Recorder and Piano - Advanced

SKU: FP.FDD02

Composed by David Dubery. Sheet Music and Books. An evocative piece for treble recorder or oboe and piano inspired by two historic Stockport landmarks. Classical. Collection. Forsyths Publications #FDD02. Published by Forsyths Publications (FP.FDD02).

ISBN 9790570503834.

Vern on Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.

Recorder and Piano

SKU: BT.EMBZ14216

By János Bali. Educational Tool. Book Only. Composed 2000. 88 pages. Editio Musica Budapest #EMBZ14216. Published by Editio Musica Budapest (BT.EMBZ14216).

Hungarian-English-Germ an-French.

In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.

Recorder and piano - Level 2-3

SKU: LM.C05906

Composed by Maria Koval. La flute a bec contemporaine. Classical. Score. Editions Combre #C05906. Published by Editions Combre (LM.C05906).

ISBN 9790230359061.

Recorder and Piano - Intermediate-Advanced

SKU: FP.FZZ26

Composed by Various. Edited by John Turner. Sheet Music and Books. This fourth volume in the Forsyth series of Recital Pieces for recorder and piano provides 8 superb concert pieces for the intermediate to advanced recorder player. Edited by recorder virtuosi John Turner, it includes works by Jim Parker and Peter Hope. N. Classical. Collection. Forsyths Publications #FZZ26. Published by Forsyths Publications (FP.FZZ26).

ISBN 9790570504046.

This new collection is bookended by beguiling and moderately easy works by two of Britain’s most distinguished composers of light music, Peter Hope and Jim Parker, whose music has been heard by millions of listeners and viewers. Sandwiched between these are several no less attractive concert pieces, including an evocation of the night sky in East Anglia, a gentle meditative view from a college window, and some finger-testing sparklers to entertain and test the virtuoso player’s technique.

Descant/Soprano Recorder and Piano. By Christopher Norton. (Recorder). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Boosey and Hawkes.

Recorder and Piano - Intermediate-Advanced

SKU: FP.FCG08

Composed by Gordon Crosse. Sheet Music and Books. A loving tribute to birdlife by avid 'twitcher' and leading British composer Gordon Crosse, for the intermediate to advanced recorder player. Classical. Collection. Forsyths Publications #FCG08. Published by Forsyths Publications (FP.FCG08).

ISBN 9790570504084.

Born in Bury in 1937, Gordon Crosse is one of the most distinguished composers of his generation. He studied at Oxford University under Egon Wellesz and, during a long academic career, was Composer-in-Residence at King's College Cambridge from 1973-75. His best known works include the oboe concertante Ariadne, the Three Choirs Festival Oratorio Changes, the opera Purgatory, the children's entertainment Meet my Folks, to words by Ted Hughes, the orchestral Dreamsongs (a homage to the music of Benjamin Britten) and Memories of Morning: Night (a monodrama for mezzo-soprano and orchestra).

Three Twitchings was first performed by John Turner (recorder) and Nathan Williamson (piano) in the Library at The Red House, Aldeburgh, on October 4th 2018. Two scores are provided, rather than a separate recorder part, so that the recorder player can see and respond to the pianist's part as they play.

(Short, Entertaining Pieces for Recorder and Piano). For Recorder (Recorder). Fentone Instrumental Books. Play Along. Fentone Music #F870-400. Published by Fentone Music

Piano Accompaniment. By Peter Wastall. (Piano). Boosey and Hawkes Chamber Music. Size 9x12 inches. 50 pages. Published by Boosey and Hawkes.

Recorder and piano

SKU: HL.50510384

For Treble Recorder and Piano. By Tamar Bloch. By Various. Edited by Malina Bloch. Arranged by Malina Bloch. EMB. Volume 2. Pedagogical performance pieces. Book Only. 31 pages. Editio Musica Budapest #Z14095. Published by Editio Musica Budapest (HL.50510384).

ISBN 9790080140956. UPC: 073999271362. 9.0x12.0x0.169 inches. Hungarian, English, German. Malina, Bloch.

This volume contains, in addition to well-known movements and pieces, ample material passing for novelty even for those initiated starting from the Renaissance dances to present-day Hungarian folksong arrangements. It is worth trying to play from it after one year of treble recorder studies already. Besides beginners intermediary students can also perform some of the pieces. For them the original Baroque sonata movements may prove interesting.

By Coombes. For Recorder and Piano. Solo Woodwind. Very easy-easy. Collection. Published by Brass Wind Publications

Recorder and Piano - Grade 4

SKU: HL.14018198

By Michala Petri. By Ernest Kramer. Edited by Michala Petri. Music Sales America. Classical. Book [Softcover]. Composed 2002. 32 pages. Edition Wilhelm Hansen #WH29965. Published by Edition Wilhelm Hansen (HL.14018198).

ISBN 9788759857366. English-German.

Kra hmer's Variations Brillantes was originally written for the Csakan, an instrument similar to the Recorder. In this edition the original notation has been retained. Scored here for Recorder and Piano (or Harpsichord) accompaniment.

Recorder and piano

SKU: BR.EB-8609

Urtext. Composed by Antonio Vivaldi. Edited by Martin Nitz. Solo instruments; stapled. Edition Breitkopf.

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

Sonata; Baroque. Score. 28 pages. Breitkopf and Haertel #EB 8609. Published by Breitkopf and Haertel (BR.EB-8609).

ISBN 9790004179956. 9 x 12 inches.

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

By John McDowell. For Recorder or Flute and Piano. Published by Forsyth Publications