Fanfare Band - Grade 1.5 SKU: BT.CMP-0413-00-120 Composed by Mike Hannick...(+)
Fanfare Band - Grade 1.5
SKU:
BT.CMP-0413-00-120
Composed by Mike
Hannickel. National
Heritage Series. Original
Light Music. Score Only.
Composed 2000. Curnow
Music #CMP 0413-00-120.
Published by Curnow Music
(BT.CMP-0413-00-120).
This exciting
medley of American
spirituals is sure to
please! Mike Hannickel's
carefully crafted THREE
AMERICAN SPIRITUALS helps
young bands develop those
all-important listening
skills. They'll hear how
each tune contrasts and
complements the others
when “Go Tell It On
The Mountainâ€,
“Swing Low, Sweet
Chariot†and
“Who did Swallow
Jo-Jo-Jonah†all
come together in rousing
counterpoint! THREE
AMERICAN SPIRITUALS works
wonderfully with the
unpredictable
instrumentation of so
many youth bands, while
it's contrapuntal nature
allows every section to
shine. THREE AMERICAN
SPIRITUALS allows each
parent to say honestly to
their child I HEARD you
play your
part!
Een
levendige medley waarin
drie spirituals
contrapuntisch zijn
verwerkt: Go Tell It
on the Mountain,
Swing Low, Sweet
Chariot en Who Did
Swallow Jo-Jo-Jonah.
Elke instrumentgroep komt
in Three American
Spiritualstot
z’n recht en het
stuk is bijzonder
geschikt om het gehoor
van jonge muzikanten te
trainen.
Ein
lebendiges Medley, das
die drei bekannten
amerikanischen Spirituals
kontrapunktisch
miteinander verbindet.
Ein Stück, in dem jede
Instrumentengruppe zu
ihrem Recht kommt,
welches überdies
besonders geeignet ist,
das Gehör der jungen
Musiker zu schulen.
Ãœberzeugend!
Fanfare Band - Grade 1.5 SKU: BT.CMP-0413-00-020 Composed by Mike Hannick...(+)
Fanfare Band - Grade 1.5
SKU:
BT.CMP-0413-00-020
Composed by Mike
Hannickel. National
Heritage Series. Original
Light Music. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0413-00-020. Published by
Curnow Music
(BT.CMP-0413-00-020).
This exciting
medley of American
spirituals is sure to
please! Mike Hannickel's
carefully crafted THREE
AMERICAN SPIRITUALS helps
young bands develop those
all-important listening
skills. They'll hear how
each tune contrasts and
complements the others
when “Go Tell It On
The Mountainâ€,
“Swing Low, Sweet
Chariot†and
“Who did Swallow
Jo-Jo-Jonah†all
come together in rousing
counterpoint! THREE
AMERICAN SPIRITUALS works
wonderfully with the
unpredictable
instrumentation of so
many youth bands, while
it's contrapuntal nature
allows every section to
shine. THREE AMERICAN
SPIRITUALS allows each
parent to say honestly to
their child I HEARD you
play your
part!
Een
levendige medley waarin
drie spirituals
contrapuntisch zijn
verwerkt: Go Tell It
on the Mountain,
Swing Low, Sweet
Chariot en Who Did
Swallow Jo-Jo-Jonah.
Elke instrumentgroep komt
in Three American
Spiritualstot
z’n recht en het
stuk is bijzonder
geschikt om het gehoor
van jonge muzikanten te
trainen.
Ein
lebendiges Medley, das
die drei bekannten
amerikanischen Spirituals
kontrapunktisch
miteinander verbindet.
Ein Stück, in dem jede
Instrumentengruppe zu
ihrem Recht kommt,
welches überdies
besonders geeignet ist,
das Gehör der jungen
Musiker zu schulen.
Ãœberzeugend!
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Fanfare Band - Grade 3 SKU: BT.DHP-1094718-020 Les Anges dans nos camp...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094718-020
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094718-020. Published by
De Haske Publications
(BT.DHP-1094718-020).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.m ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
Fanfare Band - Grade 3 SKU: BT.DHP-1094718-120 Les Anges dans nos camp...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094718-120
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Concert Piece. Score
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094718-120. Published by
De Haske Publications
(BT.DHP-1094718-120).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the â??Gloria in
excelsis Deoâ??
