Troja (Troy) Fanfare [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Fanfare Band (Score & Parts) - Grade 2 SKU: HL.4008029 (+)
Score and Parts Fanfare
Band (Score & Parts) -
Grade 2
SKU:
HL.4008029
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-102. Published
by Hal Leonard
(HL.4008029).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Odyssee Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-120 Composed by Jan Bosveld. Sc...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-120
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000432-120. Published by
Gobelin Music
Publications
(BT.GOB-000432-120).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-020 Composed by Jan Bosveld. Se...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-020
Composed by Jan Bosveld.
Set (Score & Parts). 71
pages. Gobelin Music
Publications #GOB
000432-020. Published by
Gobelin Music
Publications
(BT.GOB-000432-020).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Elburg Fantasy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135396-020. Published by
De Haske Publications
(BT.DHP-1135396-020).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.
Elburg Fantasy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2013. 52 pages. De Haske
Publications #DHP
1135396-120. Published by
De Haske Publications
(BT.DHP-1135396-120).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.
Snow [Hey Oh] Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1084440-020 Composed by Anthony Kiedis...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1084440-020
Composed by Anthony
Kiedis, Chad Smith, John
Frusciante, and Michael
Balzary. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084440-020. Published by
De Haske Publications
(BT.DHP-1084440-020).
9x12 inches.
English-German-French-Dut
ch.
De Red Hot
Chilli Peppers, een
Californische
cross-overband,
combineert rock met pop,
funk, rap en punk. Eind
2006 bracht RHCP het
nummer Snow (Hey
Oh) uit, dat
afkomstig is van
Stadium Arcadium.
Dit dubbelalbum wasgoed
voor maar liefst vier
Grammy Awards. Vergeleken
met het vaak vrij heftige
gangbare repertoire van
de band is Snow (Hey
Oh) een melodische en
rustige song die bekend
en geliefd is bij een
breed publiek, Peter
Kleine Schaarsschreef een
aansprekend
arrangement.
Der
Song Snow (Hey Oh)
war die dritte
Single-Auskopplung aus
dem Album Stadium
Arcadium der
kalifornischen Rockband
Red Hot Chili Peppers,
das mit vier Grammys
ausgezeichnet wurde.
Für die sonst
rocklastigen und auch mal
provokanten Chili Peppers
ist Snow ein eher ruhiges
Lied, melodiös und
eingängig, das ein
breites Publikum
anspricht. Peter Kleine
Schaars sorgte für
eine authentische
Bearbeitung des
eingängigen Titels.
Snow [Hey Oh] Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1084440-120 Composed by Anthony Kiedis...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1084440-120
Composed by Anthony
Kiedis, Chad Smith, John
Frusciante, and Michael
Balzary. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084440-120. Published by
De Haske Publications
(BT.DHP-1084440-120).
9x12 inches.
English-German-French-Dut
ch.
De Red Hot
Chilli Peppers, een
Californische
cross-overband,
combineert rock met pop,
funk, rap en punk. Eind
2006 bracht RHCP het
nummer Snow (Hey
Oh) uit, dat
afkomstig is van
Stadium Arcadium.
Dit dubbelalbum wasgoed
voor maar liefst vier
Grammy Awards. Vergeleken
met het vaak vrij heftige
gangbare repertoire van
de band is Snow (Hey
Oh) een melodische en
rustige song die bekend
en geliefd is bij een
breed publiek, Peter
Kleine Schaarsschreef een
aansprekend
arrangement.
Der
Song Snow (Hey Oh)
war die dritte
Single-Auskopplung aus
dem Album Stadium
Arcadium der
kalifornischen Rockband
Red Hot Chili Peppers,
das mit vier Grammys
ausgezeichnet wurde.
Für die sonst
rocklastigen und auch mal
provokanten Chili Peppers
ist Snow ein eher ruhiges
Lied, melodiös und
eingängig, das ein
breites Publikum
anspricht. Peter Kleine
Schaars sorgte für
eine authentische
Bearbeitung des
eingängigen Titels.
