Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Jasmine Choi. Sws. Score. 52 pages. Duration 6 minutes. Theodore Presser Company #114-41935. Published by Theodore Presser Company

Chamber Music flute, piano

SKU: PR.144407310

Composed by Johann Sebastian Bach. Arranged by Ali Ryerson. Sws. Set of Score and Parts. 4+2 pages. Duration 1:30. Theodore Presser Company #144-40731. Published by Theodore Presser Company (PR.144407310).

ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches.

Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored† setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation.
Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style.

By Erik Satie (1866-1925). Arranged by Eric Vireton. Flute Solo and Piano accompaniment. For Flute solo and Piano. Classical, Educational. Grade 2. Score and set of parts. 3 pages (score); 1 pages (parts). Published by FLEX Editions

By Erik Satie (1866-1925). Arranged by Eric Vireton. Flute Solo and Piano accompaniment. For Flute solo and Piano. Classical, Chamber Music. Grade 2. Score and set of parts. 4 pages (score); 1 pages (parts). Published by FLEX Editions

By Erik Satie (1866-1925). Arranged by Eric Vireton. Flute Solo and Piano accompaniment. For Flute solo and Piano. Classical, Chamber Music. Grade 4. Score and set of parts. 5 pages (score); 2 pages (parts). Published by FLEX Editions

(flute and piano). Composed by Johann Wilhelm Wilms. Edited by Ernst V. Klusen / Luc V. Hasselt. For flute, piano. Set of parts. 60 pages. Published by Musica Rara

Flute and piano - Level 3

SKU: LM.C05054

Composed by Roger Calmel. Horizon. Classical: 20th Century (Contemporary). Score. 18 (separate parts) pages. Editions Combre #C05054. Published by Editions Combre (LM.C05054).

Score and Parts. By Morton Gould. (Flute). Woodwind Solo. Size 9x12 inches. 84 pages. Published by G. Schirmer, Inc.

Score and Parts. By Louis Moyse. (Flute). Woodwind Ensemble. 32 pages. Published by G. Schirmer, Inc.

Celtic Music for Flute and Piano by Jessica Walsh. For Piano, Flute. Saddle stitch. Celtic/Flute and Piano Instruction. Beginner/Advanced. Book and Play Along CD. 88 pages. Duration 70 minutes. Published by ADG Productions

(Flute and Piano). By Marie Félicie Clémence de Grandval and Marie F. For Flute, Piano Accompaniment (Score and Parts). Instrumental Solo. Softcover. 56 pages. Schott Music #FTR209. Published by Schott Music

Score and Parts. By John Corigliano. (Flute). Woodwind Solo. 8 pages. Published by G. Schirmer, Inc.

By Peter Ilyich Tchaikovsky. Edited by James Galway. For Flute Solo, Piano. Score and parts. 62 pages. Published by Theodore Presser Company.

Meditations On September 11, for Flute and Piano. By Gary Schocker. For Flute Solo, Piano. Set of parts. Composed 2001. 11 pages. Duration 9:00. Published by Theodore Presser Company.

For Two Flutes and Piano. By Gary Schocker. For Flute I, Flute II, Piano. Score and parts. Composed 2003. 14 pages. Duration 8:30. Published by Theodore Presser Company.

For Flute and Piano. By Cecile Chaminade. For Flute Solo, Piano. Set of parts. Opus 107. 12 pages. Published by Carl Fischer.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by James Galway. For flute solo and piano accompaniment. Format: set of performance parts (includes separate pull-out flute part). Classical period. G Major. 32 pages. 9x12 inches. Published by Schirmer.

Flute and piano - Level 4

SKU: LM.C06611

Composed by Guy Printemps. Arc en ciel. Classical. Score. 22 (separate parts) pages. Editions Combre #C06611. Published by Editions Combre (LM.C06611).

ISBN 9790230366113.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

By Claude Debussy (1862-1918). Edited by Laul Lustig Dunkel. For Flute and piano. Score and parts. 30 pages