By John Williams. Arranged by Victor Lopez, percussion arr. Anthony M. Falcone. ...(+)
By John Williams.
Arranged by Victor Lopez,
percussion arr. Anthony
M. Falcone. Music by John
Williams / arr. Victor
Lopez, percussion arr.
Anthony M. Falcone. For
Marching Band. Marching
Band. Mega Sounds for
Marching Band. Movie.
Level: Medium Easy (grade
III). Conductor Score &
Parts. 226 pages.
Duration 2:57:00.
Published by Alfred
Publishing.
Conductor Score. By John Philip Sousa. Marching band. For Piccolo (in Db), Flute...(+)
Conductor Score. By John
Philip Sousa. Marching
band. For Piccolo (in
Db), Flute I, Piccolo,
Flute II, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon I, Bassoon II,
Alto Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Trumpet I, Trumpet II,
Horn I, Horn II, Horn
III, Horn IV, Horn (in
Eb) I, Horn (in Eb) II,
Horn (in Eb) III, Horn
(in Eb) IV, Tenor I,
Tenor II, Tenor III,
Euphonium, Tuba, Double
Bass, Timpani,
Percussion. Condensed
Score. 3 pages. Published
by Carl Fischer.
Conductor Score. By John Philip Sousa. Marching band. For Piccolo (in Db), Picco...(+)
Conductor Score. By John
Philip Sousa. Marching
band. For Piccolo (in
Db), Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon I, Bassoon II,
Alto Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Bass
Saxophone, Cornet I,
Cornet II, Cornet III,
Trumpet I, Trumpet II,
Horn (in Eb) I, Horn (in
Eb) II, Horn (in Eb) III,
Horn (in Eb) IV, Horn I,
Horn II, Horn III, Horn
IV, Euphonium, Tenor I,
Tenor II, Tenor III,
Double Bass, Timpani,
Small Drum. Condensed
Score. 5 pages. Published
by Theodore Presser
Company.
Conductor Score and Parts. By Edwin Eugene Bagley. Marching band. For Piccolo (i...(+)
Conductor Score and
Parts. By Edwin Eugene
Bagley. Marching band.
For Piccolo (in Db),
Piccolo, Flute, Oboe,
Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Horn I, Horn II, Horn
III, Horn IV, Horn (in
Eb) I, Horn (in Eb) II,
Horn (in Eb) III, Horn
(in Eb) IV, Tenor I,
Tenor II, Tenor III,
Euphonium, Tuba, Timpani,
Drums. Score and parts. 3
pages. Published by Carl
Fischer.
Scottish Dances Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000957-120 Composed by Peter Martin....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000957-120
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only. 20
pages. Gobelin Music
Publications #GOB
000957-120. Published by
Gobelin Music
Publications
(BT.GOB-000957-120).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000957-020 Composed by Peter Martin....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000957-020
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 5 pages. Gobelin
Music Publications #GOB
000957-020. Published by
Gobelin Music
Publications
(BT.GOB-000957-020).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Hands Across the Sea Fanfare [Conducteur et Parties séparées] Theodore Presser Co.
March (Full Score and Parts). By John Philip Sousa. Marching band. For Flute I, ...(+)
March (Full Score and
Parts). By John Philip
Sousa. Marching band. For
Flute I, Flute II,
Piccolo, Oboe I, Oboe II,
Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon I, Bassoon II,
Alto Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Bass
Saxophone, Cornet I,
Cornet II, Cornet III,
Trumpet I, Trumpet II,
Horn I, Horn II, Horn
III, Horn IV, Euphonium,
Tenor I, Tenor II, Tenor
III, Tuba, Double Bass,
Timpani, Bass Drum,
Cymbal, Small Drum. Score
and parts. 5 pages.
Published by Theodore
Presser Company.
March. By Edwin Franko Goldman. Marching band. For Piccolo, Flute I, Flute II, O...(+)
March. By Edwin Franko
Goldman. Marching band.
For Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, Clarinet I, Clarinet
II, Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV, Horn I, Horn
II, Horn III, Horn IV,
Tenor I, Tenor II, Tenor
III, Baritone (Bass
Clef), Tuba, Percussion
I, Percussion II.
Classical. Performance
score. 19 pages.
Published by Carl
Fischer.
(The Official March of the American Merchant Marine). By Earl W. Clark. Arranged...(+)
(The Official March of
the American Merchant
Marine). By Earl W.
Clark. Arranged by
Charlie Hill. Marching
band. For Flute, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Horn I, Horn II, Tenor I,
Tenor II, Tenor III,
Baritone (Bass Clef),
Tuba, Percussion.
Classical. Score and
parts. Standard notation.
4 pages
Fanfare Band - Grade 5 SKU: BT.AMP-061-120 Variations on Ein' feste Bu...(+)
Fanfare Band - Grade 5
SKU:
BT.AMP-061-120
Variations on Ein'
feste Burg. Composed
by Philip Sparke. Elite
Series. Concert Piece.
Score Only. Composed
2003. Anglo Music Press
#AMP 061-120. Published
by Anglo Music Press
(BT.AMP-061-120).
