Marching Band - Grade 3 SKU: AP.47040S As Recorded by Bruno Mars. ...(+)
Marching Band - Grade 3
SKU: AP.47040S
As Recorded by Bruno
Mars. Composed by
Bruno Mars, Christopher
Brody Brown, James
Fauntleroy, Jeremy
Reeves, Jonathan Yip, and
Philip Lawrence. Arranged
by Ralph Ford. Marching
Band; Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop. Score. 8
pages. Alfred Music
#00-47040S. Published by
Alfred Music (AP.47040S).
UPC: 038081541426.
English.
Bruno Mars
is one of today's hottest
stars. Out of the six
GRAMMY-Awards he won in
2018, three of them
amazingly went to his
single That's What I
Like. Ralph Ford's
full-sounding arrangement
features lots of great
sounds, and is perfect
for the stands as well as
for dance and drill
teams.
That's What I Like Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As Recorded by Bruno Mars. Composed by Christopher Brody Brown; Jeremy Re...(+)
As Recorded by Bruno
Mars. Composed by
Christopher Brody Brown;
Jeremy Reeves; Jonathan
Yip; Philip Lawrence;
James Fauntleroy; Bruno
Mars. Arranged by Ralph
Ford. Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop. Part(s);
Score. 110 pages. Alfred
Music #00-47040.
Published by Alfred Music
(AP.47040).
Mamma Mia! Fanfare [Conducteur] - Intermédiaire Music Sales
Fanfare Band - Grade 4 SKU: BT.1105-04-120-MS The Musical. Compose...(+)
Fanfare Band - Grade 4
SKU:
BT.1105-04-120-MS
The Musical.
Composed by Björn
Ulvaeus, Benny Andersson.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1105-04-120 MS.
Published by Music Sales
(BT.1105-04-120-MS).
On the 6th of
April 1999, exactly 25
years after ABBA had won
the Eurovision Song
Contest with the song
Waterloo, the musical
Mamma Mia! opened in
London. The funny and
appealing love story,
based on 22 ABBA
classics, became an
immediate success.
Arranger Peter Kleine
Schaars has selected five
of the most famous titles
from the musical, added
the hit Waterloo and used
his musical imagination.
The result is a catchy
ABBA medley that will
appeal to young and
old.
Op 6 april
1999, precies 25 jaar
nadat Abba het Eurovisie
Songfestival won met
Waterloo, werden
in Londen de deuren
geopend voor de musical
Mamma Mia! Al snel
werd het onderhoudende
liefdesverhaal -
gebaseerd op 22
klassiekersvan Abba - een
groot succes. Peter
Kleine Schaars
selecteerde vijf titels
uit de musical, voegde de
wereldhit Waterloo
toe en liet zijn muzikale
fantasie de vrije loop.
Het resultaat is een
dynamische Abba-medleymet
de nummers Mamma
Mia, Knowing Me,
Knowing You,
Money, Money,
Money, Dancing
Queen, I Do, I Do,
I Do en
Waterloo.
2
5 Jahre nachdem ABBA den
Grand Prix d'Eurovision
mit dem Lied
Waterloo gewonnen
hatte, fand die
Uraufführung des
Musicals Mamma Mia! in
London statt. Die
mitreißende
Liebesgeschichte,
basierend auf 22
ABBA-Klassikern, wurde
schnell zu einem
großen Erfolg. Peter
Kleine Schaars wählte
die sechs berühmtesten
Titel aus dem Musical,
ergänzte sie um den
Welthit Waterloo,
und ließ seiner
musikalischen Phantasie
freien Lauf. Das Ergebnis
ist ein raffiniertes
ABBA-Medley, das Jung und
Alt
anspricht.
Mamma Mia! Fanfare [Conducteur et Parties séparées] - Intermédiaire Music Sales
Fanfare Band - Grade 4 SKU: BT.1105-04-020-MS The Musical. Compose...(+)
Fanfare Band - Grade 4
SKU:
BT.1105-04-020-MS
The Musical.