Ross Roy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Blues Forever Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1064011-020 Composed by Roland Kerne...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1064011-020
Composed by Roland
Kernen. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064011-020. Published by
De Haske Publications
(BT.DHP-1064011-020).
9x12 inches.
English-German-French-Dut
ch.
The Blues is a
well-known style of
popular music. The name
does not come out of thin
air. After all, the term
‘blues’
refers to a state of
mind: with the sentence
‘I got the
blues’ someone
means they are in low
spirits. The blues
originate in the
melancholic music that
the slaves in the
southern United States
made to relieve their
depressing circumstances
to some extent. This new
concert work makes use of
‘blue notes’
(the flattened 3rd and
7th notes of the scale)
which give this exciting
work its blues
sound.
De Blues
vindt zijn oorsprong in
de melancholische muziek
die de slaven in het
zuiden van de Verenigde
Staten maakten om hun
ellendige omstandigheden
enigzins te verzachten.
Karakteristiek voor deze
muziek is onder andere
het gebruikvan 'blue
notes', die uiteraard ook
in de blues
Forever van Roland
Kernen veelvuldig
voorkomen.
Roland
Kernen erinnert in seinem
Stück Blues
Forever an den
Ursprung des Blues in der
melancholischen Musik der
schwarzamerikanischen
Sklaven in den
Südstaaten der USA.
Die Musik drückte das
tiefe Leid aus, diente
aber zugleich als Trost
und Stärkung.
Charakteristisch für
diesen Musikstil ist
damals wie heute die
Verwendung so genannter
blue notes“, die
auch in Kernens
authentischem, bewegenden
Werk häufig
auftauchen.
Hymnus Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000264-020 Composed by Andrew R. Macke...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000264-020
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 72 pages. Gobelin
Music Publications #GOB
000264-020. Published by
Gobelin Music
Publications
(BT.GOB-000264-020).
Hymnus was
commissioned by the
Wilhelmina Easterein
Fanfare Orchestra in the
Autumn of 1999 for their
performance at the World
Music Contest,
Kerkrade.
The
commission was the result
of a collaboration
between the composer and
the thenmusical director,
Marten van der
Wal.
The exact
meaning of the word
Hymnus is not known but
it is taken in this
presentation to mean hymn
or hymn-like. The
melodic material is
organic and grows from an
initial unison tone.
Thisinterval is gradually
expanded to form the cell
F E C F, a semitone,
third, fifth. The only
other melodic motif is
the ascending three-note
pattern spanning a major
third. This is the second
of his compositions to
use this ascending motif,
theother being Fanfare
for a Bright New Age for
Brass Band and Organ,
also of 2000. These
characteristic intervals
appear in many
contrasting moods and
guises throughout the
piece.
The
opening unison notes are
intended to convey as
sense ofpower and
magnificence, like the
first sounds at the
dawning of the
universe. After the
immense power, a period
of stunned silence and
reverence. The evolution
of the hymn melody
incorporates a variety of
moods and atmospheres,
sometimes expressing much
joy and celebration
whilst also suggesting
periods of intense
savagery or prayerful
contemplation. The
hymn builds as the piece
progresses and is finally
stated in its complete
form at letter W.
The official
worldpremiere of the work
was given by Wilhelmina
Easterein at the World
Music Contest 2001.
Whilst the composer was
unable to attend in
person, he was able to
enjoy the premier
simultaneously
transmitted via a mobile
phone from the
audience!
Conductors Note The
tempo indications are to
be viewed as a guide
rather than a literal
instruction. Within the
music there is an innate
sense of pulse and metre,
lending itself to
considerable rubato.
Melody is king, and all
else is mere support and
decoration, careful
attention must therefore
be given to balance.
Hymnus Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000264-120 Composed by Andrew R. Macke...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000264-120
Composed by Andrew R.
