Recorder and piano SKU: HL.50510384 For Treble Recorder and Piano....(+)
Recorder and piano
SKU: HL.50510384
For Treble Recorder
and Piano. By Tamar
Bloch. By Various. Edited
by Malina Bloch. Arranged
by Malina Bloch. EMB.
Volume 2. Pedagogical
performance pieces. Book
Only. 31 pages. Editio
Musica Budapest #Z14095.
Published by Editio
Musica Budapest
(HL.50510384).
This volume
contains, in addition to
well-known movements and
pieces, ample material
passing for novelty even
for those initiated
starting from the
Renaissance dances to
present-day Hungarian
folksong arrangements. It
is worth trying to play
from it after one year of
treble recorder studies
already. Besides
beginners intermediary
students can also perform
some of the pieces. For
them the original Baroque
sonata movements may
prove interesting.
Recorder and piano SKU: BR.EB-8609 Urtext. Composed by Antonio Viv...(+)
Recorder and piano
SKU: BR.EB-8609
Urtext. Composed
by Antonio Vivaldi.
Edited by Martin Nitz.
Solo instruments;
stapled. Edition
Breitkopf.
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.
Sonata;
Baroque. Score. 28 pages.
Breitkopf and Haertel #EB
8609. Published by
Breitkopf and Haertel
(BR.EB-8609).
ISBN
9790004179956. 9 x 12
inches.
It is
generally quite easy to
adapt sonatas for Baroque
oboe (and continuo) to
the soprano recorder
since both instruments
have an identical range.
Yet considering the great
popularity of the
previously published
works, it is strange that
Antonio Vivaldi's only
sonata for this
instrument has received
little attention to date.
This edition is based on
a manuscript preserved in
the Sachsische
Landesbibliothek Dresden
under the class. no. Mus.
2389-S-1. The preparation
of the edition entailed
the adjustment of the
accidentals to
present-day practice, and
the realization of the
(unfigured) thoroughbass
part. No slurs were added
to those already
contained in the
manuscript so as to allow
the performer to find his
own solutions. Otherwise
the virtually error-free
manuscript was reproduced
without change. We wish
to thank the directors of
the Sachsische
Landesbibliothek Dresden
for their authorization
to publish the work.
(Hamburg, Fall 1995 -
Martin
Nitz)
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.