Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Flute and piano - Level 3 SKU: LM.27958 Composed by Jean Marc Allerme and...(+)
Flute and piano - Level 3
SKU: LM.27958
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27958.
Published by Editions
Henry Lemoine (LM.27958).
ISBN
9790230979580.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
Salti Piedino! Flûte traversière et Piano [Conducteur et Parties séparées] - Débutant FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1 SKU: FL.FX07368...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 1
SKU:
FL.FX073687
Composed
by Cecilia Royer-Cardona.
Original Composition.
Classical, Educational.
Score and Set of Parts. 3
(score); 1 (parts) pages.
Duration 1 minute, 35
seconds. FLEX Editions
#FX073687. Published by
FLEX Editions
(FL.FX073687).
Jump, small
foot! Today is my first
day of classical dance...
- Cecilia ROYER-CARDONA ;
A piece to be
played for exams from 1
year of instrument
practice ; Instruments: 1
Flute 1 Piano; Difficuly
Level: Grade 1.
Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of...(+)
Edited by Amy Appleby.
Music Sales America.
Baroque and Classical
Period. Set of
performance parts
(includes separate
pull-out violin part,
softcover). With solo
part and piano
accompaniment (spiral
bound). 237 pages. Music
Sales #AM948882.
Published by Music Sales
Lyrical Flute Miniatures Flûte traversière et Piano [Partition + Accès audio] Music Distribution Services
Flute and piano SKU: M7.APUE-516315 Edited by Karen North. Score with onl...(+)
Flute and piano
SKU:
M7.APUE-516315
Edited
by Karen North. Score
with online audio files.
Score and part. 160
pages. MDS (Music
Distribution Services)
#APUE 516315. Published
by MDS (Music
Distribution Services)
(M7.APUE-516315).
ISBN
9781875516315.
Thes
e musical gems offer a
diverse array of musical
styles, ensuring a rich
and engaging journey into
the world of flute music.
From lyrical melodies to
lively dances, each piece
has been crafted to
nurture both technique
and expressive playing,
exploring the beauty and
versatility of the flute.
There are biographies of
all the composers at the
end of the flute part, as
well as notes and helpful
performance suggestions
for each work. Free Flute
and Piano recordings, and
Piano backing tracks for
every piece can be found
on YouTube at
'theyoungfluteplayer' (no
spaces) channel, see the
playlist for Lyrical
Flute Miniatures. You can
also find the link and
further information at
www.allegromusicpublishin
g.com/flutemusic Lyrical
Flute Miniatures will
delight students, flute
teachers, and audiences
alike, a valuable
addition to your Flute
repertoire!
Flute and Piano - very easy, easy SKU: BT.DHP-1185891-404 Flute. A...(+)
Flute and Piano - very
easy, easy
SKU:
BT.DHP-1185891-404
Flute. Arranged by
Markus Schenk. Look,
Listen and Learn. Opera
or Operetta. Book with
Part and Audio-Online.
Composed 2018. 28 pages.
De Haske Publications
#DHP 1185891-404.
Published by De Haske
Publications
(BT.DHP-1185891-404).
ISBN 9789043154512.
English.
Nowadays
Look, Listen and
Learn sets the bar
for brass and woodwind
teaching. These exciting
method book/CD packs for
beginners contain songs,
music puzzles and games
to increase the
pupilsââ¬â¢
understanding of music,
information about their
instrument, and lots of
fun pieces to play. The
three volumes of the
method that form the
basis of this series are
enhanced by several books
with supplementary
material designed to
correspond with the
progress of the
method.
In My First
Opera, famous arias,
choruses, and overtures
have been arranged in
increasing order of
difficulty so that they
can be used in
conjunction with all
three volumes of the
Look, Listenand
Learn method series.
Some of the loveliest
melodies ever written for
opera have been collected
together with
accompanying historical
commentary. Pupils can
accompany themselves
using the piano
recordings, which are
available online to
stream or download. The
edition also includes
printed music for piano
accompaniments, expertly
arranged at a moderate
level of difficulty.
