Tom gives a scalding, in-your-face treatment to this Rolling Stones classic! / Marching Band

Par PASTORE CARMINE. Fun for all!! The chorale style opening soon turns into a rousing, funky-jazzy-gospel riff-style roof-raiser that will have your audience tapping along. It's nice for the concert band to get the opportunity to play something 'jazzy' once in a while, and you know the audience will love it as much as the band does. Plenty of opportunity to study jazz-style phrasing in the concert band, interesting Percussion parts, a catchy tune and good linear motion for all move GETTIN' GOSPEL to the 'top of the list'. The only danger here is that the band might like it a little TOO much, and want to play it every day. / Niveau : 2 / Musique légère originale / Répertoire / Fanfare

selection for fanfare band. Par BARRY JOHN / DE MEIJ JOHAN (Arr.). Dans cette sélection de mélodies célèbres James Bond, l?arrangeur Johan de Meij a repris les thèmes suivants, dans l?ordre de leur apparition : All Time High (de Octopussy, le dernier rôle de Roger Moore comme agent secret 007), James Bond Theme (du film Dr. No), For your eyes only et Goldfinger (du film du même avec Sean Connery dans le rôle principale). C?est sans doute John Barry (1933 ? 2011) qui a été le principal compositeur de musique pour les films Bond. Il a á son actif, outre la musique de Goldfinger, de Octopussy et de bien d?autres encore, les thèmes de Thunderball, From Russia with Love, Moonraker et Diamonds are Forever. Il a écrit de plus, la musique d?autres films célèbres tels que The Deep, Midnight Cowboy, Born Free et Out of Africa./ Répertoire / Fanfare Band

Arr. Philip Sparke. Par RYAN PAUL. Paul and Barry Ryan were identical twin sons of 1950’s pop singer Marion Ryan and were born on 24th October 1948. They were groomed for stardom and had started singing as a duo before their fifteenth birthday. They were signed by Decca in 1965 and brilliantly marketed as clean-cut fashion icons. Their first single ‘Don’t Bring Me Your Heartaches’ reached the UK top twenty but their success as twin performers lasted only three years. In 1968 Barry embarked on a solo career while Paul concentrated on writing and producing. Eloise with its melodramatic vocal style and heavily orchestrated backing was an early success of this new collaboration and went on to be covered by a variety ofartists, including punk legends The Damned. / Niveau : 4 / Pop and rock / Recueil / Fanfare