Fanfare Band - Grade 2 SKU: BT.DHP-0970796-020 Auld Lang Syne. Com...(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-0970796-020
Auld Lang Syne.
Composed by Traditional.
Arranged by Jan Van der
Roost. Performance
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 1997.
De Haske Publications
#DHP 0970796-020.
Published by De Haske
Publications
(BT.DHP-0970796-020).
This
traditional melody is
known worldwide as a song
of farewell. Jan Van der
Roost treated it as an
anthem in this splendid
arrangement. The melody
is brought to us in whole
or in part by various
instruments and is
surrounded by logical yet
original - sometimes
surprising - chords that
dare to fluctuate. After
a broad tutti, the
ensemble begins to die
out. The piece ends with
an impressive diminuendo
of the final chord,
almost as if the
orchestra itself were
saying goodbye.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße und
Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy
est le symbole grandiose
de l’excellence du
compositeur. L’œuvre
tient son nom de
l’imposante villa
éponyme située Brisbane
en Australie et qui
abrite en ses murs le
Collège Saint Pierre,
une institution
luthérienne fondée en
1945. C’est pour
l’Orchestre
d’Harmonie de cet
établissement que Jacob
de Haan composa cette
œuvre riche en
métaphores. « J’ai
tenté de décrire les
valeurs de cette école.
Ainsi, le thème initial
se développe-t-il sur un
motif rythmique imposant
qui alterne entre les
instruments graves et la
batterie. Ce motif
symbolise l’autorité
et le cadre structuré de
l’école. On retrouve
ce thème plusieurs
reprises et notamment
sousune forme
humoristique et espiègle
: nous découvrons les
bons côtés de
l’école, la joie des
élèves, les sentiments
de fierté, d’amour et
d’amitié. Autre
élément thématique,
une marche qui symbolise
la progression des
élèves dans leur cursus
pour arriver leurs
examens de fin d'étude.
» En guise de
conclusion, Jacob de Haan
nous offre un thème
grandiose qui
s’élargit en
apothéose.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße und
Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy
est le symbole grandiose
de l’excellence du
compositeur. L’œuvre
tient son nom de
l’imposante villa
éponyme située Brisbane
en Australie et qui
abrite en ses murs le
Collège Saint Pierre,
une institution
luthérienne fondée en
1945. C’est pour
l’Orchestre
d’Harmonie de cet
établissement que Jacob
de Haan composa cette
œuvre riche en
métaphores. « J’ai
tenté de décrire les
valeurs de cette école.
Ainsi, le thème initial
se développe-t-il sur un
motif rythmique imposant
qui alterne entre les
instruments graves et la
batterie. Ce motif
symbolise l’autorité
et le cadre structuré de
l’école. On retrouve
ce thème plusieurs
reprises et notamment
sousune forme
humoristique et espiègle
: nous découvrons les
bons côtés de
l’école, la joie des
élèves, les sentiments
de fierté, d’amour et
d’amitié. Autre
élément thématique,
une marche qui symbolise
la progression des
élèves dans leur cursus
pour arriver leurs
examens de fin d'étude.
» En guise de
conclusion, Jacob de Haan
nous offre un thème
grandiose qui
s’élargit en
apothéose.
Fanfare Band - Grade 2.5 SKU: BT.AMP-124-120 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-124-120
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Score Only.
Composed 2004. 32 pages.
Anglo Music Press #AMP
124-120. Published by
Anglo Music Press
(BT.AMP-124-120).
9x12
inches.
English-German-French-Dut
ch.
Klezmer music
originated in the
‘shtetl’ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
‘klezmorim’, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the ‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’ (the
play of Esther at Purim)
and to traditions of the
Yiddish theatre, but the
term gradually became
synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse ‘hazanut’
(cantorijmuziek) en de
‘nigunim’, de
melodieën die worden
gereciteerd door de
‘hasidim’ (orthodoxe
joden). De term werd in
de loopder tijden
synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen für
Braut und Bräutigam,
einen Rundtanz und einen
so genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester überzeugen
wird!
Jouée
depuis le Moyen ge par
des musiciens juifs
itinérants (klezmorim),
la musique klezmer est
une musique joyeuse
colportée de fête en
mariage, qui trouve ses
origines dans les
“shtetl” (villages)
et les ghettos d’Europe
de l’Est. A Klezmer
Karnival (“Festival
klezmer”) de Philip
Sparke rassemble trois
airs traditionnels :
Choson Kale Mazel Tov -
une danse nuptiale,
Freylekh - une danse
juive en cercle et
Sherele - littéralement
« petits ciseaux » -
une danse de bergers,
d’origine
allemande.