Composed by Björn
Ulvaeus, Benny Andersson.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1105-04-020 MS.
Published by Music Sales
(BT.1105-04-020-MS).
On the 6th of
April 1999, exactly 25
years after ABBA had won
the Eurovision Song
Contest with the song
Waterloo, the musical
Mamma Mia! opened in
London. The funny and
appealing love story,
based on 22 ABBA
classics, became an
immediate success.
Arranger Peter Kleine
Schaars has selected five
of the most famous titles
from the musical, added
the hit Waterloo and used
his musical imagination.
The result is a catchy
ABBA medley that will
appeal to young and
old.
Op 6 april
1999, precies 25 jaar
nadat Abba het Eurovisie
Songfestival won met
Waterloo, werden
in Londen de deuren
geopend voor de musical
Mamma Mia! Al snel
werd het onderhoudende
liefdesverhaal -
gebaseerd op 22
klassiekersvan Abba - een
groot succes. Peter
Kleine Schaars
selecteerde vijf titels
uit de musical, voegde de
wereldhit Waterloo
toe en liet zijn muzikale
fantasie de vrije loop.
Het resultaat is een
dynamische Abba-medleymet
de nummers Mamma
Mia, Knowing Me,
Knowing You,
Money, Money,
Money, Dancing
Queen, I Do, I Do,
I Do en
Waterloo.
2
5 Jahre nachdem ABBA den
Grand Prix d'Eurovision
mit dem Lied
Waterloo gewonnen
hatte, fand die
Uraufführung des
Musicals Mamma Mia! in
London statt. Die
mitreißende
Liebesgeschichte,
basierend auf 22
ABBA-Klassikern, wurde
schnell zu einem
großen Erfolg. Peter
Kleine Schaars wählte
die sechs berühmtesten
Titel aus dem Musical,
ergänzte sie um den
Welthit Waterloo,
und ließ seiner
musikalischen Phantasie
freien Lauf. Das Ergebnis
ist ein raffiniertes
ABBA-Medley, das Jung und
Alt
anspricht.
Odyssee Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-120 Composed by Jan Bosveld. Sc...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-120
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000432-120. Published by
Gobelin Music
Publications
(BT.GOB-000432-120).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-020 Composed by Jan Bosveld. Se...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-020
Composed by Jan Bosveld.
Set (Score & Parts). 71
pages. Gobelin Music
Publications #GOB
000432-020. Published by
Gobelin Music
Publications
(BT.GOB-000432-020).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Fanfare Band - Grade 2.5 SKU: BT.GOB-000509-120 Composed by Rob Goorhuis....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000509-120
Composed by Rob Goorhuis.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000509-120. Published by
Gobelin Music
Publications
(BT.GOB-000509-120).
The work calls
to mind an important
event from the history of
the city Coesfeld in
Germany: the battle of
Varlar, which took place
in the year 1454. The
composition presents us
with a bird's eye view of
the events: First of all,
the consecration of the
chapel on the Klinkenberg
mountain is set to music
in a hymn, after which
the trumpets and
trombones announce the
imminent battle. In the
subsequent fray not only
the sounds of sabres and
rapiers can clearly be
heard but also the
wailing of the wounded.
When the Duke of
Brunswick is wounded and
captured by the troops of
Walraf, Konrad von Diepen
and his men march on
Coesfeld in victory. Set
against a festive melody,
the hymnresounds in full
glory.
Rob
Goorhuis schreef de
ouverture 'The Battle of
Varlar' in 1997, in
opdracht van de gemeente
De Bildt, ter gelegenheid
van het 800-jarig bestaan
van de Duitse partnerstad
Coesfeld. Deze
compositie werd door de
gemeente De Bildtin juni
1997 aan de gemeente
Coesfeld als geschenk
aangeboden. Het werk
werd door een ad hoc
orkest, bestaande uit
leden van de Bildtse
Muziekschool en de
Musikschule Coesfeld
o.l.v. Martin de Boer, op
30 november 1997 te
Coesfeldin premi?re
gebracht.
