Flute - early intermediate SKU: BT.DHP-1175761-400 The world's most be...(+)
Flute - early
intermediate
SKU:
BT.DHP-1175761-400
The world's most
beautiful arias with full
orchestra play along.
Opera or Operetta. Book
with CD. Composed 2017.
64 pages. De Haske
Publications #DHP
1175761-400. Published by
De Haske Publications
(BT.DHP-1175761-400).
ISBN 9789043151795.
English-German-French-Dut
ch.
Great opera
singers have enthralled
us for over three hundred
years. When we see them
on stage our ears are
filled with some of the
finest classical melodies
of all time. Live at
the Opera makes this
precious treasure trove
accessible to
instrumentalists, too: 15
Italian operatic arias
have been individually
arranged for flute,
recorded by the
world-renowned flautist
Walter Auer. The
accompaniment is supplied
by an authentic opera
orchestra, and it is also
available as a play-along
version without the
soloist. A historical
background to each piece,
along with performance
tips, is included in this
unique
collection.
Al
meer dan driehonderd jaar
weten grote operazangers
en -zangeressen hun
publiek te betoveren.
Wanneer ze voor ons op
het podium staan,
vertolken ze melodieën
die behoren tot de
allermooiste van de
klassieke muziek. Live
at the opera maakt
deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten:
vijftien Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor fluit en opgenomen
door de wereldberoemd
fluitist Walter Auer. Een
echt operaorkest neemt de
begeleiding voor zijn
rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria en tipsvoor
de uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen und
-sänger uns in ihren
Bann. Wenn sie auf der
Bühne stehen, bringen
sie einige der
schönsten klassischen
Melodien aller Zeiten zu
Gehör. Live at the
Opera macht
diesenkostbaren
Melodienschatz nun auch
Instrumentalisten
zugänglich: 15
italienische Opernarien
wurden individuell für
Flöte eingerichtet und
werden von dem weltweit
renommierten Flötisten
Walter Auer vorgespielt.
Ein echtes Opernorchester
übernimmt dabeidie
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Musikhistorisches
Hintergrundwissen und
Ausführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
Disponibili
inoltre le basi
orchestrali e la versione
play-along senza la parte
solista di ogni traccia.
Arricchiscono
lâ??edizione
unâ??introduzione
storica per ciascun brano
e utili consigli per
lâ??interpretazione.
(Serie II - France 1800-1860). Edited by Arlette Biget, Michel Giboureau. For Fl...(+)
(Serie II - France
1800-1860). Edited by
Arlette Biget, Michel
Giboureau. For Flute.
This edition: Facsimile.
Methodes and Traites.
Score. 2264 pages.
Published by Anne Fuzeau
Productions - France
Flute SKU: FZ.5953 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5953
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5953).
ISBN
9790230659536. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
P. BIGOT - Victor Jean
Baptiste COCHE (1) -
Louis DROUET - Jacques
Hippolyte Aristide
FARRENC - Francois Joseph
FETIS - Jean Georges
KASTNER (1-2) - Pierre
VAILLANT - Eugene
WALCKIERS. Table of
contents: Vaillant
Pierre: Nouvelle methode
de flute - c. 1826. Douet
Louis: Methode pour la
flute - c. 1827.
Walckiers Eugene :
Methode de flute - c.
1829. Bigot P. : Solfege
pour la flute - apres
1832. Fetis Francois
Joseph: Exposition des
produits de l'industrie -
1834. Kastner Jean
Georges: Traite General -
1836. Kastner Jean
Georges: Supplement
Traite General - c. 1837.
Coche Victor Jean
Baptiste: Examen critique
- 1838. Farreng Jacques
Hippolyte Aristide: Flute
Boehm - 1838. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). - Hector
Berlioz Library, National
Conservatory of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Flute SKU: FZ.5957 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5957
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5957).
ISBN
9790230659574. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
N. BOUSQUET - Victor
CORNETTE - Philippe
GATTERMANN (1-2). Table
of contents: Gattermann
Philippe: Methode de
flute - c. 1851. Cornette
Victor: Methode de flute
- 1855. Bousquet N. :
Methode de flute - 1858.
