The Irish Dancemaster Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000734-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000734-030
Composed by William Vean.
Set (Score & Parts). 12
pages. Gobelin Music
Publications #GOB
000734-030. Published by
Gobelin Music
Publications
(BT.GOB-000734-030).
During the
eighteenth century a
person called 'the Dance
Master' made his
appearance in Ireland. He
was a travelling
dance-teacher, who moved
from one village to
another to teach the
people there how to
dance. They were
often flamboyant
personalities, gorgeously
dressed and holding a
staff in one hand. In
order to teach their
pupils the difference
between their right and
left leg, the dance
master used to tie a
small bunch of straw or
hay to their leg and then
would order them to
either lift their
'hay-leg' or their
'straw-leg'. The
dancing masters used to
stay in one particular
village for about six
weeks (if they were not
claimed by a
neighbouringvillage),
after which they
continued their
journey. Having a
famous dance master gave
a village a certain
distinction and did not
seldom lead to boasting
and pride. Also on
account of the popularity
of Celtic music in
general at the moment,
William Vean was inspired
to writing 'The Irish
Dance Master'. He
'teaches' you two dances,
the Reel and the Jig. In
between these two dances
there is a short
breathing space, during
which a traditional Irish
rhythm can be enjoyed.
In de achttiende
eeuw verscheen een
persoon met de naam
‘The Dance Master' op
het Ierse toneel. Hij was
een rondreizende
dansleraar die van het
ene dorp naar het andere
trok om er mensen te
leren dansen. Dit werk
bestaat uit twee dansen:
een Reel en een Jig.
The Irish Dancemaster Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000734-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000734-130
Composed by William Vean.
Score Only. 12 pages.
Gobelin Music
Publications #GOB
000734-130. Published by
Gobelin Music
Publications
(BT.GOB-000734-130).
During the
eighteenth century a
person called 'the Dance
Master' made his
appearance in Ireland. He
was a travelling
dance-teacher, who moved
from one village to
another to teach the
people there how to
dance. They were
often flamboyant
personalities, gorgeously
dressed and holding a
staff in one hand. In
order to teach their
pupils the difference
between their right and
left leg, the dance
master used to tie a
small bunch of straw or
hay to their leg and then
would order them to
either lift their
'hay-leg' or their
'straw-leg'. The
dancing masters used to
stay in one particular
village for about six
weeks (if they were not
claimed by a
neighbouringvillage),
after which they
continued their
journey. Having a
famous dance master gave
a village a certain
distinction and did not
seldom lead to boasting
and pride. Also on
account of the popularity
of Celtic music in
general at the moment,
William Vean was inspired
to writing 'The Irish
Dance Master'. He
'teaches' you two dances,
the Reel and the Jig. In
between these two dances
there is a short
breathing space, during
which a traditional Irish
rhythm can be enjoyed.
In de achttiende
eeuw verscheen een
persoon met de naam
‘The Dance Master' op
het Ierse toneel. Hij was
een rondreizende
dansleraar die van het
ene dorp naar het andere
trok om er mensen te
leren dansen. Dit werk
bestaat uit twee dansen:
een Reel en een Jig.
Score and Parts. Performed by The Canadian Brass. By Jean-Joseph Mouret. Arrange...(+)
Score and Parts.
Performed by The Canadian
Brass. By Jean-Joseph
Mouret. Arranged by Fred
Mills. Brass Ensemble.
Size 9x12 inches. 18
pages. Published by Hal
Leonard Corporation.
The Lonesome Knight Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-130 Composed by Saskia Apon. Scor...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-130
Composed by Saskia Apon.
Score Only. 30 pages.
Gobelin Music
Publications #GOB
000401-130. Published by
Gobelin Music
Publications
(BT.GOB-000401-130).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
The Lonesome Knight Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-030 Composed by Saskia Apon. Set ...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-030
Composed by Saskia Apon.