Between the Two
Rivers was commissioned
by Fanfare ‘Prins
Hendrik’, from
Aalst in the Netherlands.
The title derives from
the fact that the town of
Aalst lies between two
tributaries of the River
Dommel. The community is
a highly religious one,
so the famous Luther
chorale, Ein’
Feste Burg, was an
obvious choice for Philip
Sparke to use as the
theme for this new work.
It takes the form of a
theme with four
contrasting variations.
Variation 1 is a moto
perpetuo, variation 2 has
a slower march like feel,
variation 3 is a sinister
slow movement and the
final variation is in the
form of a lyrical fugue.
Between The Two Rivers is
sure to become a major
work in modern concert
bandrepertoire.
Between the Two
Rivers werd gecomponeerd
in opdracht van de
Fanfare Prins Hendrik uit
Aalst. De titel verwijst
naar het feit dat Aalst
tussen twee zijrivieren
van de Dommel ligt. Aalst
is een streng gelovige
gemeente, dus was heteen
voor de hand liggende
keuze van Philip Sparke
om het beroemde lutherse
koraal Een vaste burcht
te gebruiken als thema
voor een viertal
variaties. Variation I is
een moto perpetuo,
Variation II is langzamer
en marsachtig van
karakter,VariationIII is
een sinister langzaam
deel en Variation IV
heeft tot slot de vorm
van een fuga. Between the
Two Rivers zal beslist
een belangrijk
concertwerk worden in het
repertoire van
blaasorkesten. Het werk
is verplichtgesteld op
het Wereld Muziek
Concours 2005 te
Kerkrade.
Philip
Sparke wählte sich den
berühmten
Luther-Choral Ein'
feste Burg als Thema
für eine Reihe von
Variationen. Nach einer
kurzen, lebhaften
Eröffnung folgen vier
abwechslungsreiche
Variationen über den
Choral. Between the
Two Rivers, dessen
Name sich auf die
zwischen zwei Flüssen
liegende, Auftrag gebende
Stadt Aals in Holland
bezieht, ist ein
prachtvolles Werk, in dem
alle Register des
Blasorchesters zum Zuge
kommen.
Black Granite III Fanfare [Conducteur et Parties séparées] - Facile Curnow Music
Fanfare Band - Grade 3 SKU: BT.CMP-1091-06-020 Symphonic March. Co...(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-1091-06-020
Symphonic March.
Composed by James Hosay.
Arranged by Peter Wood.
Fanfare Band. March. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
1091-06-020. Published by
Curnow Music
(BT.CMP-1091-06-020).
9x12 inches.
English.
Uw publiek
zal onder de indruk zijn
van de openingsmaten van
deze mars, waarvan de
majesteuze schoonheid
ervoor heeft gezorgd dat
hij inmiddels tot het
standaardrepertoire van
Amerikaanse militaire
bands behoort. Een
krachtig,
patriottischeerbetoon aan
gesneuvelde militairen
dat beslist indruk
maakt.
Fanfare Band - Grade 3 SKU: BT.CMP-1091-06-120 Symphonic March. Co...(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-1091-06-120
Symphonic March.
Composed by James Hosay.
Arranged by Peter Wood.
Fanfare Band. March.
Score Only. Composed
2006. Curnow Music #CMP
1091-06-120. Published by
Curnow Music
(BT.CMP-1091-06-120).
Song of David Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1135481-020 Based on Dies Irae....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1135481-020
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-020. Published by
De Haske Publications
(BT.DHP-1135481-020).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
At Henry's Table Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000617-020 Composed by Peter Martin. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000617-020
Composed by Peter Martin.
Set (Score & Parts). 55
pages. Gobelin Music
Publications #GOB
000617-020. Published by
Gobelin Music
Publications
(BT.GOB-000617-020).
Composer Peter
Martin received his
inspiration from the
period of the versatile
Henry VIII and the
accompanying sparkling
late-medieval music.
At Henry's Table
describes the atmosphere
at the court of the
English king. Music
that stays with you
because it is so special.
Componist Peter
Martin liet zich
inspireren door de (voor
zijn tijd) veelzijdige
Henry VIII en door de
voor die tijd
sprankelende muziek van
de late Middeleeuwen.
At Henry's Table
beschrijft de atmosfeer
aan het hof van de
Engelsekoning. Muziek
die je bijblijft omdat
het zo bijzonder is.
At Henry's Table Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000617-120 Composed by Peter Martin. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000617-120
Composed by Peter Martin.
Score Only. 12 pages.
Gobelin Music
Publications #GOB
000617-120. Published by
Gobelin Music
Publications
(BT.GOB-000617-120).
Composer Peter
Martin received his
inspiration from the
period of the versatile
Henry VIII and the
accompanying sparkling
late-medieval music.
At Henry's Table
describes the atmosphere
at the court of the
English king. Music
that stays with you
because it is so special.
Componist Peter
Martin liet zich
inspireren door de (voor
zijn tijd) veelzijdige
Henry VIII en door de
voor die tijd
sprankelende muziek van
de late Middeleeuwen.
At Henry's Table
beschrijft de atmosfeer
aan het hof van de
Engelsekoning. Muziek
die je bijblijft omdat
het zo bijzonder is.