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetl”) e nei
ghetti dell’Europa
dell’est. A Klezmer
Karnival di Philip Sparke
raccoglie tre arie
tradizionali: Choson Kale
Mazel Tov, una danza
nuziale, Freylekh, una
tipica danza ebraica in
cerchio e Sherele
(letteralmente piccole
forbici), una danza di
pastori di origine
tedesca.
Fanfare Band - Grade 2.5 SKU: BT.AMP-124-020 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-124-020
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Set (Score
& Parts). Composed 2004.
Anglo Music Press #AMP
124-020. Published by
Anglo Music Press
(BT.AMP-124-020).
9x12
inches.
English-German-French-Dut
ch.
Klezmer music
originated in the
‘shtetl’ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
‘klezmorim’, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the ‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’ (the
play of Esther at Purim)
and to traditions of the
Yiddish theatre, but the
term gradually became
synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse ‘hazanut’
(cantorijmuziek) en de
‘nigunim’, de
melodieën die worden
gereciteerd door de
‘hasidim’ (orthodoxe
joden). De term werd in
de loopder tijden
synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen für
Braut und Bräutigam,
einen Rundtanz und einen
so genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester überzeugen
wird!
Jouée
depuis le Moyen ge par
des musiciens juifs
itinérants (klezmorim),
la musique klezmer est
une musique joyeuse
colportée de fête en
mariage, qui trouve ses
origines dans les
“shtetl” (villages)
et les ghettos d’Europe
de l’Est. A Klezmer
Karnival (“Festival
klezmer”) de Philip
Sparke rassemble trois
airs traditionnels :
Choson Kale Mazel Tov -
une danse nuptiale,
Freylekh - une danse
juive en cercle et
Sherele - littéralement
« petits ciseaux » -
une danse de bergers,
d’origine
allemande.
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetl”) e nei
ghetti dell’Europa
dell’est. A Klezmer
Karnival di Philip Sparke
raccoglie tre arie
tradizionali: Choson Kale
Mazel Tov, una danza
nuziale, Freylekh, una
tipica danza ebraica in
cerchio e Sherele
(letteralmente piccole
forbici), una danza di
pastori di origine
tedesca.
Fanfare Band - Grade 3 SKU: BT.DHP-0890148-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0890148-020
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1989. De
Haske Publications #DHP
0890148-020. Published by
De Haske Publications
(BT.DHP-0890148-020).
This 4-movement
suite is based on
authentic folktunes from
the beautiful southern
province in France: the
Provence. The composer
used an harmonic language
respecting the popular
characteristics, but on
the other hand also
contains some spicy notes
(... just like the
wellknown Provençal
sauce! ...). The
instrumentation is very
colourful, paying a lot
of attention to the
different timbres of both
brass and wood winds as
well as to the percussion
section.Every movement
has its own character: Un
Ange a fa la crido (= An
angel brought the creed /
credo) is like a
bourrée, Adam e sa
Coumpagnou (= Adam and
his companion) is an old
love song, Lou Fustié (=
the carpenter)a fast
dance and finally Lis
Escoubo (= a whistle tune
/ popular ballad) is a
farandole. In the latter,
the old tradition of folk
musicians who play a
whistle with one hand and
a drum with the other
hand, is clearly
represented during the
first presentations of
the one and only
theme)Although this piece
is not too demanding, a
well balanced band is
necessary to perform it
successfully. Thanks to
the contrasts and the
varying colours, it keeps
on holding the attention.
Dieses
vierteilige Werk basiert
auf alten Volksliedern
aus der Provençe. Der
Komponist verwendet diese
Melodien in einer farbig
instrumentierten Suite
und braucht hierbei eine
Klangsprache, die
einerseits den
volkstümlichen Charakter
nichtverleugnet, aber
andererseits doch ab und
zu eine pikante Note
enthält.Die Teile sind:
Un ange a fa la
crido, Adam e sa
coumpagno, Lou
Fusti en Lis
Escoubo.
Samana Fanfare [Conducteur et Parties séparées] - Intermédiaire Sierra Music
Composed by Manny Albam. Arranged by Bob Curnow. The Stan Kenton Orchestra Libra...(+)
Composed by Manny Albam.
Arranged by Bob Curnow.
The Stan Kenton Orchestra
Library Series; The Bob
Curnow Big Band Series.
Latin/Swing. Score and
set of parts. Published
by Sierra Music
(S1.SMP-573).