The Fever Tree Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-001010-120 Composed by Rob Goorhuis. S...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-001010-120
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
001010-120. Published by
Gobelin Music
Publications
(BT.GOB-001010-120).
The composition
".The Fever
Tree". in 2008 was
commissioned by the Music
Association of Central
and Eastern Netherlands
St.Willibrord as a gift
to all its members on the
occasion of the formation
of a national music
organization and the
elimination of the music
union for Central and
Eastern Netherlands
St.Willibrord. The
fever tree is a
controversial legend
about St. Willibrord
(658-739). The
daughter of a pagan
chieftain of Hoemannen
that made the area around
Heumen unsafe, was
seriously ill. They
feared for her life.
The chief of the gang
turned to predatory
Willibrord, who same time
in this region led
mission. Willibrord
commanded theman to
repent and a headband of
the girl to a certain
special tree to hang.
The desperate captain
obeyed, and his daughter
was a miraculous heal.
Then came the anger
of the Hoemannen against
their leader, who in
their eyes had
committed treason by the
group to convert. They
abused themselves to him
and killed him brutally.
The daughter remained
behind in great sorrow,
comforted by Willibrord.
The composition
has the following scenes:
- Andante moderato -
the calling of Willibrord
- Allegro moderato -
Willibrord passes through
the province of Brabant
and try to people to
repent - Vivace -
Hoemannen terrorize the
inhabitants of the area
Heumen - Andante -
the healing of the sick
girl and the conversion
of the centurion -
Inquieto - the revenge of
the Hoemannen -
Adagio - elegy on the
death of the chief
De compositie
'The Fever Tree' (De
koortsboom) werd in 2008
geschreven in opdracht
van de Muziekbond Midden-
en Oost Nederland
St.Willibrord, als
geschenk aan al haar
leden bij gelegenheid van
de vorming van één
landelijke
muziekorganisatieen de
opheffing van de
muziekbond voor Midden-
en Oost Nederland
St.Willibrord.
De
koortsboom is een
omstreden legende rond
St. Willibrord
(658-739). De dochter
van de heidense hoofdman
van de Hoemannen, diehet
gebied rond Heumen
onveilig maakten, was
ernstig ziek. Men vreesde
voor haar leven. De
hoofdman van de
roofzuchtige bende wende
zich tot Willibrord, die
in dezelfde tijd in deze
streek missioneerde.
Willibrord gebood deman
zich te bekeren én een
hoofdband van het meisje
aan een bepaalde,
bijzondere boom te
hangen. De radeloze
hoofdman gehoorzaamde en
zijn dochter werd op
wonderbaarlijke wijze
genezen. Toen keerde de
woede van de Hoemannen
zichtegen hun leider, die
in hun ogen verraad had
gepleegd aan de groep
door zich te bekeren. Ze
vergrepen zich aan hem en
vermoordden hem op
gruwelijke wijze. De
dochter bleef in grote
droefheid achter,
getroost door
Willibrord.
De
compositie kent de
volgende
tableaus:
-
Andante moderato - de
roeping van Willibrord
- Allegro moderato -
Willibrord trekt door het
Brabantse land en tracht
de bevolking te bekeren
- Vivace -
deHoemannen terroriseren
de inwoners van het
gebied rond Heumen -
Andante - de genezing van
het zieke meisje en de
bekering van de hoofdman
- Inquieto - de
wraak van de Hoemannen
- Adagio - treurzang
over de doodvan de
hoofdman.
Fanfare Band - Grade 3 SKU: BT.1107-04-020-MS Arranged by Thijs Oud. Sche...(+)
Fanfare Band - Grade 3
SKU:
BT.1107-04-020-MS
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Set
(Score & Parts). Composed
2004. Music Sales
#1107-04-020 MS.
Published by Music Sales
(BT.1107-04-020-MS).
In the 1970s
Elvis Presley gave many
concerts with an
orchestra that included a
large wind and brass
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Suspicious
Minds was an up-tempo
song in which the drummer
played a particularly
important role. This
arrangement features a
relatively calm central
section followed by a
closing section which
will have the audience
rocking along!
Suspicious
Minds ist eine der
schönsten Balladen von
Elvis, die im Jahr 1969
die Hitparaden
stürmte. Die
authentische Bearbeitung
von Thijs Oud macht es
Ihrem Blasorchester
leicht, die Herzen eines
jeden Publikums im Sturm
zu erobern.
