Chamber Music Flute(s)

SKU: PR.494032560

Composed by Various. Collection - Score. Theodore Presser Company #494-03256. Published by Theodore Presser Company (PR.494032560).

UPC: 680160690428.

Lyric al Flute Miniatures is a captivating collection of 40 short pieces for beginner and early intermediate flute players of all ages, exclusively commissioned from some of today's most exciting composers.These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute.There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work.Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at “theyoungfluteplayer” (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at  www.allegromusicpublishin g.com/flutemusicLyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!

Flute

SKU: SU.94010761

For Flute. Composed by James Lee III. Woodwinds, Flute/Piccolo. Score. Subito Music Corporation #94010761. Published by Subito Music Corporation (SU.94010761).

Dedicated to Demarre McGill, Principal Flute, Seattle Symphony OrchestraFlute Duration: 6' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

For Flute. Classical (orchestral). Includes a high-quality printed music score and a compact disc with stereo accompaniments to each piece minus you, the soloist. Published by Music Minus One.

Flute - Easyhymn along, hymnalongs, hymnalong, hymn alongs

SKU: JK.01990

Composed by Various. Arranged by Brent Jorgensen. Christian, Christmas, Christmas Carols, Contemporary Christian, Gospel, Holiday, Inspirational. Christian, Inspirational. Score. Jackman Music Corporation #01990. Published by Jackman Music Corporation (JK.01990).

Presenting the newest addition to the popular Hymn-Alongs series: Christmas Hymn-Alongs!
The Hymn-Alongs series includes over 20 different instrumental books. They are simple enough for developing musicians to master, yet beautiful and fun for those advancing in music.
The accompaniment book features beautiful, yet simple arrangments for piano, guitar (chord symbols), and voice. The many instrumental books can be played together in any combination. All instrument books include a melody part; treble instruments have a duet part, and bass instruments also include a bass part.
View all Christmas Hymn-Alongs products HERE.


Songs included in Christmas Hymn-Alongs:
Angels We Have Heard on High
Away in a Manger
Hark! The Herald Angels Sing
I Heard the Bells on Christmas Day
It Came upon the Midnight Clear
Joy to the World
O Come, O Come, Emmanuel
O Little Town of Bethlehem
Oh, Come, All Ye Faithful
O Holy Night
Silent Night
The First Noel
We Three Kings
What Child Is This?

Composer: Various
Arranger: Brent Jorgensen
Difficulty: Easy
hymn along, hymnalongs, hymnalong, hymn alongs.

Flute solo

SKU: BR.EB-9094

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Graz, November 2, 1994

Music post-1945; New music (post-2000). Score. Composed 1993. 20 pages. Duration 15'. Breitkopf and Haertel #EB 9094. Published by Breitkopf and Haertel (BR.EB-9094).

ISBN 9790004179802. 9 x 12 inches.

FIRST PLAY MOZART ist nicht mehr (wie meine anderen Solostucke seit 1976) in der Technik der ,,Rhythmuskomposition geschrieben. Seit langem beschaftigt mich, innerhalb der Fragen des Zusammenhangs, das Thema der Wiederholung: Wiederholung als ,,gestreute, nicht als form- und zusammenhangbildende, eher als Mittel, Entfernungen, ja Fremdheiten aufzubauen. Um meinem Titel zu folgen und Sie gleichzeitig zum phantasievollen Horen meines Stuckes zu verlocken, mochte ich anstelle einer direkten Einfuhrung den Beginn von W. A. Mozarts Figaro-Ouverture hierher setzen: 1. Die unregelmassige Taktzahl dieser Phrase resultiert aus der regelmassigen Verdopplung der 3 Schube: 1 + 2 + 4 Takte ([?] = 7!) 2. Jeder Schubbeginn knupft direkt an das Ende des vorherigen an. Dadurch wird die Entfernungslange noch spurbarer. 3. Die Figuren-Gliederung zeigt das System von Wiederholung und Wegfuhrung in eigener Modifikation: I: a II: bba III: bc bc de a verschwindet nach 3 Takten; aus 2 x b in II wird 2 x b c in III. Im 2. Schub ist a in die Endposition versetzt, in III verschwinden am Ende b c und a; d ist zwar Krebs-Umkehrung von b (T. 5), e dagegen ist vollig neu (selbst die besten Orchester haben an dieser Stelle auch immer technische und musikalische Schwierigkeiten). 4. Dies macht eine andere Deutung moglich. Da es nur zwei Dinge gibt, die gleichbleiben, namlich die regelmassige Aufeinanderfolge von Achteln und einem Viertel, ist a in T. 3 nur scheinbar eine Wiederholung von a aus T. 1, eine Tauschung, die explizit gegen Zusammenhang gerichtet ist. Vielmehr gelangen wir in der Proportion 1 : 3 : 6 zu immer langeren Achtelstrecken, die alle drei auch jeweils auf Zahlzeit 1 beginnen und mit einem Viertel enden. Aber dieses Endviertel kann man als emphatische Wiederholung kaum mehr gelten lassen. Ist es nicht herrlich - so viele Wege zu horen!! (N.A. Huber) CDs: Beatrix Wagner (flute) CD ambitus amb 96 831 Martin Fahlenbock (flute) CD Coviello Contemporary, COV 60606 (Quarterly list of the Preis der Deutschen Schallplattenkritik 3/2006) Bibliography: Hiekel , Jorn Peter: Das Vertraute und das Verstorende. Zu Nicolaus A. Hubers Komponieren, in: MusikTexte Heft 108 (Februar 2006), pp. 50-53.

World premiere: Graz, November 2, 1994.