Het werk
brengt een belangrijke
gebeurtenis uit de
geschiedenis van Coesfeld
in herinnering: de slag
bij Varlar, die in het
jaar 1454 heeft
plaatsgevonden. Deze
slag werd geleverd tussen
detroepen van Walraf von
Mörs onder leiding von
Konrad von Diepholz en de
troepen van Johan von
Hoya onder leiding van
Hertog Friedrich von
Braunschweig. Op de
heide bij Varlar vielen
destijds meer dan 2000
doden. De slag
werdgewonnen door Walraf
von Mörs.
De
compositie beschrijft in
vogelvlucht de
gebeurtenissen in het
jaar 1454. Allereerst
wordt de inwijding van de
kapel op de Klinkenberg
verklankt in een
koraal. Daarna
kondigen de trompettenen
de trombones de ophanden
zijnde veldslag aan. In
het daarop volgende
strijdgewoel zijn de
geluiden van sabels en
degens hoorbaar en ook
het geweeklaag van van de
gewonden. Als de Hertog
van Braunschweig door de
troepenvan Walraf verwond
wordt en gevangen wordt
genomen trekt Konrad von
Diepholz met zijn mannen
triomfantelijk naar
Coesfeld. Het koraal
weerklinkt in volle
glorie tegen een
feestelijke melodie.
Dit werk is
opgenomen inhet Groot
repertorium, fanfare - 5e
divisie.
Die
Schlacht von Varlar fand
im Jahre 1454 in der
Gegend der Stadt Coesfeld
statt. Rob Goorhuis’
musikalisches Luftbild
der historischen
Ereignisse beginnt mit
einer Hymne zur
Einweihung einer Kapelle,
dann kündigen
Trompeten und Posaunen
die bevorstehende
Schlacht an. Im folgenden
Getümmel ist
Säbelgerassel, aber auch
das Wehklagen der
Verwundeten zu hören,
bevor mit der Hymne aus
dem Eingangsteil der
glorreiche Sieg gefeiert
wird.
La bataille
de Varlar a eu lieu en
l’an 1454 autour de la
ville de Coesfeld
(Allemagne). Telle une
vue aérienne, l’oeuvre
composée par Rob
Goorhuis brosse le
portrait des événements
qui s’enchaînent les
uns après les autres :
un hymne en honneur de la
chapelle près du champ
de bataille, puis
l’affrontement venir,
le bruit des bottes et le
cliquetis des sabres, les
gémissements des
blessés puis nouveau
l’hymne de
l’introduction, repris
cette fois dans un tempo
plus rapide car il est
destiné célébrer la
victoire.
Rob
Goorhuis riprende gli
avvenimenti storici della
battaglia di Varlar che
ebbe luogo nel 1454 nella
citt di Coesfeld in
Germania. Il brano inizia
con un inno che
simboleggia
l’inaugurazione di una
cappella, mentre le
trombe e i tromboni
annunciano l’imminente
inizio delle ostilit .
Segue un passaggio
caratterizzato dai suoni
tipici della cruenta
battaglia, ma anche dai
lamenti dei feriti, che
anticipano il glorioso
inno della vittoria.
The Battle of Varlar Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000509-020 Composed by Rob Goorhuis....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000509-020
Composed by Rob Goorhuis.
Set (Score & Parts). 74
pages. Gobelin Music
Publications #GOB
000509-020. Published by
Gobelin Music
Publications
(BT.GOB-000509-020).
The work calls
to mind an important
event from the history of
the city Coesfeld in
Germany: the battle of
Varlar, which took place
in the year 1454. The
composition presents us
with a bird's eye view of
the events: First of all,
the consecration of the
chapel on the Klinkenberg
mountain is set to music
in a hymn, after which
the trumpets and
trombones announce the
imminent battle. In the
subsequent fray not only
the sounds of sabres and
rapiers can clearly be
heard but also the
wailing of the wounded.