Gattermann Philippe:
Methode precedee des
principes - c. 1861.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Flute SKU: FZ.5823 Serie I - France 1600-1800. Edited by Philippe ...(+)
Flute
SKU: FZ.5823
Serie I - France
1600-1800. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5823).
ISBN
9790230658232. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Giuseppe Maria
CAMBINI - Francois
DEVIENNE - Encyclopedie
methodique -
Jean-Benjamin de LABORDE
- MUSSARD - Othon-Joseph
VANDENBROCK - Amand VAN
DER HAGEN. Table of
contents: Mussard:
Nouveaux principes pour
apprendre a jouer de la
flute traversiere - 1778.
Laborde Jean-Benjamin de:
Essai sur la musique -
1780. Encyclopedie
methodique: Edition
Panckoucke et Plomteux
(reprend le texte de
l'Encyclopedie) - 1788.
Anonyme: Principe de
flute pour apprendre a
jouer sans maitre - ca
1790. Vandenbrock
Orthon-Joseph: Traite
general de tous les
instruments a vent - ca
1793. Devienne Francois:
Nouvelle methode
theorique et pratique
pour la flute - 1794.
Cambini Giuseppe Maria:
Methode pour la flute
traversiere - ca 1795.
Van der Hagen: Nouvelle
methode de flute - 1798.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Flute SKU: FZ.5956 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5956
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5956).
ISBN
9790230659567. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
Louis DORUS - Henri
SOUSSMAN - Jean-Louis
TULOU. Table of contents:
Dorus Vincent Joseph Van
Steerkiste: L'etude de la
nouvelle flute - 1845.
Soussman Henri: Ecole
pratique de la flute -
1850. Tulou Jean Louis:
Methode de flute - 1851.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Flute SKU: FZ.5955 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5955
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5955).
ISBN
9790230659550. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
Hector BERLIOZ - V.
BRETONNIERE - Jean Georg
KASTNER (3) - L. NADAUD.
Table of contents:
Bretonniere V. : Methode
complete theorique et
pratique - 1840. Nadaud
L. : Methode de flute -
1841. Kastner Jean
Georges: Methode
elementaire - 1844.
Berlioz Hector: Grand
traite d'instrumentation
- 1844. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Flute SKU: FZ.5952 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5952
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5952).
ISBN
9790230659529. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
Benoit Tranquille
BERBIGUIER - E. M. M.
MIROIR - Antoine REICHA -
Johann Georg WUNDERLICH.
Table of contents:
Wunderlich Johann Georg:
Principes elementaires -
c. 1812. Reicha Antoine:
Cours de composition -
1816. Miroir E. M. M: La
clef de l'orchestre -
1818. Berbiguier Benoit
Tranquille: Nouvelle
methode pour la flute -
c. 1818. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9142).
Circus Time Flûte traversière [Partition + CD] - Facile De Haske Publications
Flute - early intermediate SKU: BT.DHP-1125242-400 14 showstoppers for...(+)
Flute - early
intermediate
SKU:
BT.DHP-1125242-400
14 showstoppers for
flute play-along
performance. Composed
by Joachim Johow. Book
with CD. Composed 2012.
20 pages. De Haske
Publications #DHP
1125242-400. Published by
De Haske Publications
(BT.DHP-1125242-400).
ISBN 9789043141710.
9x12 inches.
English-German-French-Dut
ch.
The band
strikes up the circus
march for the entrance of
the artistes?the audience
waits
expectantlyâ?¦Between
the Opening March
and the Grand
Finale the packed
audience is presented
with a colourful
programme: courageous
acrobats, comical clowns,
oriental belly dancers,
knife-throwers and snake
charmers appear one after
the other.Circus
Time is also
available for clarinet,
alto saxophone and violin
(in the same sounding
key). This opens up all
sorts of choices:
musicians can take turns
to perform or build a
real circus band, or
even?with the help of
scenery and props?put on
a proper circus
performance. There is no
end of
possibilities!Theaccompan
ying CD contains demo and
play-along version of all
the pieces. Alternatively
the chord symbols
(written in concert
pitch) above the music
staff can be used for a
live accompaniment by
guitar and/or keyboard.
