Two is a Team Flûte à Bec, Piano [Partition + CD] - Facile De Haske Publications
Recorder and Piano - early intermediate SKU: BT.DHP-1125297-400 Composed ...(+)
Recorder and Piano -
early intermediate
SKU:
BT.DHP-1125297-400
Composed by Ed Wennink
and Nettie Vening. Two is
a team. Book with CD.
Composed 2013. 56 pages.
De Haske Publications
#DHP 1125297-400.
Published by De Haske
Publications
(BT.DHP-1125297-400).
ISBN 9789043141833.
9x12 inches.
English-German-French-Dut
ch.
Performance
pieces for piano and
recorder in which the
level of difficulty for
both players is similar
are always in demand. The
pieces in this book
— arrangements of
well-known tunes as well
as original compositions
— are aimed at
pupils who have been
playing for approximately
three years. Both players
will learn a great deal
and will have double the
playing fun. Two is a
Team — after
all playing together is
almost always at the
heart of music!
Er
blijkt steeds weer
behoefte te zijn aan
samenspeelstukken voor
piano en blokfluit waarin
beide partijen een
vergelijkbare
moeilijkheidsgraad
hebben. De stukken in dit
boek — zowel
bewerkingen van bekende
liedjes als originele
composities — zijn
bedoeld voor leerlingen
die ongeveer drie jaar
spelen. Beiden zullen er
veel van leren en er
dubbel plezier aan
beleven. Two is a
Team — in de
muziek draait het immers
vrijwel altijd om
samenspel!
Es
besteht ein Bedarf an
Stücken für
Klavier und
Blockflöte, in denen
die Stimmen für
beide Spieler ähnlich
schwer sind. Die
Stücke in diesem
Buch — die sowohl
bekannte Melodien als
auch originale
Kompositionen umfassen
— richten sich an
Instrumentalschüler
, die bereits etwa drei
Jahre Unterricht hatten.
So können beide etwas
lernen und haben doppelt
Spaß. Two is a
Team — denn
schließlich geht es
beim Musizieren doch fast
immer um das gemeinsame
Musikerlebnis!
Two is a
Team raccoglie
composizioni originali e
brani del repertorio
classico noto al
pubblico, indirizzati
agli strumentisti con
circa tre anni di studio
alle spalle. Il livello
di difficolt dei brani
contenuti nella
pubblicazione è molto
simile per entrambi gli
strumentisti, rendendo
così più facile
un’esecuzione con
l’accompagnamento
del piano.
Recorder and Piano SKU: BT.EMBZ13542 Für Blockflöte und Basso co...(+)
Recorder and Piano
SKU: BT.EMBZ13542
Für Blockflöte
und Basso continuo.
By Janos Malina. By Georg
Philipp Telemann. EMB
Urtext. Exam Material.
Book Only. Composed 1995.
96 pages. Editio Musica
Budapest #EMBZ13542.
Published by Editio
Musica Budapest
(BT.EMBZ13542).
English-German-Hungari
an.
An ABRSM
syllabus title, 2014-2021
- Grade 8.The composer of
the Baroque era and
perhaps of the whole
history of music who knew
most about the recorder
was Georg Philipp
Telemann. His sonatas
recorder belong to the
basic repertory of each
professional and
pretentious amateur
player of the instrument.
The complete edition of
his sonatas is still
missing and the quality
of the available editions
of the various pieces is
definitely uneven. It is
thus a pioneering work to
publish Telemann's
complete sonata output in
the EMB Urtext series.
This publication is
printed on high-quality,
age-resistant,
pale-yellow paper that is
produced in an
environmentally-friendly,
climate-neutralmanner
using renewable raw
materials.
Recorder and piano SKU: BR.EB-8910 Adventure Chamber Music - 29 Very E...(+)
Recorder and piano
SKU: BR.EB-8910
Adventure Chamber
Music - 29 Very Easy to
Easy Pieces for Recorder
and Piano. Composed
by Kerstin Strecke. Solo
instruments; stapled.
Edition Breitkopf. Music
pedagogy. Score. 52
pages. Breitkopf and
Haertel #EB 8910.
Published by Breitkopf
and Haertel (BR.EB-8910).
ISBN 9790004185766. 9
x 12 inches. German /
English.
