The Lonesome Knight Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-130 Composed by Saskia Apon. Scor...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-130
Composed by Saskia Apon.
Score Only. 30 pages.
Gobelin Music
Publications #GOB
000401-130. Published by
Gobelin Music
Publications
(BT.GOB-000401-130).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
The Lonesome Knight Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-030 Composed by Saskia Apon. Set ...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-030
Composed by Saskia Apon.
Set (Score & Parts). 56
pages. Gobelin Music
Publications #GOB
000401-030. Published by
Gobelin Music
Publications
(BT.GOB-000401-030).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
On the Movieset Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000802-130 Composed by John Emerson Blac...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000802-130
Composed by John Emerson
Blackstone. Score Only.
20 pages. Gobelin Music
Publications #GOB
000802-130. Published by
Gobelin Music
Publications
(BT.GOB-000802-130).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
On the Movieset Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000802-030 Composed by John Emerson Blac...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000802-030
Composed by John Emerson
Blackstone. Set (Score &
Parts). Gobelin Music
Publications #GOB
000802-030. Published by
Gobelin Music
Publications
(BT.GOB-000802-030).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
Scottish Dances Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-000958-030 Composed by Peter Martin. A...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000958-030
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 5 pages. Gobelin
Music Publications #GOB
000958-030. Published by
Gobelin Music
Publications
(BT.GOB-000958-030).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-000958-130 Composed by Peter Martin. A...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-000958-130
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only. 36
pages. Gobelin Music
Publications #GOB
000958-130. Published by
Gobelin Music
Publications
(BT.GOB-000958-130).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
All Cried Out Ensemble de cuivres [Conducteur] - Facile Music Sales
Brass Band - Grade 3 SKU: BT.1143-04-130-MS Arranged by Peter Kleine Scha...(+)
Brass Band - Grade 3
SKU:
BT.1143-04-130-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1143-04-130 MS.
Published by Music Sales
(BT.1143-04-130-MS).
T the beginning
of the 1980s Alison Moyet
was discovered by Vince
Clarke, who - in search
of greater independence -
had left the successful
band Depeche Mode. The
soulful singing style of
Moyet and the electronic,
innovative pop that
Clarke made melded well
together in the group
Yazoo with hits such as
Only You and Don’t
Go. However, after a
number of years Moyet
went her own way and
forged a solo career,
during which she
demonstrated a somewhat
more traditional sound.
She recorded several
covers (such as The First
Time I Ever Saw Your Face
and That Ole Devil Called
Love) but she also
wrotefine songs herself,
such as Love Resurrection
and, of course, the
expressive song AllCried
Out. This arrangement by
Peter Kleine Schaars does
justice to the atmosphere
of the original song.
Die erfolgreiche
Karriere von Alison Moyet
begann zu Beginn der
80er-Jahre mit der
englischen Popgruppe
Yazoo. Nach ein paar
Jahren ging die
Sängerin mit der
starken Soulstimme jedoch
eigene Wege und arbeitete
an einer Solo-Karriere.
Sie nahm einige
Cover-Versionen auf,
schrieb aber auch selbst
schöne Lieder,
darunter Love
Resurrection und
natürlich das
ausdrucksvolle,
unvergessene All Cried
Out. Diese
Bearbeitung von Peter
Kleine Schaars wird der
Stimmung des Originals
vollkommen
gerecht.
All Cried Out Ensemble de cuivres [Conducteur et Parties séparées] - Facile Music Sales
Brass Band - Grade 3 SKU: BT.1143-04-030-MS Arranged by Peter Kleine Scha...(+)
Brass Band - Grade 3
SKU:
BT.1143-04-030-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1143-04-030 MS.
Published by Music Sales
(BT.1143-04-030-MS).
At the
beginning of the 1980s
Alison Moyet was
discovered by Vince
Clarke, who - in search
of greater independence -
had left the successful
band Depeche Mode. The
soulful singing style of
Moyet and the electronic,
innovative pop that
Clarke made melded well
together in the group
Yazoo with hits such as
Only You and Don’t
Go. However, after a
number of years Moyet
went her own way and
forged a solo career,
during which she
demonstrated a somewhat
more traditional sound.
She recorded several
covers (such as The First
Time I Ever Saw Your Face
and That Ole Devil Called
Love) but she also wrote
fine songs herself, such
as Love Resurrection and,
of course, the expressive
song AllCried Out. This
arrangement by Peter
Kleine Schaars does
justice to the atmosphere
of the original song.
Die erfolgreiche
Karriere von Alison Moyet
begann zu Beginn der
80er-Jahre mit der
englischen Popgruppe
Yazoo. Nach ein paar
Jahren ging die
Sängerin mit der
starken Soulstimme jedoch
eigene Wege und arbeitete
an einer Solo-Karriere.
