Marching Band - Grade 3 SKU: AP.38556S Composed by Chad Kroeger and Nicke...(+)
Marching Band - Grade 3
SKU: AP.38556S
Composed by Chad Kroeger
and Nickelback. Arranged
by Ralph Ford. Marching
Band; Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop/Rock; Rock.
Score. 12 pages. Alfred
Music #00-38556S.
Published by Alfred Music
(AP.38556S).
UPC:
038081439242.
English.
Here is
the hard rockin' arena
anthem by Nickelback that
is widely heard in
stadiums everywhere.
Arranger Ralph Ford pulls
out all the stops with
this driving rock shuffle
that will be a crowd
favorite for years to
come!
Marching Band - Grade 3 SKU: AP.43905 As Recorded by One Direction...(+)
Marching Band - Grade 3
SKU: AP.43905
As Recorded by One
Direction. By Ed
Drewett, John Ryan,
Julian Bunetta, Liam
Payne, Louis Tomlinson,
One Direction, and Wayne
Hector. By Ed Drewett,
John Ryan, Julian
Bunetta, Liam Payne [One
Direction], Louis
Tomlinson, and Wayne
Hector. Arranged by
Victor Lopez. Marching
Band; Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop/Rock. Score and
Part(s). 110 pages.
Duration 1:55. Alfred
Music #00-43905.
Published by Alfred Music
(AP.43905).
UPC:
038081501871.
English.
The band
One Direction is one of
the hottest groups
around. Here is the lead
single from their latest
album in a driving yet
very playable arrangement
by Victor López!
(1:55).
Land of Legends Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000399-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000399-020
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 154
pages. Gobelin Music
Publications #GOB
000399-020. Published by
Gobelin Music
Publications
(BT.GOB-000399-020).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the sceneof
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appearsto be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen from
neighbouring villages are
busily at work. In
the upperchamber of the
round tower lives an old
man (The Old Wizard). He
hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some
ofthem sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played byminstrels
and of course a plentiful
banquet
follows.
In
‘Land of Legends’
worden we door de Duitse
componist Andreas Ludwig
(what’s in a name)
Schulte meegenomen in de
fictieve wereld van
legendes, sagen en
sprookjes. De
inleiding van het eerste
deel (The Castle)
beschrijft de majestueuze
contourenvan de plaats
van handeling. De
instrumentatie (hoorns)
zorgt er mede voor dat we
ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we door de
poort naar binnen gaan
blijkt dathet op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen, het vee wordt
verzorgd en enkele
ambachtslieden uit
deomliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien, niemand
weet wat hij precies
doet. Er wordt gezegd dat
hij zich bezig houdt
mettovenarij/magie. Het
is een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derde
deel heeft allure. Onder
luid trompetgeschal wordt
de bruid aan de hand van
haar vaderbinnengebracht.
Tijdens het feest wordt
er gedanst onder
begeleiding van de
troubadours en natuurlijk
volgt een bourgondische
maaltijd.
Land of Legends Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000399-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000399-120
Composed by Andreas
Ludwig Schulte. Score
Only. 32 pages. Gobelin
Music Publications #GOB
000399-120. Published by
Gobelin Music
Publications
(BT.GOB-000399-120).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the sceneof
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appearsto be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen from
neighbouring villages are
busily at work. In
the upperchamber of the
round tower lives an old
man (The Old Wizard). He
hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some
ofthem sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played byminstrels
and of course a plentiful
banquet
follows.
In
‘Land of Legends’
worden we door de Duitse
componist Andreas Ludwig
(what’s in a name)
Schulte meegenomen in de
fictieve wereld van
legendes, sagen en
sprookjes. De
inleiding van het eerste
deel (The Castle)
beschrijft de majestueuze
contourenvan de plaats
van handeling. De
instrumentatie (hoorns)
zorgt er mede voor dat we
ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we door de
poort naar binnen gaan
blijkt dathet op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen, het vee wordt
verzorgd en enkele
ambachtslieden uit
deomliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien, niemand
weet wat hij precies
doet. Er wordt gezegd dat
hij zich bezig houdt
mettovenarij/magie. Het
is een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derde
deel heeft allure. Onder
luid trompetgeschal wordt
de bruid aan de hand van
haar vaderbinnengebracht.
