Set of performance parts. By Gunther Schuller. (Flute). Woodwind. Size 9x12 inches. 40 pages. Published by Associated.

Celtic Music for Flute and Piano by Jessica Walsh. For Piano, Flute. Saddle stitch. Celtic/Flute and Piano Instruction. Beginner/Advanced. Book and Play Along CD. 88 pages. Duration 70 minutes. Published by ADG Productions

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

Chamber Music Bass Flute, Piano

SKU: PR.114419620

Composed by Daniel Dorff. Sws. Set of Score and Parts. 12+16+16 pages. Duration 8 minutes. Theodore Presser Company #114-41962. Published by Theodore Presser Company (PR.114419620).

ISBN 9781491131381. UPC: 680160677269. 9 x 12 inches.

Inspired by a visit to upstate New York’s beautiful and notoriously haunted Sleepy Hollow Cemetery, Dorff has created an atmospheric yet spooky work for the perfectly-suited scoring of Two Bass Flutes and Piano. SLEEPY HOLLOW was commissioned by Wendy Stern and Peter Sheridan as a postscript to the composer’s Sonata (Spirit of the Hudson).

Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 minutes. Theodore Presser Company #114- 42266. Published by Theodore Presser Company

For Flute and Piano. By Benjamin Godard. For Flute, Piano. This edition: Sheet Music Edition. Score and parts. Opus 116, Number 1. 5 pages. Duration 1:29. Published by Carl Fischer.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1

SKU: FL.FX073720

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 4 (score); 1 (parts) pages. Duration 2 minutes, 25 seconds. FLEX Editions #FX073720. Published by FLEX Editions (FL.FX073720).

Here is a mini-fantasy on a popular melody, for very young instrumentalists. - Pascal PROUST ;

A piece that can be played from 1 year of instrument practice. ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1.

Composed by Johann Sebastian Bach (1685-1750), arranged by John Wummer. Set of performance parts for flute and piano. 94 pages. Published by Southern Music Company.

By Yoav Talmi. For flute / piano. Grade 3. Score and parts. 24 pages. Published by Les Editions Doberman-Yppan

For Flute and Piano. By Frederic Chopin; George Frideric Handel; Henry Purcell; Ludwig Van Beethoven; Peter Ilyitch Tchaikowsky; Richard Wagner; Wolfgang Amadeus Mozart. Arranged by Terry Cathrine. For Flute, Piano. Classical. Set of parts. 16 pages. Duration 10:00. Published by Theodore Presser Company.

For Two Flutes and Piano. By Gary Schocker. Wind duo. For Flute I, Flute II, Piano. Score and parts. 16 pages. Published by Theodore Presser Company.

Score and Parts. By Michel Blavet. (Flute). Woodwind Solo. 16 pages. Published by G. Schirmer, Inc.

Chamber Music flute, piano

SKU: CF.WF233

Composed by Eldin Burton. Edited by Simon Reeves. Set of Score and Parts. With Standard notation. 48+16 pages. Carl Fischer Music #WF233. Published by Carl Fischer Music (CF.WF233).

9 x 12 inches.

Score and Parts. By Michel Blavet. (Flute). Woodwind. 16 pages. Published by G. Schirmer, Inc.

Composed by Various. Edited by Barbara Gisler-Haase. Score, parts and CD. With Standard notation. 34 pages. Universal Edition #UE36654. Published by Universal Edition (PR.UE036654).

For Flute and Piano. Composed by Christoph Willibald Gluc. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL16989. Published by Alphonse Leduc

For Two Flutes and Piano. By Gary Schocker. For Flute I, Flute II. Score and parts. Composed 2002. 27 pages. Duration 11:00. Published by Theodore Presser Company.

