Chamber Music flute, piano

SKU: PR.114416460

For Flute and Piano. Composed by Thaddeus Kozuch. Contemporary. Set of Score and Parts. With Standard notation. Composed 1937. 4+1 pages. Duration 3 minutes. Theodore Presser Company #114-41646. Published by Theodore Presser Company (PR.114416460).

ISBN 9781598067811. UPC: 680160620616. 9x12 inches.

POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.

For Flute and Piano. By Daron Hagen. For Flute Solo, Piano. Carl Fischer Chamber Music Edition. First performance: Su Lian Tan and Elena Ruehr - March 11, 1986 in the Paul Recital Hall at Lincoln Center. Solo part with piano reduction. 24 pages. Published by Carl Fischer.

Flute and piano

SKU: VD.ED22974

Composed by Bettina Lometsch. Mini Pops Nr. 1. Classical. Score, solo part. Composed 1989. 4 S. pages. Verlag Dohr #ED22974. Published by Verlag Dohr (VD.ED22974).

ISBN 9790202009741. 11.69 x 8.26 inches.

Flute (Flute)

SKU: HL.48186002

Leduc. CD. Alphonse Leduc #AL29798. Published by Alphonse Leduc (HL.48186002).

UPC: 888680841836. 9.0x12.0x0.052 inches.

Croissant de lune (cycle 1) (1'15'') pour flute et piano. Par Sichler aux editions Leduc. Partition / Livre de chansons pour Flute.

Flute and piano (or harp) - Level 2

SKU: LM.C04985

Composed by Gerard Grognet. La Pleiade. Classical. Score. Editions Combre #C04985. Published by Editions Combre (LM.C04985).

(For Alto Flute and Piano). By Gary Schocker. Solo instrument with accompaniment. For Alto Flute, Piano. World Premiere: New York, NY - Susan Palma, alto flute; Fumi Kuwajima, piano. Contemporary. Solo part with piano reduction. Standard notation. 16 8 pages. Duration 13 minutes. Published by Theodore Presser Company

(A Contemporary Anthology for Flute and Piano). By Melinda Wagner Germaine Tailleferre. Solo instrument with accompaniment. For Flute, Piano. Contemporary. Solo part with piano reduction. Standard notation. Published by Theodore Presser Company

Flute and Piano

SKU: HL.14001834

Italien Op. 59 No. 5. Composed by Karl Joachim Andersen. Music Sales America. Classical. Book [Softcover]. Composed 2002. 14 pages. Edition Wilhelm Hansen #WH11682. Published by Edition Wilhelm Hansen (HL.14001834).

ISBN 9788759865224. 8.5x11.75x0.08 inches.

For Flute and Piano.

(for Flute and Piano). Composed by Christoph Willibald von Gluck (1714-1787). For Flute, Piano Accompaniment (Score and Solo Part). PWM. 12 pages. Polskie Wydawnictwo Muzyczne #9894010. Published by Polskie Wydawnictwo Muzyczne

Composed by Wolfgang Amadeus Mozart (1756-1791). Flauto principale. With Standard notation. KV 298 / KV 171 Anh. Zimmermann #ZZM 23440. Published by Zimmermann

Volume 4: Eight Pieces for Flute and Piano. By Charles Koechlin. Arranged by Robert Orledge. This edition: FTR198. Woodwind Solo. Book only. 40 pages. Published by Schott.

Flute and Piano

SKU: BT.EMBZ12819

Composed by Jean-Marie Leclair. Book Only. Composed 1985. 34 pages. Editio Musica Budapest #EMBZ12819. Published by Editio Musica Budapest (BT.EMBZ12819).

The present edition is based on the Second Livre de Sonates pour le Violon et pour la Flute traversiére printed in Paris around 1728. Of the twelve sonatas of that volume the third, fifth and eleventh sonatas are being published here since they bear the remark Cette Sonate peut ce jouer sur la Flute Allemande.

Die vorliegende Ausgabe beruht auf der Veröffentlichung Second Livre de Sonates pour le Violon et pour la Flute traversiére, die um 1728 in Paris erschien. Von den zwölf Sonaten jenes Bandes sind hier die dritte, fünfte und elfte Sonaten abgedruckt, die in der ursprünglichen Ausgabe mit dem Vermerk versehen sind: Cette Sonate peut ce jouer sur la Flute Allemande.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

Flute

SKU: HL.48185983

Leduc. CD only. Alphonse Leduc #AL29772. Published by Alphonse Leduc (HL.48185983).

UPC: 888680841607. 9x12 inches.

Physalie (fin d'études) pour flûte (ou saxophone alto) et piano avec cd. Par Luypaerts aux éditions Leduc. Partition / Livre de chansons pour Flûte.

Flute and piano (FL/PF) - difficult

SKU: HL.49015981

Composed by Friedrich K. Wanek. This edition: Saddle stitching. Sheet music. Il Flauto Traverso (Flute Library). Classical. Composed 1989. 32 pages. Duration 10'. Schott Music #FTR 154. Published by Schott Music (HL.49015981).

ISBN 9790001094504. 9.0x12.0x0.099 inches.

Die Tonsprache der Flotensonate und uberhaupt der Kammermusik Waneks folgt einer personlichen Linie, abseits jeglichen musikalischen Zeitgeschmacks. Formale Geschlossenheit, Knappheit, Dezenz und Witz sind die Attribute seiner Musik, wobei neben Schnorkellosigkeit und Motorik auch Empfindsamkeit ihren Platz hat.

Flute

SKU: HL.48186009

Leduc. CD only. Alphonse Leduc #AL29805. Published by Alphonse Leduc (HL.48186009).

UPC: 888680841973. 9x12 inches.

À tarente (cycle 2) (3'10'') pour flûte et piano. Par Phillips aux éditions Leduc. Partition / Livre de chansons pour Flûte.

Flute

SKU: HL.48186004

Leduc. CD only. Alphonse Leduc #AL29800. Published by Alphonse Leduc (HL.48186004).

UPC: 888680841881. 9x12 inches.

Le coeur sur la main (cycle 2) (5e) (4') pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte.

Sur Le Colporteur D'onslow. By Friedrich Kuhlau. For Flute, Piano. Opus 98. Published by Billaudot.