Tijdens het feest wordt
er gedanst onder
begeleiding van de
troubadours en natuurlijk
volgt een bourgondische
maaltijd.
Fanfare Band - Grade 4 SKU: BT.GOB-000443-120 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000443-120
Composed by Carl
Wittrock. Score Only. 20
pages. Gobelin Music
Publications #GOB
000443-120. Published by
Gobelin Music
Publications
(BT.GOB-000443-120).
The word
‘tsunami’ is of
Japanese origin. When you
look it up in a
dictionary, you will find
that it means ‘a great
sea wave produced by
submarine earth movement
or volcanic eruption’.
A megatsunami is the
superlative of this
awesome expressionof
power that nature can
create, and has
catastrophic
consequences.
When Carl Wittrock
completed this
composition not many such
big earth movements had
occurred, but since then
we have become all too
familiar with the
disastrousconsequences
which a tsunami may
have. On the 26th of
December 2004 a heavy
seaquake took place near
the Indonesian island of
Sumatra. Tidal waves 10
meters in height ravaged
the coastal regions of
many countries for miles
around. The tsunamitook
the lives of thousands of
people and destroyed many
villages and
towns.
There are
more areas which run the
risk of being struck by a
tsunami, such as the
island of La Palma, one
of the Canary Islands.
This island is based on
oceaniccrust at a
fracture zone and as such
is one of nature’s time
bombs. The consequences
of a natural calamity
like a megatsunami are
immense. In the case
of La Palma, the tidal
wave will move in the
direction of South
America, where it may
reach 50km inland,
destroying everything on
its way.
In his
composition Wittrock
describes an ordinary day
which will have an
unexpected ending.
Right from the
beginning there seems to
be something in the air,
the music creating an
oppressiveatmosphere of
impending disaster.
Themes are interrupted,
broken off suddenly,
followed by silence,
suggesting the calm
before the storm.
Suddenly a short
climax (glissandi in the
trombone part) indicates
the seaquake, and the
megatsunami isa fact.
Hereafter follows a
turbulent passage
symbolising the huge
rolling waves. After
nature’s force has
spent itself, resignation
sets in and the
composition ends with a
majestic ode to
nature.
Het woord
tsunami is afkomstig uit
het Japans. Het
woordenboek geeft als
betekenis: een vloedgolf
als gevolg van een
onderzeese aardbeving.
Een megatsunami is de
overtreffende trap van
deze vorm van
natuurgeweld en heeft
catastrofale
gevolgen.
Toen
Carl Wittrock deze
compositie voltooide
waren er nog niet veel
voorbeelden van
dergelijke grote
bevingen, maar inmiddels
weten we maar al te goed
welke desastreuze
gevolgen een tsunami kan
veroorzaken. Op 26
december 2004 vond ereen
zware beving plaats in de
zee nabij het
Indonesische eiland
Sumatra. Vloedgolven van
wel 10 meter hoog
teisterden de kuststreken
van menig land in de
verre omtrek. De tsunami
eiste duizenden
mensenlevens en
verwoestte vele dorpen
ensteden.
Er zijn
meer gebieden waar sprake
is van een directe
dreiging, zoals op het
eiland La Palma, één
van de Canarische
eilanden. Dit eiland ligt
op een breukvlak en is
daarmee een tijdbom van
de natuur. Bij een
calamiteit als
eenmegatsunami zijn de
gevolgen niet te
overzien. In het
geval van La Palma
begeeft de vloedgolf van
enkele honderden meters
zich richting Zuid
Amerika met alle gevolgen
van dien. Tot ongeveer 50
kilometer landinwaarts
heeft de megatsunami
eenallesverwoestende
werking.