When the Duke of
Brunswick is wounded and
captured by the troops of
Walraf, Konrad von Diepen
and his men march on
Coesfeld in victory. Set
against a festive melody,
the hymnresounds in full
glory.
Rob
Goorhuis schreef de
ouverture 'The Battle of
Varlar' in 1997, in
opdracht van de gemeente
De Bildt, ter gelegenheid
van het 800-jarig bestaan
van de Duitse partnerstad
Coesfeld. Deze
compositie werd door de
gemeente De Bildtin juni
1997 aan de gemeente
Coesfeld als geschenk
aangeboden. Het werk
werd door een ad hoc
orkest, bestaande uit
leden van de Bildtse
Muziekschool en de
Musikschule Coesfeld
o.l.v. Martin de Boer, op
30 november 1997 te
Coesfeldin premi?re
gebracht.
Het werk
brengt een belangrijke
gebeurtenis uit de
geschiedenis van Coesfeld
in herinnering: de slag
bij Varlar, die in het
jaar 1454 heeft
plaatsgevonden. Deze
slag werd geleverd tussen
detroepen van Walraf von
Mörs onder leiding von
Konrad von Diepholz en de
troepen van Johan von
Hoya onder leiding van
Hertog Friedrich von
Braunschweig. Op de
heide bij Varlar vielen
destijds meer dan 2000
doden. De slag
werdgewonnen door Walraf
von Mörs.
De
compositie beschrijft in
vogelvlucht de
gebeurtenissen in het
jaar 1454. Allereerst
wordt de inwijding van de
kapel op de Klinkenberg
verklankt in een
koraal. Daarna
kondigen de trompettenen
de trombones de ophanden
zijnde veldslag aan. In
het daarop volgende
strijdgewoel zijn de
geluiden van sabels en
degens hoorbaar en ook
het geweeklaag van van de
gewonden. Als de Hertog
van Braunschweig door de
troepenvan Walraf verwond
wordt en gevangen wordt
genomen trekt Konrad von
Diepholz met zijn mannen
triomfantelijk naar
Coesfeld. Het koraal
weerklinkt in volle
glorie tegen een
feestelijke melodie.
Dit werk is
opgenomen inhet Groot
repertorium, fanfare - 5e
divisie.
Die
Schlacht von Varlar fand
im Jahre 1454 in der
Gegend der Stadt Coesfeld
statt. Rob Goorhuis’
musikalisches Luftbild
der historischen
Ereignisse beginnt mit
einer Hymne zur
Einweihung einer Kapelle,
dann kündigen
Trompeten und Posaunen
die bevorstehende
Schlacht an. Im folgenden
Getümmel ist
Säbelgerassel, aber auch
das Wehklagen der
Verwundeten zu hören,
bevor mit der Hymne aus
dem Eingangsteil der
glorreiche Sieg gefeiert
wird.
La bataille
de Varlar a eu lieu en
l’an 1454 autour de la
ville de Coesfeld
(Allemagne). Telle une
vue aérienne, l’oeuvre
composée par Rob
Goorhuis brosse le
portrait des événements
qui s’enchaînent les
uns après les autres :
un hymne en honneur de la
chapelle près du champ
de bataille, puis
l’affrontement venir,
le bruit des bottes et le
cliquetis des sabres, les
gémissements des
blessés puis nouveau
l’hymne de
l’introduction, repris
cette fois dans un tempo
plus rapide car il est
destiné célébrer la
victoire.
Rob
Goorhuis riprende gli
avvenimenti storici della
battaglia di Varlar che
ebbe luogo nel 1454 nella
citt di Coesfeld in
Germania. Il brano inizia
con un inno che
simboleggia
l’inaugurazione di una
cappella, mentre le
trombe e i tromboni
annunciano l’imminente
inizio delle ostilit .
Segue un passaggio
caratterizzato dai suoni
tipici della cruenta
battaglia, ma anche dai
lamenti dei feriti, che
anticipano il glorioso
inno della vittoria.