Mackereth. Score Only. 20
pages. Gobelin Music
Publications #GOB
000264-120. Published by
Gobelin Music
Publications
(BT.GOB-000264-120).
Hymnus was
commissioned by the
Wilhelmina Easterein
Fanfare Orchestra in the
Autumn of 1999 for their
performance at the World
Music Contest,
Kerkrade.
The
commission was the result
of a collaboration
between the composer and
the thenmusical director,
Marten van der
Wal.
The exact
meaning of the word
Hymnus is not known but
it is taken in this
presentation to mean hymn
or hymn-like. The
melodic material is
organic and grows from an
initial unison tone.
Thisinterval is gradually
expanded to form the cell
F E C F, a semitone,
third, fifth. The only
other melodic motif is
the ascending three-note
pattern spanning a major
third. This is the second
of his compositions to
use this ascending motif,
theother being Fanfare
for a Bright New Age for
Brass Band and Organ,
also of 2000. These
characteristic intervals
appear in many
contrasting moods and
guises throughout the
piece.
The
opening unison notes are
intended to convey as
sense ofpower and
magnificence, like the
first sounds at the
dawning of the
universe. After the
immense power, a period
of stunned silence and
reverence. The evolution
of the hymn melody
incorporates a variety of
moods and atmospheres,
sometimes expressing much
joy and celebration
whilst also suggesting
periods of intense
savagery or prayerful
contemplation. The
hymn builds as the piece
progresses and is finally
stated in its complete
form at letter W.
The official
worldpremiere of the work
was given by Wilhelmina
Easterein at the World
Music Contest 2001.
Whilst the composer was
unable to attend in
person, he was able to
enjoy the premier
simultaneously
transmitted via a mobile
phone from the
audience!
Conductors Note The
tempo indications are to
be viewed as a guide
rather than a literal
instruction. Within the
music there is an innate
sense of pulse and metre,
lending itself to
considerable rubato.
Melody is king, and all
else is mere support and
decoration, careful
attention must therefore
be given to balance.
Strong Coffee Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000785-120 Composed by Ron Gilmore. Sc...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000785-120
Composed by Ron Gilmore.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000785-120. Published by
Gobelin Music
Publications
(BT.GOB-000785-120).
It is true that
tastes differ.
Coffee has known a long
history : it has been
drunk since the 17th
century. On one hand
people drink coffee for
relaxation, on the other
hand it is drunk to ward
off tiredness or
sleepiness. ‘Strong
Coffee’ composed by Ron
Gilmore works both ways.
There will be people who
will be able to relax
during ‘Strong
Coffee’, whereas others
will experience it as a
real boost. Is it a bit
too strong after all,
such a funky Soul Beat?
Then adding a little milk
might help. As said
before, tastes
differ!
Zoveel
mensen zoveel smaken.
Koffie kent een
lange geschiedenis. Al
sinds de 17e eeuw wordt
deze drank genuttigd.
Enerzijds wordt koffie
gedronken voor de
gezelligheid, anderzijds
wordt koffie gebruikt als
middel om vermoeidheidof
slaperigheid weg te
drinken. Met
‘Strong Coffee’ van
Ron Gilmore kunt u beide
kanten op. Er zullen
mensen zijn die bij
Strong Coffee even
bijkomen, voor de ander
is het een echte
opkikker. Is het toch een
beetje te sterk,zo’n
lekkere Soul Beat? Een
scheutje melk helpt.
Smaken verschillen nu
eenmaal.
Strong Coffee Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000785-020 Composed by Ron Gilmore. Se...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000785-020
Composed by Ron Gilmore.
Set (Score & Parts). 39
pages. Gobelin Music
Publications #GOB
000785-020. Published by
Gobelin Music
Publications
(BT.GOB-000785-020).
It is true that
tastes differ.
Coffee has known a long
history : it has been
drunk since the 17th
century. On one hand
people drink coffee for
relaxation, on the other
hand it is drunk to ward
off tiredness or
sleepiness. ‘Strong
Coffee’ composed by Ron
Gilmore works both ways.