In de
compositie schetst
Wittrock een gewone dag
die ongewoon zal aflopen.
Al vanaf het begin hangt
er iets in de lucht en is
er sprake van een
dreigende, beklemmende
sfeer. Themas worden
onderbroken
doorplotselinge
afbrekingen en stiltes.
Opeens is daar de korte
climax (glissandi in
trombones) die de beving
symboliseert en de
megatsunami is een feit.
Een onrustig gedeelte
vangt aan, daarmee de
rollende, voortstuwende
golven symboliserend. Na
hetnatuurgeweld is er
berusting en The Power of
the Megatsunami wordt
afgesloten met een
majestueuze ode aan de
natuur.
The Power of the Megatsunami Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000443-020 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000443-020
Composed by Carl
Wittrock. Set (Score &
Parts). 72 pages. Gobelin
Music Publications #GOB
000443-020. Published by
Gobelin Music
Publications
(BT.GOB-000443-020).
The word
‘tsunami’ is of
Japanese origin. When you
look it up in a
dictionary, you will find
that it means ‘a great
sea wave produced by
submarine earth movement
or volcanic eruption’.
A megatsunami is the
superlative of this
awesome expressionof
power that nature can
create, and has
catastrophic
consequences.
When Carl Wittrock
completed this
composition not many such
big earth movements had
occurred, but since then
we have become all too
familiar with the
disastrousconsequences
which a tsunami may
have. On the 26th of
December 2004 a heavy
seaquake took place near
the Indonesian island of
Sumatra. Tidal waves 10
meters in height ravaged
the coastal regions of
many countries for miles
around. The tsunamitook
the lives of thousands of
people and destroyed many
villages and
towns.
There are
more areas which run the
risk of being struck by a
tsunami, such as the
island of La Palma, one
of the Canary Islands.
This island is based on
oceaniccrust at a
fracture zone and as such
is one of nature’s time
bombs. The consequences
of a natural calamity
like a megatsunami are
immense. In the case
of La Palma, the tidal
wave will move in the
direction of South
America, where it may
reach 50km inland,
destroying everything on
its way.
In his
composition Wittrock
describes an ordinary day
which will have an
unexpected ending.
Right from the
beginning there seems to
be something in the air,
the music creating an
oppressiveatmosphere of
impending disaster.
Themes are interrupted,
broken off suddenly,
followed by silence,
suggesting the calm
before the storm.
Suddenly a short
climax (glissandi in the
trombone part) indicates
the seaquake, and the
megatsunami isa fact.
Hereafter follows a
turbulent passage
symbolising the huge
rolling waves. After
nature’s force has
spent itself, resignation
sets in and the
composition ends with a
majestic ode to
nature.
Het woord
tsunami is afkomstig uit
het Japans. Het
woordenboek geeft als
betekenis: een vloedgolf
als gevolg van een
onderzeese aardbeving.
Een megatsunami is de
overtreffende trap van
deze vorm van
natuurgeweld en heeft
catastrofale
gevolgen.
Toen
Carl Wittrock deze
compositie voltooide
waren er nog niet veel
voorbeelden van
dergelijke grote
bevingen, maar inmiddels
weten we maar al te goed
welke desastreuze
gevolgen een tsunami kan
veroorzaken. Op 26
december 2004 vond ereen
zware beving plaats in de
zee nabij het
Indonesische eiland
Sumatra. Vloedgolven van
wel 10 meter hoog
teisterden de kuststreken
van menig land in de
verre omtrek. De tsunami
eiste duizenden
mensenlevens en
verwoestte vele dorpen
ensteden.
Er zijn
meer gebieden waar sprake
is van een directe
dreiging, zoals op het
eiland La Palma, één
van de Canarische
eilanden. Dit eiland ligt
op een breukvlak en is
daarmee een tijdbom van
de natuur. Bij een
calamiteit als
eenmegatsunami zijn de
gevolgen niet te
overzien. In het
geval van La Palma
begeeft de vloedgolf van
enkele honderden meters
zich richting Zuid
Amerika met alle gevolgen
van dien. Tot ongeveer 50
kilometer landinwaarts
heeft de megatsunami
eenallesverwoestende
werking.