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deoâ?? der
dem Lied seinen besonders
erhabenen, festlichen
Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
unâ??introduzione
festiva che accompagna
verso lâ??esposizione
del tema in forma di
corale. Segue un
intermezzo dalle sonorit
ampie e generose, che
precede le riprese del
corale di apertura dagli
accenti gioiosi. Il brano
si conclude in modo
maestoso per
rappresentare
lâ??atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
The Other Side Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3.5 SKU: BT.DHP-1145556-020 Composed by Stijn Roels....(+)
Fanfare Band - Grade 3.5
SKU:
BT.DHP-1145556-020
Composed by Stijn Roels.
Concert and Contest
Collection Brass Band en
Fanfare. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145556-020. Published by
De Haske Publications
(BT.DHP-1145556-020).
English-German-French-
Dutch.
The Other
Side was written as a
farewell to a loved one.
Following the melancholy
theme of mourning in a
minor key we also hear
the happy memories in
major key and also the
knowledge that the person
who has gone to ‘a
better place’ is
now at peace. This is a
soulful and calm work
that leaves plenty of
space for the
musicians’ and
listeners’ own
thoughts. This set
includes optional parts
for piano and vibraphone.
The Other
Side is geschreven
als afscheid van een
geliefde persoon. Behalve
het melancholische
mineurthema komen in dit
werk ook mooie
herinneringen in majeur
naar voren. Bovendien
klinkt in de muziek de
hoop door dat de
betreffende persoon nueen
goed leven heeft
‘aan gene
zijde’. Dit
gevoelige, rustige werk
laat muzikanten en
luisteraars de ruimte
voor hun eigen gedachten.
De set bevat optionele
partijen voor piano en
vibrafoon.
THE
OTHER SIDE wurde zum
Abschied von einem
geliebten Menschen
geschrieben. Neben dem
melancholischen
Trauerthema in Moll
klingen jedoch auch die
schönen Erinnerungen
in Dur durch und auch die
Zuversicht, dass es die
Person nun auf der
„anderenSeite“
; gut hat. Ein
gefühlvolles, ruhiges
Werk, das den Musikern
und Zuhörern angenehm
viel Raum lässt, ihre
eigenen Gedanken
schweifen zu lassen. Das
Set enthält optionale
Stimmen für Klavier
und
Vibraphon.
The Other Side è
stata composta per dare
l’addio a una
persona cara. Oltre al
tema malinconico del
lutto in tonalità
minore, arriva il suono
dei bei ricordi in
tonalità maggiore.
Si confi da nel fatto che
la persona riposiin pace.
Un brano sentimentale e
tranquillo, che lascia a
musicisti e ascoltatori
ampi spazi gradevoli per
consentire ai propri
pensieri di vagare. Il
set comprende parti
opzionali per pianoforte
e vibrafono.
The Other Side Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3.5 SKU: BT.DHP-1145556-120 Composed by Stijn Roels....(+)
Fanfare Band - Grade 3.5
SKU:
BT.DHP-1145556-120
Composed by Stijn Roels.
Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2014. 24 pages.
De Haske Publications
#DHP 1145556-120.
Published by De Haske
Publications
(BT.DHP-1145556-120).
English-German-French-
Dutch.
The Other
Side was written as a
farewell to a loved one.
Following the melancholy
theme of mourning in a
minor key we also hear
the happy memories in
major key and also the
knowledge that the person
who has gone to ‘a
better place’ is
now at peace. This is a
soulful and calm work
that leaves plenty of
space for the
musicians’ and
listeners’ own
thoughts. This set
includes optional parts
for piano and vibraphone.
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-120 Composed by William Himes....(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-1118-07-120
Composed by William
Himes. Fanfare Band.
Concert Piece. Score
Only. Composed 2007. 44
pages. Curnow Music #CMP
1118-07-120. Published by
Curnow Music
(BT.CMP-1118-07-120).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer
außer William Himes
käme schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
Riesenspaß, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-020 Composed by William Himes....(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-1118-07-020
Composed by William
Himes. Fanfare Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
Curnow Music #CMP
1118-07-020. Published by
Curnow Music
(BT.CMP-1118-07-020).
9x12 inches.
English.
And now
for something completely
different! Who but
William Himes would think
of deconstructing and the
reconstructing the
birthday song into this
amazingly creative
overture? And, who else
could do it so well? The
cognitive and the
affective domains are
both in for a treat as
you prepare this
intriguing new work for
performance. Be sure to
hear the CD demo and look
closely at the score.
There are some amazing
things going on
here.Unexpected!