There will be people who
will be able to relax
during ‘Strong
Coffee’, whereas others
will experience it as a
real boost. Is it a bit
too strong after all,
such a funky Soul Beat?
Then adding a little milk
might help. As said
before, tastes
differ!
Zoveel
mensen zoveel smaken.
Koffie kent een
lange geschiedenis. Al
sinds de 17e eeuw wordt
deze drank genuttigd.
Enerzijds wordt koffie
gedronken voor de
gezelligheid, anderzijds
wordt koffie gebruikt als
middel om vermoeidheidof
slaperigheid weg te
drinken. Met
‘Strong Coffee’ van
Ron Gilmore kunt u beide
kanten op. Er zullen
mensen zijn die bij
Strong Coffee even
bijkomen, voor de ander
is het een echte
opkikker. Is het toch een
beetje te sterk,zo’n
lekkere Soul Beat? Een
scheutje melk helpt.
Smaken verschillen nu
eenmaal.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1064123-120 From The Lion King 3:...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1064123-120
From The Lion King 3:
Hakuna Matata.
Arranged by Frederik
Kampstra. De Haske Pop
Collection. Pop and Rock.
Score Only. Composed
2006. 20 pages. De Haske
Publications #DHP
1064123-120. Published by
De Haske Publications
(BT.DHP-1064123-120).
9x12 inches.
English-German-French-Dut
ch.
The Lion Sleeps
Tonight was originally
recorded in 1939 and was
an instant hit in many
countries. Since then,
countless artists have
recorded this well-known
song. The Lion Sleeps
Tonight was also used in
the famous Disney movie
The Lion King. Add a
little Disney magic to
any concert with this
stirring arrangement.
The Lion
Sleeps Tonight werd
in 1939 onder de titel
Mbube (Afrikaans voor
leeuw) opgenomen door de
Zuid-Afrikaanse bedenker
van de song, Solomon
Linda, en zijn groep The
Evening Birds. Het nummer
werd een grote hit in
Afrika.Een aangepaste
versie werd ook een hit
in Groot-Brittannië en
de Verenigde Staten. Vele
covers volgden en in de
loop der tijd werd de
aanstekelijke melodie
wereldwijd bekend. The
Lion Sleeps Tonight
is onder andere
gebruiktvoor de beroemde
Disney-film The Lion
King. Deze song met
zijn bewogen geschiedenis
inspireerde Frederik
Kampstra tot het
schrijven van dit
levendige
arrangement.
Th
e Lion Sleeps Tonight
wurde erstmals 1939 unter
dem Titel Mbube
(afrikanisch für
Löwe) vom
südafrikanischen
Komponisten Solomon Linda
und dessen Band The
Evening Birds
aufgenommen. Von 1961
stammt die heute bekannte
Version von George David
Weiss, Luigi Creatore und
Hugo Peretti, die schon
von unzähligen
gro�en Künstlern neu
interpretiert wurde.
The Lion Sleeps
Tonight wurde sogar
in den Soundtrack zum
Disney-Zeichentrickfilm
Der König der
Löwen aufgenommen.
Frederik Kampstras
lebhafte Bearbeitung
für Blasorchester
sorgt für echtes
Safari-Feeling!
The Lion
Sleeps Tonight è
opera del cantante
sudafricano Solomon
Linda, che scrisse Mbube
(leone in lingua zulù)
nel lontano 1939. Mentre
la canzone ebbe un
successo mondiale, il suo
autore morì in
miseria. Lâ??incredibile
storia di questa canzone
dalla melodia
accattivante ha ispirato
Frederik Kampstra nello
scrivere questo
arrangiamento.
![Snow [Hey Oh]](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwfbe8cc1a/images/7440/22027440_cover-large_file.png)
![Snow [Hey Oh]](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw56d71679/images/7443/22027443_cover-large_file.png)