Sie nahm einige
Cover-Versionen auf,
schrieb aber auch selbst
schöne Lieder,
darunter Love
Resurrection und
natürlich das
ausdrucksvolle,
unvergessene All Cried
Out. Diese
Bearbeitung von Peter
Kleine Schaars wird der
Stimmung des Originals
vollkommen
gerecht.
Good Vibrations Ensemble de cuivres [Conducteur et Parties séparées] - Facile Music Sales
Brass Band - Grade 3 SKU: BT.1572-08-030-MS Composed by Brian Wilson and ...(+)
Brass Band - Grade 3
SKU:
BT.1572-08-030-MS
Composed by Brian Wilson
and Mike Love. Arranged
by Don Campbell. DHP Pop,
Film and Show. Pop &
Rock. Set (Score &
Parts). Composed 2008.
Music Sales #1572-08-030
MS. Published by Music
Sales
(BT.1572-08-030-MS).
9x12 inches.
English-German-French-Dut
ch.
The pop song
Good Vibrations,
which appeared as a
single in 1966, is one of
the most celebrated hits
of The Beach Boys. The
piece, composed and
produced by Brian Wilson,
has been called a mini
symphony. Various covers
versions have been made,
including a marvellous a
cappella version by the
King’s Singers.
This arrangement for
brass band, written by
Don Campbell, is just as
delightful as the
original.
De
popsong Good
Vibrations, die op
single verscheen in 1966,
is een van de bekendste
hits van de beroemde
Amerikaanse Beach Boys.
Het door Brian Wilson
gecomponeerde en
geproduceerde nummer is
wel eens een minisymfonie
genoemd.De kenmerkende
sound, met de bijzondere,
gevarieerde
instrumentatie en
herkenbare vocals, doet
het ook tegenwoordig nog
goed. Er zijn diverse
covers van de song
gemaakt, onder andere een
prachtige a-capellaversie
van de
BritseKing’s
Singers. Dit arrangement
voor harmonieorkest, van
de hand van Don Campbell,
is net zo pakkend als het
origineel.
Dieser
Hit aus der Feder des
Komponisten und
Produzenten der Beach
Boys hat nicht zu Unrecht
den Beinamen
Mini-Symphonie“
erhalten. Der typische
Sound und die
außergewöhnliche
und abwechslungsreiche
Instrumentierung sind
auch in der Bearbeitung
von Don Campbell
erhalten. Ein absoluter
Gute-Laune-Titel, bei dem
Musiker und Zuhörer
gemeinsam auf einer Welle
von Good
Vibrations“
schwimmen werden!
Good Vibrations Ensemble de cuivres [Conducteur] - Facile Music Sales
Brass Band - Grade 3 SKU: BT.1572-08-130-MS Composed by Brian Wilson and ...(+)
Brass Band - Grade 3
SKU:
BT.1572-08-130-MS
Composed by Brian Wilson
and Mike Love. Arranged
by Don Campbell. DHP Pop,
Film and Show. Pop &
Rock. Score Only.
Composed 2008. 24 pages.
Music Sales #1572-08-130
MS. Published by Music
Sales
(BT.1572-08-130-MS).
9x12 inches.
English-German-French-Dut
ch.
The pop song
Good Vibrations,
which appeared as a
single in 1966, is one of
the most celebrated hits
of The Beach Boys. The
piece, composed and
produced by Brian Wilson,
has been called a mini
symphony. Various covers
versions have been made,
including a marvellous a
cappella version by the
King’s Singers.
This arrangement for
brass band, written by
Don Campbell, is just as
delightful as the
original.
De
popsong Good
Vibrations, die op
single verscheen in 1966,
is een van de bekendste
hits van de beroemde
Amerikaanse Beach Boys.
Het door Brian Wilson
gecomponeerde en
geproduceerde nummer is
wel eens een minisymfonie
genoemd.De kenmerkende
sound, met de bijzondere,
gevarieerde
instrumentatie en
herkenbare vocals, doet
het ook tegenwoordig nog
goed. Er zijn diverse
covers van de song
gemaakt, onder andere een
prachtige a-capellaversie
van de
BritseKing’s
Singers. Dit arrangement
voor harmonieorkest, van
de hand van Don Campbell,
is net zo pakkend als het
origineel.
Dieser
Hit aus der Feder des
Komponisten und
Produzenten der Beach
Boys hat nicht zu Unrecht
den Beinamen
Mini-Symphonie“
erhalten. Der typische
Sound und die
außergewöhnliche
und abwechslungsreiche
Instrumentierung sind
auch in der Bearbeitung
von Don Campbell
erhalten. Ein absoluter
Gute-Laune-Titel, bei dem
Musiker und Zuhörer
gemeinsam auf einer Welle
von Good
Vibrations“
schwimmen werden!