Fanfare Band - Grade 2.5 SKU: BT.GOB-000288-120 Arranged by Patrick Mills...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000288-120
Arranged by Patrick
Millstone. Score Only.
Gobelin Music
Publications #GOB
000288-120. Published by
Gobelin Music
Publications
(BT.GOB-000288-120).
A thoroughly
gripping melody of Irish
descent constitutes the
basis on which this
exceedingly beautiful
little piece of music
rests. Down by the
Salley Gardens is a
guaranteed heartbreaker
on your next concert.
Since the lyrics of this
Irish traditional are
also supplied with the
set, a combination of
band with solo voice or
even choir is a definite
possibility. The
Arranger: Leafing through
a song-book containing
traditionals etc., I was
immediately struck by
this song and its
exceptionally beautiful
and atmospheric melody. I
simply had to do
something with it. Een
meeslepende traditional
van Ierse komaf staat aan
de basis van dit
wonderschone werkje.
Down bythe Salley
Gardens belooft een
hartenbreker te worden op
uw eerstvolgende concert.
De tekst van deze
Ierse traditional wordt
meegeleverd en daarmee is
een combinatie met zang
ook zeer goed mogelijk.
De arrangeur:
Bladerend door een
liedboek met
traditionals, enz., was
ik meteen getroffen door
dit nummer en zijn
uitzonderlijk mooie en
sfeervolle melodie. Ik
moest gewoon iets mee
doen.
Fanfare Band - Grade 2.5 SKU: BT.GOB-000288-020 Arranged by Patrick Mills...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000288-020
Arranged by Patrick
Millstone. Set (Score &
Parts). 8 pages. Gobelin
Music Publications #GOB
000288-020. Published by
Gobelin Music
Publications
(BT.GOB-000288-020).
A thoroughly
gripping melody of Irish
descent constitutes the
basis on which this
exceedingly beautiful
little piece of music
rests. Down by the
Salley Gardens is a
guaranteed heartbreaker
on your next concert.
Since the lyrics of this
Irish traditional are
also supplied with the
set, a combination of
band with solo voice or
even choir is a definite
possibility. The
Arranger: Leafing through
a song-book containing
traditionals etc., I was
immediately struck by
this song and its
exceptionally beautiful
and atmospheric melody. I
simply had to do
something with it. Een
meeslepende traditional
van Ierse komaf staat aan
de basis van dit
wonderschone werkje.
Down bythe Salley
Gardens belooft een
hartenbreker te worden op
uw eerstvolgende concert.
De tekst van deze
Ierse traditional wordt
meegeleverd en daarmee is
een combinatie met zang
ook zeer goed mogelijk.
De arrangeur:
Bladerend door een
liedboek met
traditionals, enz., was
ik meteen getroffen door
dit nummer en zijn
uitzonderlijk mooie en
sfeervolle melodie. Ik
moest gewoon iets mee
doen.
La bikina Fanfare [Conducteur et Parties séparées] - Intermédiaire RBC Publications
Mariachi Band (Score, Trumpet I , Trumpet II, Violin I, Violin II, Guitar/Vihuel...(+)
Mariachi Band (Score,
Trumpet I , Trumpet II,
Violin I, Violin II,
Guitar/Vihuela,
Guitarron) - late
intermediate
SKU:
RU.30053FS
Composed
by Alexandra F. Roth.
Arranged by Jaime Martin
Vela. Mariachi. RBC
Mariachi Series. Folk.
Score and Parts. RBC
Publications #30053FS.
Published by RBC
Publications
(RU.30053FS).
9 x 12
inches.
The RBC
Mariachi Series is a
storied catalog full of
wonderful melodies and
timeless tunes by
legendary musicians and
arrangers Juan Ortiz and
Jamie Martin Vela. The
Mariachi catalog is a
wonderful resource for
any level of Mariachi
Ensemble, with charts
that span easy to
advanced difficulty
levels. Complete sets
come with vocal sheet
music as well as lyric
sheets for ease of
performance and
rehearsal, while others
come with alternate parts
in Trumpet and Violin to
make each piece more
accessible.