Fanfare Band - Grade 3 SKU: BT.DHP-1074314-120 Drei kurzweilige Impres...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1074314-120
Drei kurzweilige
Impressionen.
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 32
pages. De Haske
Publications #DHP
1074314-120. Published by
De Haske Publications
(BT.DHP-1074314-120).
9x12 inches.
English-German-French-Dut
ch.
For Three
Aspects of Kurt Weill
Peter Kleine Schaars took
inspiration from the
three periods that
characterise the life of
Weill - he
successivelylived in
Berlin, Paris and New
York. One theme is used
to create threetotally
different atmospheres, a
protest march against the
fascists inBerlin, a
French Musette (valse de
Paris) and an American
big bandstyle Broadway
orchestra. Let this great
work show the versatility
ofyour concert band!
Kurt
Weill, der unter anderem
mit seiner Musik zur
Dreigroschenoper
berühmt wurde, lebte
nacheinander in Berlin,
Paris und New York.
Three Aspects of Kurt
Weill weist ein Thema
auf, das dementsprechend
in drei völlig
unterschiedlichen
Stimmungen erscheint: als
Protestmarsch gegen die
Faschisten in Berlin, als
französische Musette
und im amerikanischen
Big- Band-Stil. Beweisen
Sie die
Verwandlungsfähigkeit
Ihres Blasorchesters!
Ross Roy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Variations on a Scale Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 5 SKU: BT.AMP-390-020 Composed by Philip Sparke. Eli...(+)
Fanfare Band - Grade 5
SKU:
BT.AMP-390-020
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2013.
Anglo Music Press #AMP
390-020. Published by
Anglo Music Press
(BT.AMP-390-020).
9x12
inches.
English-German-French-Dut
ch.
Variations
on a Scale was
commissioned by CMV
Excelsior Schraard in the
Netherlands, to celebrate
their 90th anniversary.
The piece is in the form
of six variations of
different lengths but
without a unifying theme.
Instead, each variation
includes either a melody
based on the notes of a
scale, or figurations
based upon scales in the
accompaniment.
Variations on
a Scale is geschreven
in opdracht van CMV
Excelsior Schraard
(dirigent Thom Zigterman)
ter gelegenheid van het
90-jarig jubileum van het
orkest in 2012. Het werk
werd gepresenteerd
tijdens het
jubileumconcert en de
première vond plaats
in maart 2013.De
compositie bestaat uit
zes variaties van
verschillende lengte,
zonder een verbindend
inhoudelijk thema. In
plaats daarvan wordt elke
variatie gekarakteriseerd
door óf een melodie
die is gebaseerd op de
noten van een toonladder,
óf een opvallende
toonladderfiguur in de
begeleiding.
Va
riations on a Scale
wurde 2012 anlässlich
des 90-jährigen
Bestehens des CMV
Excelsior Schraard
(Dirigent: Thom
Zigterman) in Auftrag
gegeben und vom Orchester
selbst bei der
Jubiläumsfeier im
März 2013
uraufgeführt. Das Werk
besteht aus sechs
verschieden langen
Variationen, die nicht
thematisch verbunden
sind. Den gemeinsamen
Nenner bildet das Motto
Tonleiter - alle
Variationen enthalten
entweder eine Melodie,
die auf einer Tonleiter
beruht oder eine wichtige
Tonleiter-Figur in der
Begleitung.
Fanfare Band - Grade 3 SKU: BT.1107-04-120-MS Arranged by Thijs Oud. Sche...(+)
Fanfare Band - Grade 3
SKU:
BT.1107-04-120-MS
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Score
Only. Composed 2004.
Music Sales #1107-04-120
MS. Published by Music
Sales
(BT.1107-04-120-MS).
In the 1970s
Elvis Presley gave many
concerts with an
orchestra that included a
large wind and brass
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Suspicious
Minds was an up-tempo
song in which the drummer
played a particularly
important role. This
arrangement features a
relatively calm central
section followed by a
closing section which
will have the audience
rocking along!
Suspicious
Minds ist eine der
schönsten Balladen von
Elvis, die im Jahr 1969
die Hitparaden
stürmte. Die
authentische Bearbeitung
von Thijs Oud macht es
Ihrem Blasorchester
leicht, die Herzen eines
jeden Publikums im Sturm
zu erobern.