In de
compositie schetst
Wittrock een gewone dag
die ongewoon zal aflopen.
Al vanaf het begin hangt
er iets in de lucht en is
er sprake van een
dreigende, beklemmende
sfeer. Themas worden
onderbroken
doorplotselinge
afbrekingen en stiltes.
Opeens is daar de korte
climax (glissandi in
trombones) die de beving
symboliseert en de
megatsunami is een feit.
Een onrustig gedeelte
vangt aan, daarmee de
rollende, voortstuwende
golven symboliserend. Na
hetnatuurgeweld is er
berusting en The Power of
the Megatsunami wordt
afgesloten met een
majestueuze ode aan de
natuur.
Fanfare Band - Grade 3 SKU: BT.GOB-000844-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000844-020
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 12
pages. Gobelin Music
Publications #GOB
000844-020. Published by
Gobelin Music
Publications
(BT.GOB-000844-020).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schultedoelt hiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:‘L'hitra'ot,
Shalom’ (Tot ziens, het
ga je goed!).
Fanfare Band - Grade 3 SKU: BT.GOB-000844-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000844-120
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000844-120. Published by
Gobelin Music
Publications
(BT.GOB-000844-120).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schultedoelt hiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:‘L'hitra'ot,
Shalom’ (Tot ziens, het
ga je goed!).
Klezmer Discovery Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000865-020 Composed by Sjaak van der R...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000865-020
Composed by Sjaak van der
Reijden. Folk Klezmer.
Set (Score & Parts). 12
pages. Gobelin Music
Publications #GOB
000865-020. Published by
Gobelin Music
Publications
(BT.GOB-000865-020).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Klezmer Discovery Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000865-120 Composed by Sjaak van der R...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000865-120
Composed by Sjaak van der
Reijden. Folk Klezmer.
Score Only. 60 pages.
Gobelin Music
Publications #GOB
000865-120. Published by
Gobelin Music
Publications
(BT.GOB-000865-120).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Amazonia Fanfare [Conducteur] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0900226-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0900226-120
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 1990. De
Haske Publications #DHP
0900226-120. Published by
De Haske Publications
(BT.DHP-0900226-120).
This major
concert work cosists o
five movements.1st
movement: La Laguna del
ShimbeSituated high up in
the Andes mountains in
Northern Peru are the
Huaringas, a group of
lagoons in isolated and
mysterious surroundings.
The water has healing
powersand for centuries
traditional healers have
settled there in small
villages. From far the
sick come to the
Huaringas to be treated
in nightly rituals, in
which the hallucinating
juice of the San Pedro
cactus gives the prophet
a look inside hispatient.
The biggest lagoon is the
“Laguna del
Shimbeâ€, one of the
countless wells of the
immense Amazon stream.2nd
movement: Los
AguarunasFurther
downstream in Northern
Peru we come across the
rain tribe of Los
Aguarunas. It’s a
proud, beautiful
andindependent race,
which has never succumbed
to domination, not even
from the Incas. They live
from everything the
forest has to offer:
fish, fruit, plants, ...
. They also grow some
crops and live as
semi-nomads. They take
their fate into their
ownhands and after having
made contact with modern
civilisation, they have
integrated new elements
into their lives without
betraying their own
ways.3rd movement:
MekaronMekaron is an
Indian word meaning
“pictureâ€,
“soulâ€,
“essenceâ€.
The Indians are
theorigina inhabitants of
the Amazon region. They
either live in one place
as a group or move around
a large region. They all
have their own political
system, their own
language and an intense
social life. At the same
time they are master of
music andmedicine.
“Everywhere the
white man goes, he leaves
a wilderness behind
himâ€, wrote the
North American Indian
leader Seatl in 1885. As
a result of these
contacts with the whites,
the disruption of most
Indian societies began.
