Victor Caussinus wrote two versions of Air varié, a concertante piece for ophicleide and orchestra: one for an instrument in C and symphonic orchestra, the other one for an instrument in B b and concert band. The piece belongs to the theme and variation genre. After an andante Introduction in minor, the theme is stated and followed by three variations and a Polacca. After a brief return of the Andante, the piece ends with a virtuoso Finale.The arrangement for euphonium or saxhorn and piano is adapted from the original manuscript of the concert band version, the instrumentation of which calls for: '1 piccolo in D b, 1 soprano clarinet in E b, 4 clarinets in B b (including one solo), 2 bassoons, 2 cornets in A b, 2 horns in E b, 2 horns in B b, 2 trumpets in E b, 3 trombones, 1 ophicleide in B b?. / Tuba Et Piano

Par STECKAR FRANCK. / Musique Instrumentale / Répertoire / Euphonium et Piano

Par LAMBERT RICHARD. 3 movement sonata in a modern style The Sonata for euphonium and piano was written in 2013, an idiomatic transcription of the Sonata for bassoon and piano (Op.36) Lasting about 13 minutes, it has three movements: Allegro Moderato - Larghetto - Allegretto con spirito. The first movement is free-ranging tonally, continually developing the initial thematic material - a neo-Baroque motif with prominent use of a minor seventh interval. The time signature is continually changing, predominantly between 2/4 and 3/8, to give a highly-charged rhythmic, and perhaps unsettled, effect. The central movement is expressive, melancholy and desolate. The rhythm is more regular here - largely a steady 6/8 flow, butharmonically, the highly chromatic style is almost atonal to enhance this forlorn atmosphere. The movement explores the entire range of the euphonium and the piano accompaniment converses contrapuntally, sharing the numerous motifs with the euphonium. It concludes plaintively with reiterations of the euphonium's initial four notes. The finale reverts to a more relaxed, and uplifting, mood. The euphonium's initial scalic motif also has a neo-Baroque flavour. This originates from a solitary piano figure (bar 202) in the first movement. In fact, these outer movements have numerous melodic and harmonic links to consolidate a sense of overall organic shape. Ultimately, the whole movement derives from its first few bars, and constantly develops this material. / Niveau : Avancé / Répertoire / Euphonium et Piano

for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Martin Gilles et éditée par Billaudot cette partition est idéale pour les joueurs de Tuba, Euphonium et Saxhorn. Si l'instrumentation Euphonium Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Euphonium Et Piano / Partition

' Concerto per bombardino ' est une pièce concertante écrite par Giosuè Grandi pour bombardino (tuba ténor) et piano. Ce compositeur italien de la fin du 19ème siècle était aussi professeur de trombone au ' Teatro della Pergola ' et à la ' Società Orchestrale Fiorentina ' à Florence.Cette pièce est écrite sous la forme du thème et variations débutant par une introduction expressive de style ' bel canto ' et ponctuées par un mouvement rythmé ' polacca '.Le manuscrit qui m'a permis de faire cet arrangement étant malheureusement incomplet concernant la partie de piano, j'ai donc écrit des passages de l'accompagnement en préservant l'esprit de cette musique.Nul doute que cette pièce expressive, pétillante et virtuose, sera plaisante à interpréter et à écouter. / Euphonium Ou Saxhorn Et Piano