Composed by Franz Doppler. Arranged by Thibault Perrine. For flute, violin, viola, cello. This edition: Original For Flute And Piano. Collection Quatuor Helios. Score and parts. 37 pages. Duration 10 minutes. Gerard Billaudot Editeur #554-02396. Published by Gerard Billaudot Editeur

Flute and piano - Level 2

SKU: LM.C05473

Composed by Francis Coiteux. Horizon. Classical. Score. 2 (separate parts) pages. Editions Combre #C05473. Published by Editions Combre (LM.C05473).

Flute and Piano - intermediate SKU: BT.DHP-1196145-404 16 new Klezmer melodies for flute and piano. Composed by Joachim Johow. Book with Part and Audio-Online. Composed 2019. 79 pages. De Haske Publications #DHP 1196145-404. Published by De Haske Publications (BT.DHP-1196145-404). ISBN 9789043157209. English-German-French-Dut ch. Since the revival of Klezmer in the 1990s, the style has enjoyed a continued popularity. Hey Klezmorim! presents 16 new pieces of music from the pen of Joachim Johow, inspired by traditional Yiddish music. This edition is especially aimed at flautists who wish to be accompanied on the piano. It therefore also contains easy-to-play piano accompaniment parts while play-along recordings are available online. Additional demo recordings that encourage you to develop your own personal Klezmer playing style should help you to enjoy this unmistakable and diverse music! Sinds de revival van klezmer in de jaren negentig is deze muziekstijl onophoudelijk populair gebleven. Hey Klezmorim! presenteert zestien fraaie nieuwe muziekstukken van de hand van Joachim Johow, die zich heeft laten inspireren door traditionele Jiddische muziek. Deze uitgave is bedoeld voor fluitisten die graag op de piano worden begeleid. Ze bevat eenvoudig speelbare pianobegeleidingen, en online zijn ook meespeelopnamen beschikbaar, plus demo-opnamen die de muzikant een idee geven van de samenklank én hem of haar aanmoedigen een eigen klezmerspeelstijl te ontwikkelen. Een bundel vol afwisselende muziek die veel speelvreugde zal opleveren! Seit seinem Revival in den 90er-Jahren des vergangenen Jahrhunderts erfreut sich der Klezmer-Musikstil einer ungebrochenen Beliebtheit. Hey Klezmorim! präsentiert 16 neue Musikstücke aus der Feder von Joachim Johow, die an die traditionelle jiddische Musik anknüpfen. Die Ausgabe wendet sich besonders an Flötisten, die sich gerne am Klavier begleiten lassen möchten, und enthält daher gut spielbare Klavierbegleitungen als Notentext sowie in online verfügbaren Play-along-Aufnahmen. Zusätzliche Demo-Aufnahmen sollen dazu anregen, einen eigenen, persönlichen Klezmer-Spielstil zu entwickeln. Viel Freude mit dieser unverwechselbaren, abwechslungsreichen Musik! La musique klezmer jouit d’une popularité sans faille depuis son renouveau dans les années 90. Hey Klezmorim! présente 16 nouveaux morceaux de la plume de Joachim Johow, inspirés de la musique traditionnelle yiddish. Cette édition s’adresse tout particulièrement aux fl tistes désireux de jouer avec un accompagnement de piano. De ce fait, elle comprend des accompagnements de piano faciles jouer, la fois sous forme de partitions et sous forme d’enregistrements en ligne. D’autres enregistrements de démonstration sont également disponibles sur le site, afin d’encourager les musiciens développer leur style personnel de klezmer. Nous vous souhaitons beaucoup de plaisir jouer cette musique aux accents variés, unique en son genre !

Chamber Music flute, piano

SKU: PR.114416460

For Flute and Piano. Composed by Thaddeus Kozuch. Contemporary. Set of Score and Parts. With Standard notation. Composed 1937. 4+1 pages. Duration 3 minutes. Theodore Presser Company #114-41646. Published by Theodore Presser Company (PR.114416460).

ISBN 9781598067811. UPC: 680160620616. 9x12 inches.

POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.