Ensemble
playing among friends
Tio, the little keyboard
man, is just about to get
to know his instrument
properly - since his
friends with their other
instruments would like
him to accompany them at
the piano! That works, in
fact, with the small
compositions by Kerstin
Strecke, who is already
presenting here the fifth
volume of her successful
Tio series. In Tio and
Friends the piano part is
kept so easy that piano
beginners and recorder
students of the same age
can gain their first
exciting experiences in
ensemble playing.
Suitable for
chamber-music projects,
preludes, or music at
home, this selection
includes very easy little
pieces as well as also
little challenges - just
the right thing for
Tio!
Recorder and Piano - Advanced SKU: FP.FDD02 Composed by David Dubery. She...(+)
Recorder and Piano -
Advanced
SKU:
FP.FDD02
Composed by
David Dubery. Sheet Music
and Books. An evocative
piece for treble recorder
or oboe and piano
inspired by two historic
Stockport landmarks.
Classical. Collection.
Forsyths Publications
#FDD02. Published by
Forsyths Publications
(FP.FDD02).
ISBN
9790570503834.
Vern
on Park,
Stockport’s oldest
park, was created on land
donated by Lord Vernon
(George John Warren). It
was built by poor mill
workers who called it
pinch-belly park and
opened on 20th September
1858. Comprising
twenty-one acres, it
houses a museum, a
bandstand, ornamental
fountains, a fernery,
rockery, borders and
sunken rose garden as
well terraced walkways
that overlook the river
and weir. The piece
depicts a solitary walker
engrossed in his own
thoughts on a
winter’s day, the
landscape, and the
park’s Victorian
past.
At the very
end of the piece a
reminder of the
park’s Victorian
origins can be detected
in a quote from
Elgar’s Salut
d’amour of 1899,
which may well have been
played by a band in the
bandstand. Stockport
market celebrated its
750th anniversary in
2010. It dated back to
September 1260 when a
Royal Charter allowed
Robert de Stokeport, the
Mayor, to hold a weekly
market within the
defensive walls of the
Norman Castle on the
present site of Castle
Yard.
The Glass
Umbrella was a popular
name given to the 1861
covered market built of
timber, glass and iron -
nine bays with open sides
and a glass canopy. In
1912, one bay was removed
to enable electric trams
and trolley buses to turn
a sharp
corner.
The piece
depicts a lively market
day, the multiculturalism
of the present day and
the old cries of pick and
pay without delay. The
bells of St Mary’s
Church are depicted by a
cascading peel tuned to
the ten bells of the
church tower, and a
fleeting reference to
John Wainwright’s
famous Christmas hymn
Christians Awake, and the
Westminster chimes
striking the hour from St
Mary’s, bring to
piece to a conclusion.
Separate parts are
provided for recorder and
oboe.
Seventeen Famous Pieces for Recorder and Piano. By Wolfgang Amadeus Mozart. Arra...(+)
Seventeen Famous Pieces
for Recorder and Piano.
By Wolfgang Amadeus
Mozart. Arranged by
Andrew Watkin. Fentone
Play Along Books.
Softcover with CD. 48
pages. Published by
Fentone Music.
Recorder and piano SKU: BR.EB-8609 Urtext. Composed by Antonio Viv...(+)
Recorder and piano
SKU: BR.EB-8609
Urtext. Composed
by Antonio Vivaldi.
Edited by Martin Nitz.
Solo instruments;
stapled. Edition
Breitkopf.
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.
Sonata;
Baroque. Score. 28 pages.
Breitkopf and Haertel #EB
8609. Published by
Breitkopf and Haertel
(BR.EB-8609).
ISBN
9790004179956. 9 x 12
inches.
It is
generally quite easy to
adapt sonatas for Baroque
oboe (and continuo) to
the soprano recorder
since both instruments
have an identical range.
Yet considering the great
popularity of the
previously published
works, it is strange that
Antonio Vivaldi's only
sonata for this
instrument has received
little attention to date.
This edition is based on
a manuscript preserved in
the Sachsische
Landesbibliothek Dresden
under the class. no. Mus.
2389-S-1. The preparation
of the edition entailed
the adjustment of the
accidentals to
present-day practice, and
the realization of the
(unfigured) thoroughbass
part. No slurs were added
to those already
contained in the
manuscript so as to allow
the performer to find his
own solutions. Otherwise
the virtually error-free
manuscript was reproduced
without change. We wish
to thank the directors of
the Sachsische
Landesbibliothek Dresden
for their authorization
to publish the work.
(Hamburg, Fall 1995 -
Martin
Nitz)
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.