(An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies and a Host of Other Uses). Arranged by Victor Lopez. Marching Band. For Tuba. Book; Marching Band Collection. Grade 2.5; Grade 3. 12 pages. Published by Alfred Music

(An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies and a Host of Other Uses). Arranged by Victor Lopez. Marching Band. For Mallet Percussion (Bells/Xylophone). Book; Marching Band Collection. Grade 2.5; Grade 3. 12 pages. Published by Alfred Music

(The Music of Tower of Power, Part 3). By Emilio Castillo, Stephen Kupka, and David Garibaldi [Tower of Power]. Arranged by Victor López. Marching Band. Marching Band; Part(s); Score. Mega Sounds for Marching Band. Funk; Jazz. Grade 3.5. Published by Alfred Music

An All-Purpose Marching/Basketball/Pep Band Book for Time Outs, Pep Rallies and Other Stuff. Arranged by Mike Story. Collections; Marching Band Collection; Performance Music Ensemble. Pop. Performance part book. With standard notation. 12 pages. Alfred Music #00-MBF9518. Published by Alfred Music

(An All-Purpose Marching/Basketball/Pep Band Book for Time Outs, Pep Rallies and Other Stuff) Arranged by Mike Story. Conductor's score for band. With score notation. 84 pages. Published by Alfred Publishing.

(An All-Purpose Marching/Basketball/Pep Band Book for Time Outs, Pep Rallies and Other Stuff) Arranged by Mike Story. Performance part book for snare drum. With standard notation. 12 pages. Published by Alfred Publishing.

(Featuring: Everybody Talks / Ghostbusters / James Bond Theme / Rock and Roll All Night). Arranged by Victor López. Marching Band. Marching Band; Part(s); Score. Mega Sounds for Marching Band. Grade 2.5; Grade 3. Published by Alfred Music

Fanfare Band - Grade 3

SKU: BT.DHP-1064079-020

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064079-020. Published by De Haske Publications (BT.DHP-1064079-020).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Fanfare Band - Grade 3

SKU: BT.DHP-1064079-120

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Score Only. Composed 2006. 56 pages. De Haske Publications #DHP 1064079-120. Published by De Haske Publications (BT.DHP-1064079-120).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Fanfare Band - Grade 3

SKU: BT.GOB-000432-120

Composed by Jan Bosveld. Score Only. 20 pages. Gobelin Music Publications #GOB 000432-120. Published by Gobelin Music Publications (BT.GOB-000432-120).

The Odyssee tells the story of Odysseus, the undaunted hero.
In times long ago the blind poet Homer wrote this famous epic.
The Odyssey follows the Iliad, the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse.
The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero.
In The Odyssey, Homer describes howOdysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land.
During those years, his wife, Penelope, had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband, she promisedthem.
But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Ishe an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope!
Nearly threethousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today.

Odyssee by Jan Bosveld is not just an adventure story, butrather a characteristic piece in which memories of Homers story can be heard.
The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly.
The further development of thisshort introduction completes this character sketch: trustworthy, perseverant, and a genius.
After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as werecognise the weaving loom of Penelope in the murmuring eighth?
In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell.
The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty!

Het muzikale relaas van de Griekse schrijver Homerus over de held Odyssee in een karakterstuk vol herinneringen.
Een stevig opgewekt thema symboliseert de grootsheid van Odyssee en zijn karaktertrekken - betrouwbaar, volhardend en vernuftig. Detegenslagen welke hij tegenkomt en in het tweede tragische gedeelte dreigen te escaleren, nemen in het derde snelle gedeelte bij zijn verschijning toch weer een positieve wending.
Nijmegenaar Jan Bosveld bewijst in dit originele werk dat hij opde hoogte is van de onmogelijkheden, maar vooral de ongekende mogelijkheden van muzikanten uit de lagere afdelingen.

Gobeli n Music Publications.

Fanfare Band - Grade 3

SKU: BT.GOB-000432-020

Composed by Jan Bosveld. Set (Score & Parts). 71 pages. Gobelin Music Publications #GOB 000432-020. Published by Gobelin Music Publications (BT.GOB-000432-020).

The Odyssee tells the story of Odysseus, the undaunted hero.
In times long ago the blind poet Homer wrote this famous epic.
The Odyssey follows the Iliad, the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse.
The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero.
In The Odyssey, Homer describes howOdysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land.
During those years, his wife, Penelope, had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband, she promisedthem.
But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Ishe an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope!
Nearly threethousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today.

Odyssee by Jan Bosveld is not just an adventure story, butrather a characteristic piece in which memories of Homers story can be heard.
The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly.
The further development of thisshort introduction completes this character sketch: trustworthy, perseverant, and a genius.
After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as werecognise the weaving loom of Penelope in the murmuring eighth?
In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell.
The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty!

Het muzikale relaas van de Griekse schrijver Homerus over de held Odyssee in een karakterstuk vol herinneringen.
Een stevig opgewekt thema symboliseert de grootsheid van Odyssee en zijn karaktertrekken - betrouwbaar, volhardend en vernuftig. Detegenslagen welke hij tegenkomt en in het tweede tragische gedeelte dreigen te escaleren, nemen in het derde snelle gedeelte bij zijn verschijning toch weer een positieve wending.
Nijmegenaar Jan Bosveld bewijst in dit originele werk dat hij opde hoogte is van de onmogelijkheden, maar vooral de ongekende mogelijkheden van muzikanten uit de lagere afdelingen.

Gobeli n Music Publications.

Fanfare Band - Grade 6

SKU: BT.DHP-0920388-020

Composed by Jan Van der Roost. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 1992. De Haske Publications #DHP 0920388-020. Published by De Haske Publications (BT.DHP-0920388-020).

Avalon is a one-part composition. The surprising opening measures describe the sudden entrance into another world. After these initial measures, we hear a choral-like melody, which is repeated three times in different instrumentations with increasing intensity. This represents the procession of the ghosts dwelling in the underworld of Avalon, headed by the mighty magician Merlin.The exalted sound is then suddenly interrupted by a fast movement, in which ostinato figures alternate with bi-tonal motives. This represents the attempt of some evil characters to invade Avalon. Mordred is the leader of this horde and together they disturb the peace and quiet in the otherwisecalm Avalon. The flourish of trumpets heralds the entrance of the Knights of the Round Table who drive away the intruders and return to their castle, Tintagel, in a triumphal procession. Upon their return, the next problem presents itself. An inexplicable disease plagues the resting ghosts.The Knights and the Council of the Wise are convened to find out the cause of this problem. Musically this can be heard in the repetition of the initial themes. The Knights and the Council of the Wise determine that the presence of mortals is the reason that the resting ghosts are suffering. There is simply no room for mortal souls in Avalon. After a powerful statement by King Arthur, we hear a glissando referring to the very first measures, and… we are back in the normal world. The journey through the underworld has come to an end and a dream is over.

Avalon est une pièce dont le décor et les personnages sont empruntés aux légendes arthuriennes. L’œuvre débute par quelques mesures surprenantes qui nous font entrer subitement dans un autre monde. Une mélodie produisant l’effet d’un chœur représente la procession des fantômes et des esprits qui vivent dans l’île magique d’Avalon, avec, leur tête, le puissant magicien Merlin. Soudain, des figures ostinato et des phrases bitonales expriment la tentative d’une horde maléfique conduite par Mordred d’envahir le monde paisible d’Avalon. Après que le Roi Arthur soit intervenu avec force, on entend un glissando qui rappelle les toutes premières mesures, et… noussommes de retour dans le monde réel. Le voyage se termine et un rêve prend fin.