Set (Score & Parts). 56
pages. Gobelin Music
Publications #GOB
000401-030. Published by
Gobelin Music
Publications
(BT.GOB-000401-030).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
Brass Band - Grade 3 SKU: BT.GOB-000983-130 Arranged by Menno Haantjes. S...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000983-130
Arranged by Menno
Haantjes. Score Only. 6
pages. Gobelin Music
Publications #GOB
000983-130. Published by
Gobelin Music
Publications
(BT.GOB-000983-130).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain.
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain.
Brass Band - Grade 3 SKU: BT.GOB-000983-030 Arranged by Menno Haantjes. S...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000983-030
Arranged by Menno
Haantjes. Set (Score &
Parts). 28 pages. Gobelin
Music Publications #GOB
000983-030. Published by
Gobelin Music
Publications
(BT.GOB-000983-030).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain.
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain.
Theme Park Fun! Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001142-030 Composed by Wilco Moerman. Se...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001142-030
Composed by Wilco
Moerman. Set (Score &
Parts). Gobelin Music
Publications #GOB
001142-030. Published by
Gobelin Music
Publications
(BT.GOB-001142-030).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual composition
(downloadable after
ordering a set, on
www.gobelinmusic.com).
Part 1: The
Entrance & Parade [with
animation] The
opening of the park is a
fact. A day fullof fun
and pleasure awaits! You
and the other visitors
will be confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! Aparade of
colorful floats and park
figures is passing
by. Let the fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challengedto visit a
house full of ghosts,
creepy figures and other
ominous things. The clock
strikes twelve, there is
no turning back. Ghosts
are whispering, yelling,
screaming... Fortunately
it is almost one oclock,
so we can leave this
creepy
placequickly.
P
art 3: The Swinging
Galleon [with
illustrations] Wha
t a huge pirate ship!
Each time you swing back
and forth, you will feel
that weird feeling in
your stomach. When you
are thrown completely
into the top you will
have afantastic view over
the park, but you can not
enjoy it for long. Before
you know the ship swings
back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions,it is time
for a peaceful tour in
The Fairy Tale Ride.
Surrounded by a fairytale
setting, you will
discover fable figures,
talking animals and
colorful designs. Such a
beauty and tranquility.
Having had this
experience, we are ready
again for thebig rides in
the park!
Part
5: The Bumper Cars [with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bumpagainst someone
else. In this tough ride
you can prove yourself as
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we shoulddefinitely
do the Roller Coaster!
All together in the
train, the
over-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the topand the
train will be plunged
down the first drop!
Loops, corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park
[withanimation] Un
fortunately everything
comes to an end. This day
in the theme park is
over, but we have a lot
new experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to
theexit. Just one look
over the shoulder, the
amusement park figures
are waving at us.
Hopefully we will come
back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
De animatiefilmpjes en
illustraties zijn, na
aankoop van de set, te
downloaden op
www.gobelinmusic.com.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening vanhet pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerd met alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Eris
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagens komt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractiein het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zich te begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug.Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel
3: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je
heenen weer schommelt,
voel je dat rare gevoel
in je buik. Wanneer je
helemaal in de top
geslingerd bent heb je
een fantastisch uitzicht
over het pretpark, maar
je kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weerde andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannende en
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een
sprookjesachtige.
Theme Park Fun! Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001142-130 Composed by Wilco Moerman. Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001142-130
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001142-130. Published by
Gobelin Music
Publications
(BT.GOB-001142-130).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual composition
(downloadable after
ordering a set, on
www.gobelinmusic.com).
Part 1: The
Entrance & Parade [with
animation] The
opening of the park is a
fact. A day fullof fun
and pleasure awaits! You
and the other visitors
will be confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! Aparade of
colorful floats and park
figures is passing
by. Let the fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challengedto visit a
house full of ghosts,
creepy figures and other
ominous things. The clock
strikes twelve, there is
no turning back. Ghosts
are whispering, yelling,
screaming... Fortunately
it is almost one oclock,
so we can leave this
creepy
placequickly.
P
art 3: The Swinging
Galleon [with
illustrations] Wha
t a huge pirate ship!