Fanfare Band - Grade 1.5 SKU: BT.CMP-0413-00-120 Composed by Mike Hannick...(+)
Fanfare Band - Grade 1.5
SKU:
BT.CMP-0413-00-120
Composed by Mike
Hannickel. National
Heritage Series. Original
Light Music. Score Only.
Composed 2000. Curnow
Music #CMP 0413-00-120.
Published by Curnow Music
(BT.CMP-0413-00-120).
This exciting
medley of American
spirituals is sure to
please! Mike Hannickel's
carefully crafted THREE
AMERICAN SPIRITUALS helps
young bands develop those
all-important listening
skills. They'll hear how
each tune contrasts and
complements the others
when “Go Tell It On
The Mountainâ€,
“Swing Low, Sweet
Chariot†and
“Who did Swallow
Jo-Jo-Jonah†all
come together in rousing
counterpoint! THREE
AMERICAN SPIRITUALS works
wonderfully with the
unpredictable
instrumentation of so
many youth bands, while
it's contrapuntal nature
allows every section to
shine. THREE AMERICAN
SPIRITUALS allows each
parent to say honestly to
their child I HEARD you
play your
part!
Een
levendige medley waarin
drie spirituals
contrapuntisch zijn
verwerkt: Go Tell It
on the Mountain,
Swing Low, Sweet
Chariot en Who Did
Swallow Jo-Jo-Jonah.
Elke instrumentgroep komt
in Three American
Spiritualstot
z’n recht en het
stuk is bijzonder
geschikt om het gehoor
van jonge muzikanten te
trainen.
Ein
lebendiges Medley, das
die drei bekannten
amerikanischen Spirituals
kontrapunktisch
miteinander verbindet.
Ein Stück, in dem jede
Instrumentengruppe zu
ihrem Recht kommt,
welches überdies
besonders geeignet ist,
das Gehör der jungen
Musiker zu schulen.
Ãœberzeugend!
Fanfare Band - Grade 1.5 SKU: BT.CMP-0413-00-020 Composed by Mike Hannick...(+)
Fanfare Band - Grade 1.5
SKU:
BT.CMP-0413-00-020
Composed by Mike
Hannickel. National
Heritage Series. Original
Light Music. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0413-00-020. Published by
Curnow Music
(BT.CMP-0413-00-020).
This exciting
medley of American
spirituals is sure to
please! Mike Hannickel's
carefully crafted THREE
AMERICAN SPIRITUALS helps
young bands develop those
all-important listening
skills. They'll hear how
each tune contrasts and
complements the others
when “Go Tell It On
The Mountainâ€,
“Swing Low, Sweet
Chariot†and
“Who did Swallow
Jo-Jo-Jonah†all
come together in rousing
counterpoint! THREE
AMERICAN SPIRITUALS works
wonderfully with the
unpredictable
instrumentation of so
many youth bands, while
it's contrapuntal nature
allows every section to
shine. THREE AMERICAN
SPIRITUALS allows each
parent to say honestly to
their child I HEARD you
play your
part!
Een
levendige medley waarin
drie spirituals
contrapuntisch zijn
verwerkt: Go Tell It
on the Mountain,
Swing Low, Sweet
Chariot en Who Did
Swallow Jo-Jo-Jonah.
Elke instrumentgroep komt
in Three American
Spiritualstot
z’n recht en het
stuk is bijzonder
geschikt om het gehoor
van jonge muzikanten te
trainen.
Ein
lebendiges Medley, das
die drei bekannten
amerikanischen Spirituals
kontrapunktisch
miteinander verbindet.
Ein Stück, in dem jede
Instrumentengruppe zu
ihrem Recht kommt,
welches überdies
besonders geeignet ist,
das Gehör der jungen
Musiker zu schulen.
Ãœberzeugend!