For Solo Flute or B-Flat Clarinet and Variable Woodwind Quartet, with Optional K...(+)
For Solo Flute or B-Flat
Clarinet and Variable
Woodwind Quartet, with
Optional Keyboard. By
Arcangelo Corelli.
Arranged by Owen
Goldsmith. Mixed chamber
ensemble. For Flute Solo,
Clarinet Solo, Oboe, Bass
Clarinet, Alto Clarinet,
Bassoon. Score and parts.
8 pages. Published by
Theodore Presser Company.
Flute SKU: BT.ALHE22724 Composed by Reynaldo Hahn. Classical. Score Only....(+)
Flute
SKU:
BT.ALHE22724
Composed
by Reynaldo Hahn.
Classical. Score Only. 9
pages. Heugel & Cie
#ALHE22724. Published by
Heugel & Cie
(BT.ALHE22724).
French.
Variatio
ns on a Mozart tune, for
Flute and Piano is a
piece composed by
Reynaldo Hahn and
dedicated to Philippe
Gaubert. Composed after a
tune by Mozart, this
piece features a main
theme and a total of
seven variations
whichfollow one another.
The Flute score features
many trills, especially
in the Variation 2, some
fast rhythms and up to 6
flats on the key for the
Variation 4. It would
require a good mastery of
techniques for these
challengingparts.
Reynaldo Hahn was a
naturalised French
composer, conductor,
theatre director and
singer. Best known as a
composer of songs, he
also wrote many pieces
and melodies for
different
instruments.
Flute SKU: HL.48182166 Composed by Perre-Max Dubois. Leduc. Classical. So...(+)
Flute
SKU:
HL.48182166
Composed
by Perre-Max Dubois.
Leduc. Classical.
Softcover. 15 pages.
Alphonse Leduc #AL23154.
Published by Alphonse
Leduc (HL.48182166).
UPC: 888680837334.
9.0x12.0x0.13
inches.
“With
music for Flute Quartets
being most commonly
rearranged for the
ensemble, it is unusual
that a work is originally
composed for that precise
instrumentation. It is
for that reason that
Pierre Max Dubois'
Quatuor for Flutes has
been considerably
well-received. As a
student of Darius
Milhaud, Dubois brought
ideas of Les Six, of
which Milhaud was a
member, into the
mid-1900s. Dubois'
compositions are
characteristically light
with interesting and
unusual harmonic and
melodic textures, as
conveyed in this Quatuor
for Flutes. With all four
parts being technically
demanding, exploiting
extended techniques to
the maximum, this piece
provides a challenging
but enjoyable
performance. Moreover,
including a full score
and separate parts, this
edition is ideal. With
few pieces for this
instrumentation exisitng
as original compositions,
all Flute Quartets must
ensure they try out
Dubois' enticing
four-movement piece.
â€.
Flute - advanced SKU: HL.49019039 2 Flutes and Piano, Score and Parts<...(+)
Flute - advanced
SKU:
HL.49019039
2
Flutes and Piano, Score
and Parts. Composed
by Paul Hindemith. Edited
by Edmund Waechter and
Elisabeth Weinzierl. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 32
pages. Duration 5' 30''.
Schott Music #FTR211.
Published by Schott Music
(HL.49019039).
ISBN
9790001172806. UPC:
841886015456.
9.0x12.0x0.102
inches.
The present
work 'Pantomime' by Paul
Hindemith, now available
as a separate edition for
the first time, comes
from his opera
'Cardillac', performed in
1926 for the first time,
a musical setting of the
mysterious crime story
about the goldsmith of
the same name from the
novella 'Das Fraulein von
Scuderi' by E.T.A.
Hoffmann. Act I of the
opera contains a mimed
scene, accompanied by two
solo flutes and
orchestra. The present
edition contains the
dialogue of the flutes,
rich in gesture, and the
reduced orchestra version
as piano version. The
expressive dialogue of
the equal solo flutes is
reminiscent of the
characteristic music of
the silent film. Our
separate edition shall
make the piece known
among flutists and add to
the contemporary flute
repertoire.
Flute SKU: HL.48185476 Composed by Henri Bert. Leduc. Classical. Softcove...(+)
Flute
SKU:
HL.48185476
Composed
by Henri Bert. Leduc.
Classical. Softcover. 10
pages. Alphonse Leduc
#AL29059. Published by
Alphonse Leduc
(HL.48185476).
UPC:
888680837587.
9.0x12.0x0.069
inches.
Small modal
suite is a piece written
for Flute and Piano
accompaniment by Henri
Bert. Perfect for
upper-beginner flautists,
this nice work in five
parts can be executed in
its totality in 6?10
minutes. Each part can
also be played
separately. It includes:
1. Sonnerie 2. Legende 3.
Tambourin 4. Cantilene 5.
Saltarelle Henri Bert
(1926-2007) was a French
musician who received
Harmony anc Conductor
Prizes. He also studied
the Organ and Choral
songs..
Flute SKU: HL.14047605 Composed by Andrea Cappellari. CARISCH - MUSIC SAL...(+)
Flute
SKU:
HL.14047605
Composed
by Andrea Cappellari.
CARISCH - MUSIC SALES.
Pop & Rock. General
Merchandise. 32 pages.
Carisch Edition #ML3686.
Published by Carisch
Edition (HL.14047605).
ISBN 9788850727513.
9.0x12.0x0.15
inches.
Arranged
and adapted by Andrea
Cappellari. Score and
Parts.
Flute solo SKU: BR.EB-8355 Composed by Immanuel Lucchesi. Edited by Imman...(+)
Flute solo
SKU:
BR.EB-8355
Composed
by Immanuel Lucchesi.
Edited by Immanuel
Lucchesi. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 128
pages. Breitkopf and
Haertel #EB 8355.
Published by Breitkopf
and Haertel (BR.EB-8355).
ISBN 9790004176627. 9
x 12 inches.
The
most important
prerequisite for success
in studying the
instrument is the ability
to practise in a
meaningful and rational
manner - i. e. to aim at
a steady progress through
regular and purposeful
application, with the
least possible
expenditure of time and
energy. One can only be
sure of making
improvement when one
practises daily, and as
one improves so
confidence grows and
there is a proper basis
for success. In this
connection it should
always be noted that the
choice and the demands of
individual exercises in
respect of range and
difficulty of technique
and musicality should
refer to the standard
attained at the relevant
time. In the whole
curriculum the study has
a very important place.
In that it is by way of
being and exercise, it
deals with particular
problems of playing in
different compositional
guises, and shows the
necessary link between
purely technical and
mechanical matter and the
literature (including
that for concert use) of
the instrument. When
beginning work on a study
the first thing to do is
to determine the central
problem posed by the
composer. For this reason
the study should first be
read through so that the
contents may be grasped
and the transference of
notes into sound as far
as possible be
accomplished. Breathing
marks are to be put in at
appropriate places. Then
the study can be played
through in slow time,
with exact control of all
the parts of the body
involved in order to
avoid
inexactness.