Each time you swing back
and forth, you will feel
that weird feeling in
your stomach. When you
are thrown completely
into the top you will
have afantastic view over
the park, but you can not
enjoy it for long. Before
you know the ship swings
back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions,it is time
for a peaceful tour in
The Fairy Tale Ride.
Surrounded by a fairytale
setting, you will
discover fable figures,
talking animals and
colorful designs. Such a
beauty and tranquility.
Having had this
experience, we are ready
again for thebig rides in
the park!
Part
5: The Bumper Cars [with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bumpagainst someone
else. In this tough ride
you can prove yourself as
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we shoulddefinitely
do the Roller Coaster!
All together in the
train, the
over-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the topand the
train will be plunged
down the first drop!
Loops, corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park
[withanimation] Un
fortunately everything
comes to an end. This day
in the theme park is
over, but we have a lot
new experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to
theexit. Just one look
over the shoulder, the
amusement park figures
are waving at us.
Hopefully we will come
back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
De animatiefilmpjes en
illustraties zijn, na
aankoop van de set, te
downloaden op
www.gobelinmusic.com.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening vanhet pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerd met alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Eris
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagens komt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractiein het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zich te begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug.Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel
3: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je
heenen weer schommelt,
voel je dat rare gevoel
in je buik. Wanneer je
helemaal in de top
geslingerd bent heb je
een fantastisch uitzicht
over het pretpark, maar
je kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weerde andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannende en
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een
sprookjesachtige.
Nearer My God To Thee Ensemble de cuivres [Conducteur et Parties séparées] Hal Leonard
Score and Parts. Performed by The Canadian Brass. By Traditional. Arranged by Lu...(+)
Score and Parts.
Performed by The Canadian
Brass. By Traditional.
Arranged by Luther
Henderson. Brass
Ensemble. Size 9x12
inches. 32 pages.
Published by Hal Leonard
Corporation.
The Baltic Way Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206253-130
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 48 pages. De Haske
Publications #DHP
1206253-130. Published by
De Haske Publications
(BT.DHP-1206253-130).
English-German-French-
Dutch.
In 1989, the
demonstration named the
Baltic Way also
known as the Baltic
Chain— was held in
the Baltic states of
Estonia, Latvia and
Lithuania by its citizens
in a call for
independence from the
Soviet Union. On 23rd
August 1989, some two
million participants
formed a human chain,
hand-in-hand all the way
from the Estonian capital
of Tallinn its Latvian
counterpart, Riga,
through to the Lithuanian
capital of Vilnius - six
hundred kilometres long.
It became the longest
human chain ever created
and turned out to be the
final push needed for
much sought-after
independence. This
historic event became the
source of inspiration for
this composition. The
introduction of thefirst
movement, ‘Struggle
for Independence’,
is based on a nocturne
for piano by the renowned
Lithuanian composer and
painter Mikalojus
Konstantinas iurlionis
(1875-1911), thematic
material from which has
been incorporated
throughout the whole
composition. The
melancholic beginning is
followed by a powerful
theme which reflects the
resolve of the Baltic
people. The sudden
aggressive, dissonant
chords and a dominant
and—in rhythmic
terms—contrary
bass drum announce that
the resistance is not
going smoothly. Just for
a moment, we hear the
anthem of the Soviet
Union in the lower brass,
but this is relentlessly
pushed to the background
by the rest of the band
playing the Lithuanian
national anthem,
‘Tautiška giesm
’ (Lithuania, our
homeland). The second
movement, ‘Decades
of Suffering’,
echoes life under the
Soviet Union's thumb. In
the pursuit of
independence, a peaceful
protest is planned in
which a human chain is
formed across the Baltic
states of Estonia, Latvia
and Lithuania. This
‘Chain of
Freedom’ is
depicted in the final
movement of the work.