(In this century alone,80
tribes have vanished
completely).4th movement:
KêêtuajêThis is
the name of the
initiating ceremony of
the Krahô tribe in the
Brazilian state of Goias,
in which young boys and
girls enter adult life.
They are cleansed with
water, painted with
redpaint and covered with
feathers, after which the
ritual dance holds the
entire tribe
spell-bound.5th movement:
Paulino FaiakanIn 1988
the Indian chiefs Faiakan
and Raoni Kaiapo came to
Europe to protest against
the building of the
Altamira dam inBrazil. As
a result of the dam the
Indians would be driven
from their traditional
land and enormous
artificial would be
created. The project was
supported financially by,
amongst others, the
European Community. In
February 1989 the Indian
tribesaround Altamira
held a protest march for
the first time in their
history together. Amongst
other things they paid
tribute tot Chico Mendez,
who, murdered in 1988,
was the leader of the
rubber syndicate and a
fierce opponent of the
destruction of
theBrazilian rain forest.
Brazilian and world
opinion was awakened. The
building of the dam was
-albeit temporarily -
stopped.
Amazonia Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0900226-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0900226-020
Composed by Jan Van der
Roost. Sovereign Series.
Set (Score & Parts).
Composed 1990. De Haske
Publications #DHP
0900226-020. Published by
De Haske Publications
(BT.DHP-0900226-020).
This major
concert work cosists o
five movements.1st
movement: La Laguna del
ShimbeSituated high up in
the Andes mountains in
Northern Peru are the
Huaringas, a group of
lagoons in isolated and
mysterious surroundings.
The water has healing
powersand for centuries
traditional healers have
settled there in small
villages. From far the
sick come to the
Huaringas to be treated
in nightly rituals, in
which the hallucinating
juice of the San Pedro
cactus gives the prophet
a look inside hispatient.
The biggest lagoon is the
“Laguna del
Shimbeâ€, one of the
countless wells of the
immense Amazon stream.2nd
movement: Los
AguarunasFurther
downstream in Northern
Peru we come across the
rain tribe of Los
Aguarunas. It’s a
proud, beautiful
andindependent race,
which has never succumbed
to domination, not even
from the Incas. They live
from everything the
forest has to offer:
fish, fruit, plants, ...
. They also grow some
crops and live as
semi-nomads. They take
their fate into their
ownhands and after having
made contact with modern
civilisation, they have
integrated new elements
into their lives without
betraying their own
ways.3rd movement:
MekaronMekaron is an
Indian word meaning
“pictureâ€,
“soulâ€,
“essenceâ€.
The Indians are
theorigina inhabitants of
the Amazon region. They
either live in one place
as a group or move around
a large region. They all
have their own political
system, their own
language and an intense
social life. At the same
time they are master of
music andmedicine.
“Everywhere the
white man goes, he leaves
a wilderness behind
himâ€, wrote the
North American Indian
leader Seatl in 1885. As
a result of these
contacts with the whites,
the disruption of most
Indian societies began.
(In this century alone,80
tribes have vanished
completely).4th movement:
KêêtuajêThis is
the name of the
initiating ceremony of
the Krahô tribe in the
Brazilian state of Goias,
in which young boys and
girls enter adult life.
They are cleansed with
water, painted with
redpaint and covered with
feathers, after which the
ritual dance holds the
entire tribe
spell-bound.5th movement:
Paulino FaiakanIn 1988
the Indian chiefs Faiakan
and Raoni Kaiapo came to
Europe to protest against
the building of the
Altamira dam inBrazil. As
a result of the dam the
Indians would be driven
from their traditional
land and enormous
artificial would be
created. The project was
supported financially by,
amongst others, the
European Community. In
February 1989 the Indian
tribesaround Altamira
held a protest march for
the first time in their
history together. Amongst
other things they paid
tribute tot Chico Mendez,
who, murdered in 1988,
was the leader of the
rubber syndicate and a
fierce opponent of the
destruction of
theBrazilian rain forest.
