Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-120 Composed by William Himes....(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-1118-07-120
Composed by William
Himes. Fanfare Band.
Concert Piece. Score
Only. Composed 2007. 44
pages. Curnow Music #CMP
1118-07-120. Published by
Curnow Music
(BT.CMP-1118-07-120).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer
außer William Himes
käme schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
Riesenspaß, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-020 Composed by William Himes....(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-1118-07-020
Composed by William
Himes. Fanfare Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
Curnow Music #CMP
1118-07-020. Published by
Curnow Music
(BT.CMP-1118-07-020).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer
außer William Himes
käme schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
Riesenspaß, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Fanfare Band - Grade 3 SKU: BT.CMP-0498-01-020 Composed by Carmine Pastor...(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-0498-01-020
Composed by Carmine
Pastore. Accolade Series.
Original Light Music. Set
(Score & Parts). Composed
2001. Curnow Music #CMP
0498-01-020. Published by
Curnow Music
(BT.CMP-0498-01-020).
Spain is a
country like no other.
Its scenic beauty,
colorful history and bold
arts and literature are
unique and legendary. In
this overture Carmine
Pastore skilfully
portrays this timeless
region of many contrasts
with the widely-varied
orchestration portraying
many of the opposing and
unique qualities of the
concert band.
Tommy - Part 1 (Overture, Go to the Mirror) by Pete Townshend. Arranged by Jay B...(+)
Tommy - Part 1 (Overture,
Go to the Mirror) by Pete
Townshend. Arranged by
Jay Bocook and Will Rapp.
Performance/Easy Limited
Edition. Grade 3-4.
Published by Hal Leonard
By Carter Burwell. Arranged by John Wasson and Will Rapp. For Marching Band (Sco...(+)
By Carter Burwell.
Arranged by John Wasson
and Will Rapp. For
Marching Band (Score and
Parts). Contemporary
Marching Band. Grade 3-4.
Published by Hal Leonard
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€â
„¢s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-120 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-120
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-120. Published by
De Haske Publications
(BT.DHP-1064079-120).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€â
„¢s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Fanfare Band - Grade 2 SKU: BT.CMP-0034-95-020 Composed by James Curnow. ...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0034-95-020
Composed by James Curnow.
Passport Series. Concert
Piece. Set (Score &
Parts). Composed 1995.
Curnow Music #CMP
0034-95-020. Published by
Curnow Music
(BT.CMP-0034-95-020).
Captivated by
the rolling hills,
majestic horse farms and
beautiful horses of the
Central Kentucky
Bluegrass region, James
Curnow has named this
exciting overture after
one of the most scenic
areas near his home.
After a fanfare opening,
the Percussion section
provides high energy for
the main theme. A
contrasting middle
section showcases the
expressive abilities of
your ensemble. With a
return of the main theme,
momentum builds steadily
to the exciting
conclusion.Exhilarating!<
br> Überwältigt
von der Schönheit der
sanften Hügel,
prächtigen
Pferdefarmen und edlen
Pferden in der so
genannten Bluegrass
Region in Kentucky,
benannte James Curnow
diese spannende
Ouvertüre nach einer
der malerischsten
Landschaften seiner
Heimatregion. Nach der
einleitenden Fanfare
bereitet das Schlagzeug
energievoll auf das
Hauptthema vor. Im
kontrastreichen
Mittelteil kann Ihr
Ensemble all seine
Ausdrucksmöglichkeiten
entfalten. Mit der
Rückkehr zum
Hauptthema nimmt die
Musik stetig an Schwung
und treibender Kraft hin
zum aufregenden Schluss
zu. Sehr belebend!
Fanfare Band - Grade 2 SKU: BT.CMP-0034-95-120 Composed by James Curnow. ...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0034-95-120
Composed by James Curnow.
Passport Series. Concert
Piece. Score Only.
Composed 1995. Curnow
Music #CMP 0034-95-120.
Published by Curnow Music
(BT.CMP-0034-95-120).
Captivated by
the rolling hills,
majestic horse farms and
beautiful horses of the
Central Kentucky
Bluegrass region, James
Curnow has named this
exciting overture after
one of the most scenic
areas near his home.
After a fanfare opening,
the Percussion section
provides high energy for
the main theme. A
contrasting middle
section showcases the
expressive abilities of
your ensemble. With a
return of the main theme,
momentum builds steadily
to the exciting
conclusion.Exhilarating!<
br> Überwältigt
von der Schönheit der
sanften Hügel,
prächtigen
Pferdefarmen und edlen
Pferden in der so
genannten Bluegrass
Region in Kentucky,
benannte James Curnow
diese spannende
Ouvertüre nach einer
der malerischsten
Landschaften seiner
Heimatregion. Nach der
einleitenden Fanfare
bereitet das Schlagzeug
energievoll auf das
Hauptthema vor. Im
kontrastreichen
Mittelteil kann Ihr
Ensemble all seine
Ausdrucksmöglichkeiten
entfalten. Mit der
Rückkehr zum
Hauptthema nimmt die
Musik stetig an Schwung
und treibender Kraft hin
zum aufregenden Schluss
zu. Sehr belebend!
(Ouverture/Overture). By J Rixner. Arranged by P. J. Molenaar. For Fanfare Band....(+)
(Ouverture/Overture). By
J Rixner. Arranged by P.
J. Molenaar. For Fanfare
Band. Arrangements of
Classical Pieces /
Arrangements of Classical
Opera and Operetta
Overtures. Classic
Arrangement. Grade 5.
Score