De Baltische Weg
(The Baltic Way)
was een demonstratie van
de bevolking van de
Baltische staten die in
1989 plaatsvond als een
roep om onafhankelijkheid
van de Sovjet-Unie. Deze
historische gebeurtenis
vormde de inspiratiebron
voor deze compositie. Van
Vilnius via Riga naar
Tallinn werd een
zeshonderd kilometer
lange keten van naar
schatting twee miljoen
mensen gevormd. Op 23
augustus 1989 gaven al
die mensen elkaar de hand
en werd De Baltische Weg
de langste menselijke
keten ooit. Het bleek de
uiteindelijke opmaat tot
de zo gewenste
onafhankelijkheid. De
inleiding van het eerste
deel, ‘Struggle for
Independence’, is
gebaseerd op een nocturne
voor piano van
devooraanstaande Litouwse
componist en
kunstschilder Mikalojus
Konstantinas iurlionis
(1875-1911). Het
thematische materiaal van
deze nocturne is door de
hele compositie heen
verwerkt. Na het
melancholische begin
volgt een krachtig thema,
waarmee de strijdbaarheid
van de Baltische
bevolking wordt
uitgebeeld. De
plotselinge agressieve
dissonante akkoorden en
een dominante en ritmisch
gezien tegendraadse grote
trom laten horen dat het
verzet niet eenvoudig
verloopt. Even klinkt het
begin van het volkslied
van de Sovjet-Unie in het
lage koper, maar dat
wordt door de rest van de
band onverbiddelijk naar
de achtergrond verwezen
door het Litouwse
nationale volkslied
‘Tautiška giesm
’ (Litouwen, ons
vaderland). In deel twee,
‘Decades of
Suffering’, wordt
het leven onder het juk
van de Sovjet-Unie
verklankt. In het streven
naar onafhankelijkheid
worden plannen gemaakt om
als vreedzaam protest
tegen de onderdrukking
een menselijke keten te
vormen over de wegen van
de Baltische staten
Litouwen, Letland en
Estland. Deze
‘Chain of
Freedom’ wordt in
het laatste deel van het
werk muzikaal
weergegeven.
Der
sogenannte Baltischer Weg
(The Baltic Way)
auch unter dem Namen
Baltische Kette bekannt
war 1989 eine
Demonstration von
Bürgern in den
baltischen Staaten
Estland, Lettland und
Litauen mit dem Aufruf
zur Unabhängigkeit von
der Sowjetunion. Am 23.
August 1989 bildeten rund
zwei Millionen Teilnehmer
eine sechshundert
Kilometer lange
Menschenkette, die von
der estnischen Hauptstadt
Tallinn über das
lettische Riga bis zur
litauischen Hauptstadt
Vilnius reichte. Die
längste Menschenkette,
die jemals geschaffen
wurde, erwies sich als
der letzte Schritt, der
zur lang ersehnten
Unabhängigkeit
führte. Dieses
historische Ereignis
diente der Komposition
alsInspirationsquelle.
Die Einleitung des ersten
Satzes, Struggle for
Independence“,
basiert auf einem
Nocturne für Klavier
des bekannten litauischen
Komponisten und Malers
Mikalojus Konstantinas
iurlionis (1875 1911),
dessen thematisches
Material in der gesamten
Komposition verwendet
wird. Dem melancholischen
Anfang folgt ein
mitreißendes Thema,
das die Entschlossenheit
der baltischen
Bevölkerung
widerspiegelt. Die
plötzlichen
aggressiven, dissonanten
Akkorde und eine
dominante und rhythmisch
gegenläufige Bewegung
in der Basstrommel
kündigen an, dass der
Widerstand nicht
reibungslos verläuft.
Für einen kurzen
Moment erklingt die Hymne
der Sowjetunion in den
tiefen Blechbläsern,
aber diese wird
unerbittlich vom
restlichen Orchester in
den Hintergrund
gedrängt, welches die
litauische Nationalhymne
Tautiška giesm “
(Litauen, unser
Heimatland“)
spielt. Der zweite Satz,
Decades of
Suffering“,
spiegelt das Leben unter
dem Joch der Sowjetunion
wider. Für das Streben
nach Unabhängigkeit
war ein friedlicher
Protest geplant, bei dem
eine Menschenkette durch
die baltischen Staaten
Estland, Lettland und
Litauen gebildet wurde.