All I Ask Of You Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1033362-020 From The Phantom of t...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1033362-020
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Original
Light Music. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033362-020. Published by
De Haske Publications
(BT.DHP-1033362-020).
Andrew Lloyd
Webber komponierte die
Musik zu einer Reihe
weltberühmter
Musicals. All I Ask Of
You ist ein Lied aus
dem Phantom der
Oper, dem Musical,
das auf die längste
Spielzeit von allen am
Broadway zurückblicken
kann. All I Ask of
You wurde aus gutem
Grund von zahlreichen
bekannten Stars gesungen
und mehrfach bearbeitet -
es spricht einfach jedes
Publikum unmittelbar an.
Peter Kleine Schaars
schrieb diese
gefühlvolle
Bearbeitung für
Blasorchester.
Sinfonietta No. 4 Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 5 SKU: BT.AMP-274-020 Stramproy Centennial. C...(+)
Fanfare Band - Grade 5
SKU:
BT.AMP-274-020
Stramproy
Centennial. Composed
by Philip Sparke. Elite
Series. Concert Piece.
Set (Score & Parts).
Composed 2009. Anglo
Music Press #AMP 274-020.
Published by Anglo Music
Press (BT.AMP-274-020).
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Sinfonietta No. 4
is comprised of three
parts that are played as
an uninterrupted whole.
The _x001F_first movement
begins with a lyrical
fugato passage, framing a
brisker and more
rhythmical middle
section. The second
movement is slower and
contains a long and
expressive euphonium
solo. The third movement
is a salute to the
sponsor of this
commission: various
percussion instruments
conjure up sounds
reminiscent of a
carpenter’s
workshop, accompanied by
a unison orchestral
passage in a scat
style.
Sinfonie
tta No. 4 bestaat uit
drie in elkaar
overlopende delen. Het
eerste deel bestaat uit
een lyrische fugato dat
overgaat in een sneller
en ritmisch gedeelte. In
het tweede, trage deel,
komt een prachtige
euphoniumsolo aan bod.
Het derde deel bevat een
muzikale knipoog naar de
opdrachtgever van het
werk waarin de componist
diverse slagwerk
instrumenten geluiden na
laat bootsen die uit een
timmermanswekplaats
lijken te komen.
Philip Sparkes
Sinfonietta No. 4
besteht aus drei Teilen,
die ohne Unterbrechung
gespielt werden. Der
erste Satz beginnt mit
einer lyrischen
Fugato-Passage, die einen
schnelleren und
rhythmischeren Mittelteil
umrahmt. Der zweite Teil
ist langsamer und
enthält ein langes,
expressives
Euphoniumsolo. Der dritte
Teil ist ein Salut an den
Sponsor dieses
Kompositionsauftrags:
Diverse Schlaginstrumente
erinnern an die Klänge
aus einer Schreinerei,
unisono begleitet von
einer Orchesterpassage im
Scat-Stil.
Sinfoniet
ta No. 4 si compone
di tre parti da eseguire
senza interruzione. Il
primo movimento inizia
con un lirico passaggio
fugato, che fa da cornice
a una parte centrale
più veloce e ritmica.
Nel secondo movimento la
musica è più calma.
Un magni_x001E_fico
assolo di eufonio
attraversa la trama
musicale. Il terzo
movimento descrive in
musica le attivit
dell’azienda che
ha commissionato il brano
(un laboratorio di
falegnameria), attraverso
un passaggio per le
percussioni che ornano un
andamento orchestrale
all’unisono.
The Phantom of the Opera Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064037-020 Composed by Andrew Lloyd W...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064037-020
Composed by Andrew Lloyd
Webber. Arranged by
Lorenzo Bocci. De Haske
Pop Collection.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064037-020. Published by
De Haske Publications
(BT.DHP-1064037-020).
9x12 inches.
English-German-French-Dut
ch.
The musical
Phantom of the Opera is
full of many songs that
are instantly recognised
and it has been
fundamental in making the
genre of Musicals
extremely popular with
people of all ages. Peter
Lavender’s
arrangement of this
tender and moving ballad
will sound fantastic with
just about any band.