Dit werk is
geschreven in opdracht
van de Palatine Concert
Band uit Palatine in
Illinois (VS), ter
gelegenheid van het
vijftigjarig bestaan in
2005. Zoals de titel al
suggereert, is de muziek
gebaseerd op een
verborgen thema, datin
veel subtiele
verschijningen opduikt.
Om de mijlpaal voor het
orkest kracht bij te
zetten creëerde de
componist een vrolijke,
feestelijke klank, ge
nspireerd op een zeer
bekende melodie. (De
identiteit daarvan mag
echter niet
wordenprijsgegeven omdat
zelfs de titel
onder copyright valt.
Laten we gewoon zeggen
dat het een lied is dat
vaak wordt gezongen bij
de viering van een
verjaardag.)
Das
ist wirklich einmal etwas
ganz anderes! Wer
außer William Himes
käme schon auf die
verrückte Idee, das
bekannte Lied Happy
Birthday to You
vollkommen auseinander zu
nehmen und dann zu einer
erstaunlich kreativen
Ouvertüre neu
zusammenzusetzen? Und das
hört sich dann sogar
richtig toll an! Schon
das Einstudieren dieser
überraschenden
Ouvertüre macht einen
Riesenspaß, der sich
dann mit Sicherheit auch
aufs Publikum
überträgt.
Fanfare Band - Grade 5 SKU: BT.DHP-0970939-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-0970939-020
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 1997.
De Haske Publications
#DHP 0970939-020.
Published by De Haske
Publications
(BT.DHP-0970939-020).
As the title
suggests, this is a fiery
and energetic, dynamic
overture. Jan Van der
Roost was commissioned to
write the piece by the
Japanese ‘Band of
the NEC-Tamagawa
Plant’ on the
occasion of its 40th
anniversary. From the
first measure, the brass
section sets the scene
with rhythmical motives.
Gradually we hear melodic
and playful themes, often
supported by
(poly)rhythmic figures. A
fermate in the trombone
section prepares the way
for the final theme,
which virtuosically leads
into a reprise of the
first fanfare. The
dynamic circle
closes!
Wie der
Titel schon sagt ist
diese kraftvolle und
energische Ouvertüre
sehr dynamisch. Jan Van
der Roost schrieb diese
Komposition im Auftrag
der Band of the
NEC-Tamagava Plant aus
Anlass des 40.
jährigen Jubiläums.
Das
Blechbläserregister
gibt vom ersten Takt an
den Ton mit rhythmischen
Motiven an. Allmählich
hören wir melodische
und spielerische Themen,
die oft durch
(poly)rhythmische
Begleitungsfiguren
unterstützt werden.
Eine Femate bei den
Posaunen leitet das Thema
ein, das virtuos in die
Reprise übergeht: der
dynamische Kreis ist
rund!
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
The Golden Age Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-120 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-120
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-120. Published by
De Haske Publications
(BT.DHP-1064079-120).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Fanfare Band - Grade 5 SKU: BT.DHP-1094779-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094779-020
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094779-020. Published by
De Haske Publications
(BT.DHP-1094779-020).
9x12 inches.
A
flashback is an
interesting psychological
phenomenon: a seemingly
random trigger can bring
back long-forgotten
memories from the
subconscious mind. The
composer underwent a
similar experience before
writing this piece. He
was asked to write a
piece for The National
Youth Fanfare Band in the
Netherlands, one which he
heard perform many years
ago. All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Deze
compositie is geschreven
ter gelegenheid van Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstukvoor het
Nationaal Jeugd Fanfare
Orkest in opdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
opdit Engelse kerklied
nam hij als
inspiratiebron en hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback“ ist ein
psychologisches
Phänomen: Eine
Erfahrung weckt scheinbar
aus dem Nichts die
Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plötzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!
Fanfare Band - Grade 5 SKU: BT.DHP-1094779-120 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094779-120
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2009. 56 pages.
De Haske Publications
#DHP 1094779-120.
Published by De Haske
Publications
(BT.DHP-1094779-120).
9x12 inches.
A
flashback is an
interesting psychological
phenomenon: a seemingly
random trigger can bring
back long-forgotten
memories from the
subconscious mind. The
composer underwent a
similar experience before
writing this piece. He
was asked to write a
piece for The National
Youth Fanfare Band in the
Netherlands, one which he
heard perform many years
ago. All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstuk voor het
Nationaal Jeugd Fanfare
Orkest inopdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
op dit Engelse kerklied
nam hij als
inspiratiebronen hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback“ ist ein
psychologisches
Phänomen: Eine
Erfahrung weckt scheinbar
aus dem Nichts die
Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plötzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!