Recorder and Piano - Intermediate-Advanced SKU: FP.FZZ26 Composed by Vari...(+)
Recorder and Piano -
Intermediate-Advanced
SKU: FP.FZZ26
Composed by Various.
Edited by John Turner.
Sheet Music and Books.
This fourth volume in the
Forsyth series of Recital
Pieces for recorder and
piano provides 8 superb
concert pieces for the
intermediate to advanced
recorder player. Edited
by recorder virtuosi John
Turner, it includes works
by Jim Parker and Peter
Hope. N. Classical.
Collection. Forsyths
Publications #FZZ26.
Published by Forsyths
Publications (FP.FZZ26).
ISBN
9790570504046.
This
new collection is
bookended by beguiling
and moderately easy works
by two of
Britain’s most
distinguished composers
of light music, Peter
Hope and Jim Parker,
whose music has been
heard by millions of
listeners and viewers.
Sandwiched between these
are several no less
attractive concert
pieces, including an
evocation of the night
sky in East Anglia, a
gentle meditative view
from a college window,
and some finger-testing
sparklers to entertain
and test the virtuoso
player’s
technique.
Recorder and Piano SKU: BT.EMBZ14216 By János Bali. Educational Tool. ...(+)
Recorder and Piano
SKU: BT.EMBZ14216
By János Bali.
Educational Tool. Book
Only. Composed 2000. 88
pages. Editio Musica
Budapest #EMBZ14216.
Published by Editio
Musica Budapest
(BT.EMBZ14216).
Recorder and piano SKU: BR.EB-8609 Urtext. Composed by Antonio Viv...(+)
Recorder and piano
SKU: BR.EB-8609
Urtext. Composed
by Antonio Vivaldi.
Edited by Martin Nitz.
Solo instruments;
stapled. Edition
Breitkopf.
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.
Sonata;
Baroque. Score. 28 pages.
Breitkopf and Haertel #EB
8609. Published by
Breitkopf and Haertel
(BR.EB-8609).
ISBN
9790004179956. 9 x 12
inches.
It is
generally quite easy to
adapt sonatas for Baroque
oboe (and continuo) to
the soprano recorder
since both instruments
have an identical range.
Yet considering the great
popularity of the
previously published
works, it is strange that
Antonio Vivaldi's only
sonata for this
instrument has received
little attention to date.
This edition is based on
a manuscript preserved in
the Sachsische
Landesbibliothek Dresden
under the class. no. Mus.
2389-S-1. The preparation
of the edition entailed
the adjustment of the
accidentals to
present-day practice, and
the realization of the
(unfigured) thoroughbass
part. No slurs were added
to those already
contained in the
manuscript so as to allow
the performer to find his
own solutions. Otherwise
the virtually error-free
manuscript was reproduced
without change. We wish
to thank the directors of
the Sachsische
Landesbibliothek Dresden
for their authorization
to publish the work.
(Hamburg, Fall 1995 -
Martin
Nitz)
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.