Der
englische Komponist
Andrew Lloyd Webber
erlangte mit der Musik
für zahlreiche
berühmte Musicals und
deren Verfilmungen
weltweite Anerkennung, so
z.B. Jesus Christ
Superstar, Evita,
Cats und natürlich
Das Phantom der
Oper. Dessen Handlung
rankt sich um ein
entstelltes Musikgenie,
das maskiert in den
Katakomben der Pariser
Oper lebt und sich in
eine junge Sängerin
verliebt hat. Lorenzo
Bocci wählte aus dem
schönen und
dramatischen Musical drei
der beliebtesten Melodien
für seine einfache,
aber wirkungsvolle
Bearbeitung für
Blasorchester.
Ross Roy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Marching Band - Grade 2 SKU: AP.42099S Featuring: Oil Rig / What Are Y...(+)
Marching Band - Grade 2
SKU: AP.42099S
Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?. Composed
by Hans Zimmer. Arranged
by Mike Story. Marching
Band; Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score. 12 pages. Alfred
Music #00-42099S.
Published by Alfred Music
(AP.42099S).
UPC:
038081470276.
English.
To close
out our Man of Steel
halftime show, Mike Story
opens with a powerful and
driving percussion
feature based on the Oil
Rig action scene. The
music then returns to a
reprise of the main theme
before moving into the
heroic final section.
This show offers a wealth
of visual potential, and
the scoring is
rock-solid. This is
cutting-edge music that
will thrill both your
students and your
audience!
Man of Steel, Part 3 Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring: Oil Rig / What Are You Going to Do When You Are Not Saving the World...(+)
(Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?). By Hans
Zimmer (1957-). Arranged
by Mike Story. Marching
Band. Marching Band;
Part(s); Score. Big and
Easy. Movie. Grade 2. 138
pages. Published by
Alfred Music
(The Music of James Bond, Part 3). Arranged by Victor L�³pez, perc. arr. An...(+)
(The Music of James Bond,
Part 3). Arranged by
Victor L�³pez, perc.
arr. Anthony M. Falcone
and Victor López,
perc. arr. Anthony M.
Falcone. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Form:
Medley. Jazz; Movie.
Grade 3. 2
(The Music of Tower of Power, Part 3). By Emilio Castillo, Stephen Kupka, and Da...(+)
(The Music of Tower of
Power, Part 3). By Emilio
Castillo, Stephen Kupka,
and David Garibaldi
[Tower of Power].
Arranged by Victor
López. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Funk;
Jazz. Grade 3.5.
Published by Alfred Music
Marching Band - Grade 3 SKU: AP.40228S The Music of James Bond, Part 3...(+)
Marching Band - Grade 3
SKU: AP.40228S
The Music of James
Bond, Part 3.
Arranged by Victor Lopez
and percussion arranged
by Anthony M. Falcone.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Form: Medley. Jazz;
Movie. Score. 12 pages.
Duration 2:30. Alfred
Music #00-40228S.
Published by Alfred Music
(AP.40228S).
UPC:
038081458663.
English.
To close
out our Music of James
Bond show, Victor
presents the driving
theme to Die Another Day,
which is followed up by
the beautiful Live and
Let Die. Featuring a
tasty trombone or
baritone solo, the music
quickly goes into a fast
section which gradually
builds to a driving
finish before a reprise
of the James Bond Theme
brings the whole show to
a stunning conclusion!
(2:30).
Marching Band - Grade 3.5 SKU: AP.42117S The Music of Tower of Power, ...(+)
Marching Band - Grade 3.5
SKU: AP.42117S
The Music of Tower of
Power, Part 3. By
David Garibaldi, Emilio
Castillo, Stephen Kupka,
and Tower Of Power. By
David Garibaldi [Tower of
Power], Emilio Castillo,
and Stephen Kupka.
Arranged by Victor Lopez.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Funk; Jazz. Score.
16 pages. Duration 2:20.
Alfred Music #00-42117S.
Published by Alfred Music
(AP.42117S).
UPC:
038081473161.
English.
Victor
López concludes our
Tower of Power halftime
show with the funky Down
to the Nightclub, before
a reprise of What Is Hip?
After a steady buildup,
the show finishes with a
short final statement of
You're Still a Young Man.
Although conceived as
part of the complete
show, this chart would
make a great stands or
pep band tune by stopping
at the optional ending
for a shorter version.
Another winner from the
pen of Victor López!
(2:20).