Diese Chain of
Freedom“ wird im
letzten Satz des Werkes
beschrieben.
The Baltic Way Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206253-030
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1206253-030. Published by
De Haske Publications
(BT.DHP-1206253-030).
English-German-French-
Dutch.
In 1989, the
demonstration named the
Baltic Way also
known as the Baltic
Chain— was held in
the Baltic states of
Estonia, Latvia and
Lithuania by its citizens
in a call for
independence from the
Soviet Union. On 23rd
August 1989, some two
million participants
formed a human chain,
hand-in-hand all the way
from the Estonian capital
of Tallinn its Latvian
counterpart, Riga,
through to the Lithuanian
capital of Vilnius - six
hundred kilometres long.
It became the longest
human chain ever created
and turned out to be the
final push needed for
much sought-after
independence. This
historic event became the
source of inspiration for
this composition. The
introduction of thefirst
movement, ‘Struggle
for Independence’,
is based on a nocturne
for piano by the renowned
Lithuanian composer and
painter Mikalojus
Konstantinas iurlionis
(1875-1911), thematic
material from which has
been incorporated
throughout the whole
composition. The
melancholic beginning is
followed by a powerful
theme which reflects the
resolve of the Baltic
people. The sudden
aggressive, dissonant
chords and a dominant
and—in rhythmic
terms—contrary
bass drum announce that
the resistance is not
going smoothly. Just for
a moment, we hear the
anthem of the Soviet
Union in the lower brass,
but this is relentlessly
pushed to the background
by the rest of the band
playing the Lithuanian
national anthem,
‘Tautiška giesm
’ (Lithuania, our
homeland). The second
movement, ‘Decades
of Suffering’,
echoes life under the
Soviet Union's thumb. In
the pursuit of
independence, a peaceful
protest is planned in
which a human chain is
formed across the Baltic
states of Estonia, Latvia
and Lithuania. This
‘Chain of
Freedom’ is
depicted in the final
movement of the work.
De Baltische Weg
(The Baltic Way)
was een demonstratie van
de bevolking van de
Baltische staten die in
1989 plaatsvond als een
roep om onafhankelijkheid
van de Sovjet-Unie. Deze
historische gebeurtenis
vormde de inspiratiebron
voor deze compositie. Van
Vilnius via Riga naar
Tallinn werd een
zeshonderd kilometer
lange keten van naar
schatting twee miljoen
mensen gevormd. Op 23
augustus 1989 gaven al
die mensen elkaar de hand
en werd De Baltische Weg
de langste menselijke
keten ooit. Het bleek de
uiteindelijke opmaat tot
de zo gewenste
onafhankelijkheid. De
inleiding van het eerste
deel, ‘Struggle for
Independence’, is
gebaseerd op een nocturne
voor piano van
devooraanstaande Litouwse
componist en
kunstschilder Mikalojus
Konstantinas iurlionis
(1875-1911). Het
thematische materiaal van
deze nocturne is door de
hele compositie heen
verwerkt. Na het
melancholische begin
volgt een krachtig thema,
waarmee de strijdbaarheid
van de Baltische
bevolking wordt
uitgebeeld. De
plotselinge agressieve
dissonante akkoorden en
een dominante en ritmisch
gezien tegendraadse grote
trom laten horen dat het
verzet niet eenvoudig
verloopt. Even klinkt het
begin van het volkslied
van de Sovjet-Unie in het
lage koper, maar dat
wordt door de rest van de
band onverbiddelijk naar
de achtergrond verwezen
door het Litouwse
nationale volkslied
‘Tautiška giesm
’ (Litouwen, ons
vaderland). In deel twee,
‘Decades of
Suffering’, wordt
het leven onder het juk
van de Sovjet-Unie
verklankt. In het streven
naar onafhankelijkheid
worden plannen gemaakt om
als vreedzaam protest
tegen de onderdrukking
een menselijke keten te
vormen over de wegen van
de Baltische staten
Litouwen, Letland en
Estland. Deze
‘Chain of
Freedom’ wordt in
het laatste deel van het
werk muzikaal
weergegeven.
