(Williams/arr.
Lavender/Reese) Marching
Band (SCORE PARTS) -
Grade 3
SKU:
HL.3744056
Composed
by John Williams.
Arranged by Barry Reese
and Paul Lavender. Esprit
Marching Band. Movies.
Softcover. Published by
Hal Leonard (HL.3744056).
UPC: 073999440560.
6.75x10.5x0.607
inches.
Here's a
fast-paced and powerful
arrangement using the
familiar themes from John
Williams' ??Indiana
Jones? soundtrack.
Includes Raiders March
and Marion's Theme.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1043758-020 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1043758-020
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043758-020.
Published by De Haske
Publications
(BT.DHP-1043758-020).
9x12 inches.
English-German-French-Dut
ch.
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means “The
swaying of the
watercress,” Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’), Katang
Lompat (over de
symboliek van de kikker)
en Kenek kenek-lah
Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei Sätzen,
die auf malaysischen
Volksliedern basieren:
zwei Liebeslieder, ein
Lied über die
Freundschaft, zwei Lieder
über die Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapour, la
cité du Lion, est l’un
des plus importants
carrefours d’Asie.
Singapour mélange
habilement les cultures
chinoises, malaises,
indiennes et
occidentales. La musique
traditionnelle est
l’image de la
multiethnicité de cette
ville-état. Les deux
mouvements de cette
composition s’inspirent
de chants traditionnels
malais. Le premier
mouvement développe
quatre chants
traditionnels de
caractère contrastant et
contrasté. Le second
mouvement est basé sur
les chants Lenggang
Kangkung (qui dépeint le
gracieux mouvement du
cresson de rizière),
Katang Lompat (une
chanson moraliste qui
évoque le symbolisme de
la grenouille) et un
chant de mariage. Les
deux mouvements de
cetterhapsodie ne sont
pas intimement liés. Il
est donc possible de les
interpréter
séparément.
Singapore, la
citt del leone, è uno
dei più importanti
crocevia dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a quelle
occidentali. La musica
tradizionale è
l’immagine delle molte
etnie di questa citt
-stato. I due movimenti
di questa composizione si
ispirano a canti
tradizionali della
Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in oriente,
descrivono animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1043758-120 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1043758-120
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 2004. 36
pages. De Haske
Publications #DHP
1043758-120. Published by
De Haske Publications
(BT.DHP-1043758-120).
9x12 inches.
English-German-French-Dut
ch.
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means “The
swaying of the
watercress,” Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’), Katang
Lompat (over de
symboliek van de kikker)
en Kenek kenek-lah
Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei Sätzen,
die auf malaysischen
Volksliedern basieren:
zwei Liebeslieder, ein
Lied über die
Freundschaft, zwei Lieder
über die Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapour, la
cité du Lion, est l’un
des plus importants
carrefours d’Asie.
Singapour mélange
habilement les cultures
chinoises, malaises,
indiennes et
occidentales. La musique
traditionnelle est
l’image de la
multiethnicité de cette
ville-état. Les deux
mouvements de cette
composition s’inspirent
de chants traditionnels
malais. Le premier
mouvement développe
quatre chants
traditionnels de
caractère contrastant et
contrasté. Le second
mouvement est basé sur
les chants Lenggang
Kangkung (qui dépeint le
gracieux mouvement du
cresson de rizière),
Katang Lompat (une
chanson moraliste qui
évoque le symbolisme de
la grenouille) et un
chant de mariage. Les
deux mouvements de
cetterhapsodie ne sont
pas intimement liés. Il
est donc possible de les
interpréter
séparément.
Singapore, la
citt del leone, è uno
dei più importanti
crocevia dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a quelle
occidentali. La musica
tradizionale è
l’immagine delle molte
etnie di questa citt
-stato. I due movimenti
di questa composizione si
ispirano a canti
tradizionali della
Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in oriente,
descrivono animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewell,
Spaniards!) In 1567, the
Spanish army invaded, led
by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did the
Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War. III
Rembrandt’s Night
WatchThe field of
culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over het
einde van de
Tachtigjarige
Oorlog.Rembrandt’s
Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Übersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Après
une guerre qui dura 80
ans, l'Espagne reconnut
finalement
l'indépendance des
Provinces-Unies
néerlandaises, qui
devinrent alors l’une
des plus importantes
puissances maritimes et
économiques du XVIIe
siècle. Cette période
est connue sous le nom de
Siècle d’or (The
Golden Age) et
correspond une phase de
développement
exceptionnel des Pays-Bas
tant sur le plan colonial
et militaire que sur le
plan culturel,
intellectuel et
artistique.
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza delle
Province-Unite olandesi
che divennero potenze
marittime ed economiche
del XVII secolo. Questo
periodo è conosciuto con
il nome di Secolo d’Oro
(The Golden Age) e
corrisponde ad una fase
di sviluppo eccezionale
dei Paesi Bassi sia sul
piano coloniale e
militare, sia sul piano
culturale, intellettuale
e artistico.
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-120 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-120
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-120. Published by
De Haske Publications
(BT.DHP-1064079-120).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewell,
Spaniards!) In 1567, the
Spanish army invaded, led
by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did the
Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War. III
Rembrandt’s Night
WatchThe field of
culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over het
einde van de
Tachtigjarige
Oorlog.Rembrandt’s
Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Übersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Après
une guerre qui dura 80
ans, l'Espagne reconnut
finalement
l'indépendance des
Provinces-Unies
néerlandaises, qui
devinrent alors l’une
des plus importantes
puissances maritimes et
économiques du XVIIe
siècle. Cette période
est connue sous le nom de
Siècle d’or (The
Golden Age) et
correspond une phase de
développement
exceptionnel des Pays-Bas
tant sur le plan colonial
et militaire que sur le
plan culturel,
intellectuel et
artistique.
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza delle
Province-Unite olandesi
che divennero potenze
marittime ed economiche
del XVII secolo. Questo
periodo è conosciuto con
il nome di Secolo d’Oro
(The Golden Age) e
corrisponde ad una fase
di sviluppo eccezionale
dei Paesi Bassi sia sul
piano coloniale e
militare, sia sul piano
culturale, intellettuale
e artistico.