Flute SKU: HL.49047379 42 Imaginative Studies Exploring the Extended Technique and Unusual Sounds. Composed by Gergely Ittzé and s. Woodwind Method. Classical, Instruction, Technique. Softcover. Schott Music #ED23693. Published by Schott Music (HL.49047379).

Daily tone and articulation studies from the flutistas repertoire. Arranged by Daniel Dorff. Sws. Theodore Presser Company #114-41983. Published by Theodore Presser Company

By Dale E. Ramsey. For flute. Solo & Ensemble Music. Print on demand. Concert and Contest. Medium-easy. Published by Wingert-Jones Publications

Flute

SKU: BA.BA06182

Music for solo flute. Composed by Wilfried Michel. Stapled. From Multiplikationsspiel (1976) (BA 6181). Performance score. Composed 1976. Duration 17 minutes. Baerenreiter Verlag #BA06182_00. Published by Baerenreiter Verlag (BA.BA06182).

ISBN 9790006476541.

Prin t on demand (POD).

By Walter Hartley (1927-). For flute. Solo & Ensemble Music. FEMA Editions. Print on demand. Concert and Contest. Medium. Published by Wingert-Jones Publications

By Donald E. Matthews. For flute. Solo & Ensemble Music. Print on demand. Concert and Contest. Medium-easy. Published by Wingert-Jones Publications

Composed by Mark Vega. Saddle stitch. Jazz/Flute Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Flute

SKU: HL.48182894

Composed by Julien Falk. Leduc. Classical. Softcover. 16 pages. Alphonse Leduc #AL24639. Published by Alphonse Leduc (HL.48182894).

UPC: 888680975630. 9.0x12.0x0.092 inches.

French composer Julien Falk (1902-1987) was a famous composition teacher at the Paris Conservatory. He wrote many popular theoretical and study books, 15 Atonal Studies for Flute being no exception. Compiled in 1972, Falk's 15 Atonal Studies was written in response to the changing direction of modern classical music. Moreover, 15 Atonal Studies will enable advanced flautists to prepare for advanced repertoire. Falk's 15 Atonal Studies for Flute is imperative to all aspiring flautists who wish to keep up with the demands of modern classical music..

Flute solo

SKU: BR.EB-8355

Composed by Immanuel Lucchesi. Edited by Immanuel Lucchesi. Solo instruments; Softbound. Edition Breitkopf. Music pedagogy. Score. 128 pages. Breitkopf and Haertel #EB 8355. Published by Breitkopf and Haertel (BR.EB-8355).

ISBN 9790004176627. 9 x 12 inches.

The most important prerequisite for success in studying the instrument is the ability to practise in a meaningful and rational manner - i. e. to aim at a steady progress through regular and purposeful application, with the least possible expenditure of time and energy. One can only be sure of making improvement when one practises daily, and as one improves so confidence grows and there is a proper basis for success. In this connection it should always be noted that the choice and the demands of individual exercises in respect of range and difficulty of technique and musicality should refer to the standard attained at the relevant time. In the whole curriculum the study has a very important place. In that it is by way of being and exercise, it deals with particular problems of playing in different compositional guises, and shows the necessary link between purely technical and mechanical matter and the literature (including that for concert use) of the instrument. When beginning work on a study the first thing to do is to determine the central problem posed by the composer. For this reason the study should first be read through so that the contents may be grasped and the transference of notes into sound as far as possible be accomplished. Breathing marks are to be put in at appropriate places. Then the study can be played through in slow time, with exact control of all the parts of the body involved in order to avoid inexactness.

76 etudes for daily practice.

Flute

SKU: HL.48182166

Composed by Perre-Max Dubois. Leduc. Classical. Softcover. 15 pages. Alphonse Leduc #AL23154. Published by Alphonse Leduc (HL.48182166).

UPC: 888680837334. 9.0x12.0x0.13 inches.

“With music for Flute Quartets being most commonly rearranged for the ensemble, it is unusual that a work is originally composed for that precise instrumentation. It is for that reason that Pierre Max Dubois' Quatuor for Flutes has been considerably well-received. As a student of Darius Milhaud, Dubois brought ideas of Les Six, of which Milhaud was a member, into the mid-1900s. Dubois' compositions are characteristically light with interesting and unusual harmonic and melodic textures, as conveyed in this Quatuor for Flutes. With all four parts being technically demanding, exploiting extended techniques to the maximum, this piece provides a challenging but enjoyable performance. Moreover, including a full score and separate parts, this edition is ideal. With few pieces for this instrumentation exisitng as original compositions, all Flute Quartets must ensure they try out Dubois' enticing four-movement piece. ”.