem
Geschäftsmann und
Amateurmusiker
zugeschrieben, stellte
sich später heraus,
dass die Musik
tatsächlich von Jessie
Irvine, der Tochter eines
Küsters, komponiert
worden war. Die schöne
Melodie der sonst
unbekannten Komponistin
gelangte 1929
schließlich in ein
schottisches Gesangbuch.
Herman Oldenstijl hat nun
dieses musikalische
Kleinod auf
eindrucksvolle Weise
für Brass Band
bearbeitet.
Brass Band - Grade 2 SKU: BT.GOB-000451-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000451-030
Composed by Andreas
Ludwig Schulte. Arranged
by David Well. Set (Score
& Parts). 30 pages.
Gobelin Music
Publications #GOB
000451-030. Published by
Gobelin Music
Publications
(BT.GOB-000451-030).
The atmosphere
of the Wild West is
caught in a striking and
most imaginative way by
young composer Andreas
Schulte in this work.
A caravan of gold- and
fortuneseekers launch
themselves into a big
adventure and begin their
rush westward.
The first
movement desciribes these
first days of buoyancy
and optimism in a crisp
march. Near the
campfire the pioneers
rest themselves, and the
music expresses feelings
of romance, nostalgia for
the past and hopes for
the future. A wistful
melody very
characteristically
communicates these
feelings. Relaxation
takes place in the third
movement which is a
musical characterization
of a rodeo and its
attendant
festivities. It is
obvious that sometimes
something goes wrong and
this aspect can also be
heard. Nevertheless,
the valiant rider wins in
the end. With a
flashback to the
beginning, the journey is
completed musically, thus
giving the composition a
dignified finale.
Let the mystic Wild West
entrance you. (Wagons ho
....!!) De sfeer van het
Wilde Westen wordt door
de jonge componist
Andreas Ludwig Schulte op
een uiterst treffende en
beeldende wijze
geschetst. Een
karavaan van goud- en
gelukzoekers stort zich
in het grote avontuur en
begint de grote reis naar
het westen.
Het
eerste gedeelte
beschrijft de eerste
dagen van opgewektheid en
optimisme in een vlotte
mars. Bij het
kampvuur komen de
pioniers tot rust en
worden gevoelens van
romantiek, heimwee
(verleden) en hoop
(toekomst) muzikaal
weergegeven. Een
weemoedige melodie
verwoordt die gevoelens
op een zeer kenmerkende
wijze. De ontspanning
vindt plaats in het derde
deel waarin een
rodeofeest muzikaal wordt
verklankt. Met een
flashback van het begin
wordt de tocht voltooid
en de compositie waardig
afgesloten.
A Western Suite Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000451-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000451-130
Composed by Andreas
Ludwig Schulte. Arranged
by David Well. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000451-130. Published by
Gobelin Music
Publications
(BT.GOB-000451-130).
The atmosphere
of the Wild West is
caught in a striking and
most imaginative way by
young composer Andreas
Schulte in this work.
A caravan of gold- and
fortuneseekers launch
themselves into a big
adventure and begin their
rush westward.
The first
movement desciribes these
first days of buoyancy
and optimism in a crisp
march. Near the
campfire the pioneers
rest themselves, and the
music expresses feelings
of romance, nostalgia for
the past and hopes for
the future. A wistful
melody very
characteristically
communicates these
feelings. Relaxation
takes place in the third
movement which is a
musical characterization
of a rodeo and its
attendant
festivities. It is
obvious that sometimes
something goes wrong and
this aspect can also be
heard. Nevertheless,
the valiant rider wins in
the end. With a
flashback to the
beginning, the journey is
completed musically, thus
giving the composition a
dignified finale.
Let the mystic Wild West
entrance you. (Wagons ho
....!!) De sfeer van het
Wilde Westen wordt door
de jonge componist
Andreas Ludwig Schulte op
een uiterst treffende en
beeldende wijze
geschetst. Een
karavaan van goud- en
gelukzoekers stort zich
in het grote avontuur en
begint de grote reis naar
het westen.
Het
eerste gedeelte
beschrijft de eerste
dagen van opgewektheid en
optimisme in een vlotte
mars. Bij het
kampvuur komen de
pioniers tot rust en
worden gevoelens van
romantiek, heimwee
(verleden) en hoop
(toekomst) muzikaal
weergegeven. Een
weemoedige melodie
verwoordt die gevoelens
op een zeer kenmerkende
wijze. De ontspanning
vindt plaats in het derde
deel waarin een
rodeofeest muzikaal wordt
verklankt. Met een
flashback van het begin
wordt de tocht voltooid
en de compositie waardig
afgesloten.
Brass Band - Grade 3 SKU: BT.AMP-134-030 Composed by Mykola Leotnovich. A...(+)
Brass Band - Grade 3
SKU:
BT.AMP-134-030
Composed by Mykola
Leotnovich. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
134-030. Published by
Anglo Music Press
(BT.AMP-134-030).
9x12
inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekra ense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een
‘shchedrivkaâ€â„
¢, een lied dat van
oudsher werdgezongen op
de Oekra ense
oudejaarsavond (13
januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekra ense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines großen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken läuteten. Aus
der Melodie entstand
unter anderem auch das
bekannte Carol of the
Bells von Peter J.
Wilhousky. Philip Sparke
griff für seine
bewegende Bearbeitung
jedoch auf die originale
ukrainische Melodie
zurück.
Ukrainian Bell
Carol costituisce una
delle parti
dell’opera corale
Shchedryk del compositore
ucraino Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesù. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky è la
versione più celebre.
Philip Sparke ha scelto
di ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Circius Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 5 SKU: BT.GOB-000037-130 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 5
SKU:
BT.GOB-000037-130
Composed by Torstein
Aagaard-Nilsen. Score
Only. 27 pages. Gobelin
Music Publications #GOB
000037-130. Published by
Gobelin Music
Publications
(BT.GOB-000037-130).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Brass Band - Grade 5 SKU: BT.GOB-000037-030 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 5
SKU:
BT.GOB-000037-030
Composed by Torstein
Aagaard-Nilsen. Concert
Piece. Set (Score &
Parts). 30 pages. Gobelin
Music Publications #GOB
000037-030. Published by
Gobelin Music
Publications
(BT.GOB-000037-030).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Composed by Kenneth Hesketh. 5 or More; Brass Band; Performance Music Ensemble; ...(+)
Composed by Kenneth
Hesketh. 5 or More; Brass
Band; Performance Music
Ensemble; Solo Small
Ensembles. Faber Edition:
Faber Brass Band Series.
Form: Dance. 20th
Century; Masterwork.
Part(s); Score. Faber
Music #12-0571565123.
Published by Faber Music