An optional piano
accompaniment is
available separately
(order number: DHP
1125344-401).On with the
show!
Het orkest
begint de circusmars te
spelen voordat de
artiesten opkomen - het
publiek wacht vol
spanning afâ?¦Van de
openingsmars tot de grand
finale krijgen de
toeschouwers een
kleurrijk programma
voorgeschoteld: moedige
acrobaten,grappige
clowns,
oostersebuikdanseressen,
messenwerpers en
slangenbezweerders volgen
elkaar op in de
piste.Circus Time
is ook beschikbaar voor
klarinet, altsaxofoon en
viool (in dezelfde
klinkende toonsoort). Er
zijn dus
allerleimogelijkheden: de
muzikanten kunnen elkaar
afwisselen met
solo-optredens of een
echt circusorkest vormen,
of zelfs - in een
geschikte omgeving en met
behulp van decorstukken -
een heus circusoptreden
verzorgen. Laat je
fantasiede vrije loop.De
bijgevoegde cd bevat
zowel demotracks als
begeleidingen voor alle
stukken. Voor live
begeleiding door keyboard
en/of gitaar staan de
akkoordsymbolen (klinkend
genoteerd) boven de
muziek. Optionele
pianobegeleidingenzijn
apart verkrijgbaar
(bestelnummer: DHP
1125344-401).Laat de show
maar beginnen!
Die
Kapelle spielt schon den
Zirkusmarsch zum Einzug
der Artisten - das
Publikum wartet
gespannt...Zwischen dem
Eröffnungsmarsch und dem Gro�en
Finale wird dem
geneigten Publikum ein
buntes Programm
präsentiert: Mutige
Akrobaten, lustige
Clowns, orientalische
Bauchtänzerinnen,
Messerwerfer und
Schlangenbeschwörer
treten nacheinander
auf.Circus Time
gibt es auch fu?r
Klarinette, Altsaxophon
und Violine (in den
gleichen klingenden
Tonarten). So eröffnen
sich viele
Möglichkeiten fu?r die
Auffu?hrung: Die Musiker
können abwechselnd
auftreten oder ein ganzes
Zirkusorchesterâ??
bilden und sogar -
ergänzt durch eine
szenische Umsetzung -
einerichtige
Zirkusvorstellung geben.
Der Fantasie sind keine
Grenzen gesetzt!Die
beiliegende CD enthält
Demo- und
Mitspielversionen aller
Stu?cke. Alternativ zu
den Mitspiel-Tracks
können die
Akkordsymbole (in
klingenden Tonarten)
u?ber den Noten fu?r eine
Live-Begleitung durch
Keyboard und/oder Gitarre
genutzt werden. Optional
sind Klavierbegleitungen
separat erhältlich
(Bestellnummer: DHP
1125344-401).Manege frei!
Un viaggio nel
mondo circense che
consente ai musicisti di
suonare da soli, ma anche
di formare una vera band.
Il CD contiene una
versione demo e una
play-long di ogni brano.
In alternativa, grazie ai
simboli degli accordi
sopra il pentagramma, ci
si può esibire live
accompagnati dalla
chitarra e/o tastiera
(DHP 1125344-401).
Flute SKU: GI.G-MS1FL Solos & Ensembles. Composed by James Froseth...(+)
Flute
SKU:
GI.G-MS1FL
Solos &
Ensembles. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MS1FL.
Published by GIA
Publications
(GI.G-MS1FL).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Flute SKU: GI.G-M3FL Sing Drum and Play. Composed by James Froseth...(+)
Flute
SKU:
GI.G-M3FL
Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3FL. Published by GIA
Publications (GI.G-M3FL).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
The complete 17 Grands Exercices Journaliers with Practice Strategies and Exp...(+)
The complete 17 Grands
Exercices Journaliers
with
Practice Strategies and
Expanded Exercises.
Composed
by Philippe Gaubert Paul
Taffanel. Edited by
Jasmine
Choi. Theodore Presser
Company
#414-41239. Published by
Theodore Presser Company