Der
sogenannte Baltischer Weg
(The Baltic Way)
auch unter dem Namen
Baltische Kette bekannt
war 1989 eine
Demonstration von
Bürgern in den
baltischen Staaten
Estland, Lettland und
Litauen mit dem Aufruf
zur Unabhängigkeit von
der Sowjetunion. Am 23.
August 1989 bildeten rund
zwei Millionen Teilnehmer
eine sechshundert
Kilometer lange
Menschenkette, die von
der estnischen Hauptstadt
Tallinn über das
lettische Riga bis zur
litauischen Hauptstadt
Vilnius reichte. Die
längste Menschenkette,
die jemals geschaffen
wurde, erwies sich als
der letzte Schritt, der
zur lang ersehnten
Unabhängigkeit
führte. Dieses
historische Ereignis
diente der Komposition
alsInspirationsquelle.
Die Einleitung des ersten
Satzes, Struggle for
Independence“,
basiert auf einem
Nocturne für Klavier
des bekannten litauischen
Komponisten und Malers
Mikalojus Konstantinas
iurlionis (1875 1911),
dessen thematisches
Material in der gesamten
Komposition verwendet
wird. Dem melancholischen
Anfang folgt ein
mitreißendes Thema,
das die Entschlossenheit
der baltischen
Bevölkerung
widerspiegelt. Die
plötzlichen
aggressiven, dissonanten
Akkorde und eine
dominante und rhythmisch
gegenläufige Bewegung
in der Basstrommel
kündigen an, dass der
Widerstand nicht
reibungslos verläuft.
Für einen kurzen
Moment erklingt die Hymne
der Sowjetunion in den
tiefen Blechbläsern,
aber diese wird
unerbittlich vom
restlichen Orchester in
den Hintergrund
gedrängt, welches die
litauische Nationalhymne
Tautiška giesm “
(Litauen, unser
Heimatland“)
spielt. Der zweite Satz,
Decades of
Suffering“,
spiegelt das Leben unter
dem Joch der Sowjetunion
wider. Für das Streben
nach Unabhängigkeit
war ein friedlicher
Protest geplant, bei dem
eine Menschenkette durch
die baltischen Staaten
Estland, Lettland und
Litauen gebildet wurde.
Diese Chain of
Freedom“ wird im
letzten Satz des Werkes
beschrieben.
Conductor Edition with Online Recordings of Performance by the Ca. By The Canadi...(+)
Conductor Edition with
Online Recordings of
Performance by the Ca. By
The Canadian Brass. Brass
Ensemble. Wedding.
Softcover Audio Online.
32 pages. Published by
Canadian Brass
Music of the Spheres Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-028-130 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 6
SKU:
BT.AMP-028-130
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2003.
Anglo Music Press #AMP
028-130. Published by
Anglo Music Press
(BT.AMP-028-130).
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Mit
diesem großartigen
Werk, das dem
Auftraggeber der
Yorkshire Building
Society Band am
Europäischen Brass
Band Wettbewerb 2004 in
Glasgow als
Selbstwahlstück zu
einem weiteren Titel
verhalf, beweist Philip
Sparke einmal mehr seine
außergewöhnlichen
kompositorischen
Fähigkeiten. Dieses
Werk über die
Ursprünge des
Universums führt uns
vom Urknall, vorbei an
einsamen Planeten,
Asteroiden und
Sternschnuppen
schließlich ins
Unbekannte - die
ungewisse Zukunft. Ein
Glanzstück und eine
echte Herausforderung
für jeden
Spitzen-Brass
Band!
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
For 11 Brass and 2 Percussion. Composed by Eric Ewazen. Premiered by the ...(+)
For 11 Brass and 2
Percussion. Composed
by Eric Ewazen. Premiered
by the Boulder Brass.
Contemporary. Score and
part(s). With Standard
notation. 36 52 pages.
Duration 8 minutes.
Theodore Presser Company
#114-41470. Published by
Theodore Presser Company
(PR.114414700).