Brazilian and world
opinion was awakened. The
building of the dam was
-albeit temporarily -
stopped.
Avalon Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0920388-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0920388-020
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 1992.
De Haske Publications
#DHP 0920388-020.
Published by De Haske
Publications
(BT.DHP-0920388-020).
Avalon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Fanfare Band - Grade 4 SKU: BT.GOB-001048-120 Composed by Peter Martin. S...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-001048-120
Composed by Peter Martin.
Score Only. 44 pages.
Gobelin Music
Publications #GOB
001048-120. Published by
Gobelin Music
Publications
(BT.GOB-001048-120).
One of the best
known nicknames for a
city that is perhaps New
York: The Big Apple.
Already in the thirties
of the last century, this
name is often used in New
York jazz scene. With The
Big Apple Manhattan was
intended. It was the
place to be. Around
1920 Harlem was the
center of a thriving
black culture. This
period is known as the
Harlem Renaissance. In
the famous Cotton Club
were many concerts of
greats like Duke
Ellington. Broadway
attracts millions of
tourists. Many of them
visit here one of the
many musicals sometimes
for years on the boards
are placed. Broadway
splashes sparkles and
swings. Peter Martin
shows usthree bites tests
of this imaginary apple.
Enjoy!
Eén
van de bekendste bijnamen
voor een stad is wellicht
die van New York: 'The
Big Apple'. Al in de
jaren dertig van de
vorige eeuw werd deze
naam vaak gebruikt in de
New Yorkse jazzscene. Met
'The Big Apple' werd
Manhattanbedoeld. Het was
'the place to be'.
Rond 1920 werd Harlem het
centrum van een bloeiende
zwarte cultuur. Deze
periode staat bekend als
de 'Harlem Renaissance'.
In de beroemde Cotton
Club vonden vele
concerten plaats van
groothedenals Duke
Ellington. Broadway
trekt miljoenen
toeristen. Velen van hen
bezoeken hier één van
de vele musicals die soms
al jaren op de planken
gebracht worden.
Broadway spettert,
bruist en swingt.
Peter Martinlaat ons drie
hapjes proeven uit deze
denkbeeldige appel.
Laat het u smaken!
Three Bites of the Apple Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-001048-020 Composed by Peter Martin. S...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-001048-020
Composed by Peter Martin.
Set (Score & Parts).
Gobelin Music
Publications #GOB
001048-020. Published by
Gobelin Music
Publications
(BT.GOB-001048-020).
One of the best
known nicknames for a
city that is perhaps New
York: The Big Apple.
Already in the thirties
of the last century, this
name is often used in New
York jazz scene. With The
Big Apple Manhattan was
intended. It was the
place to be. Around
1920 Harlem was the
center of a thriving
black culture. This
period is known as the
Harlem Renaissance. In
the famous Cotton Club
were many concerts of
greats like Duke
Ellington. Broadway
attracts millions of
tourists. Many of them
visit here one of the
many musicals sometimes
for years on the boards
are placed. Broadway
splashes sparkles and
swings. Peter Martin
shows usthree bites tests
of this imaginary apple.
Enjoy!
Eén
van de bekendste bijnamen
voor een stad is wellicht
die van New York: 'The
Big Apple'. Al in de
jaren dertig van de
vorige eeuw werd deze
naam vaak gebruikt in de
New Yorkse jazzscene. Met
'The Big Apple' werd
Manhattanbedoeld. Het was
'the place to be'.
Rond 1920 werd Harlem het
centrum van een bloeiende
zwarte cultuur. Deze
periode staat bekend als
de 'Harlem Renaissance'.
In de beroemde Cotton
Club vonden vele
concerten plaats van
groothedenals Duke
Ellington. Broadway
trekt miljoenen
toeristen. Velen van hen
bezoeken hier één van
de vele musicals die soms
al jaren op de planken
gebracht worden.
Broadway spettert,
bruist en swingt.
Peter Martinlaat ons drie
hapjes proeven uit deze
denkbeeldige appel.
Laat het u smaken!