Jazz Routes is a collection of 8 progressive jazz pieces for flute and piano ...(+)
Jazz Routes is a
collection of 8
progressive jazz pieces
for flute and piano
covering a wide range of
rhythmic and harmonic
styles. Careful
consideration has been
given to the technical
demands but without
compromising themusical
aims. To help you get to
grips with the music,
demonstration
performances can be found
on the accompanying CD
together with recordings
of the piano
accompaniments. Guildhall
Exams Grades 1-8
Pan Penseroso Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute,
piano
SKU:
CF.W2650
Version 3
- Flute With Multiphonics
and Piano. Composed
by Martin Bresnick. Sws.
Set of Score and Parts.
With Standard notation.
Composed 2010. 36+16
pages. Duration 24
minutes. Carl Fischer
Music #W2650. Published
by Carl Fischer Music
(CF.W2650).
ISBN
9780825882920. UPC:
798408082925. Sc.9x112 -
pt.8.5 x 12 inches. Key:
C major.
Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltons great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier LAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunnst the
noise of folly Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltonas great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poetas earlier LaAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all avain
deluding joyes,a so as to
better hear the aSweet
Bird that shunnast the
noise of follya|a Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Milton's great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet's earlier L'Allegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunn'st the
noise of folly... Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(than meets the ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts areflective musical
eye on the world,
renouncing all
“vain deluding
joyes,†so as to
better hear
the“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
exploredin his pioneering
book The Other Flute: A
Performance Manual of
Contemporary
Techniques.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Sout...(+)
For Flute and Piano.
Composed by Nancy Andrew.
Arranged by James Galway.
Southern Music.
Classical.
Softcover. Southern Music
Company #B579. Published
by
Southern Music Company
Flute; Piano Accompaniment SKU: HL.50600830 For Flute and Piano. C...(+)
Flute; Piano
Accompaniment
SKU:
HL.50600830
For
Flute and Piano.
Composed by Dejan Lazic.
Woodwind Solo. Classical.
Softcover. 32 pages.
Sikorski #SIK1684.
Published by Sikorski
(HL.50600830).
8.25x11.75x0.097
inches.
“The
original ideal for the
'Variations on Hava
Nagila' occurred to me in
1998. Since I had until
then only occupied myself
with European musical
folklore, the idea of
conducting research into
the folklore of the Near
(and somewhat later also
the Far) East initially
seemed to be something
completely new and
exotic. This very
well-known Hebraic
folksong has been
retained in its original
form here. Each of the
variations of my piece
for flute and piano,
arranged in the classical
sequential manner,
presents the flutist with
a new challenge
(staccato, legato,
Intervallic leaps,
ascending and descending
runs, broken chords,
etc.). Although the piano
has important tasks to
perform in the overall
structure of the piece,
the piano part serves the
function of an
accompaniment for the
most part.†(Dejan
Lazic).
V: Periferia di un paese SKU: HL.50603660 For Flute and Piano. Com...(+)
V: Periferia di un paese
SKU: HL.50603660
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142176. Published by
Ricordi (HL.50603660).
ISBN 9781705127810.
UPC:
840126952278.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
II: Trattoria di Campagna - Banchetto di nozze SKU: HL.50603657 For Fl...(+)
II: Trattoria di Campagna
- Banchetto di nozze
SKU: HL.50603657
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142173. Published by
Ricordi (HL.50603657).
ISBN 9781705127780.
UPC:
840126952247.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
I: Strada costiera, baracche e lampioni SKU: HL.50603656 For Flute and...(+)
I: Strada costiera,
baracche e lampioni
SKU: HL.50603656
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142172. Published by
Ricordi (HL.50603656).
ISBN 9781705127773.
UPC:
840126952230.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Fl...(+)
IV: Viottolo di campagna
- Gelsomina vaga sola
SKU: HL.50603659
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142175. Published by
Ricordi (HL.50603659).
ISBN 9781705127803.
UPC:
840126952261.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
VII: Movimento dei vari artisti SKU: HL.50603662 For Flute and Piano(+)
VII: Movimento dei vari
artisti
SKU:
HL.50603662
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142178.
Published by Ricordi
(HL.50603662).
ISBN
9781705127834. UPC:
840126952292.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
VI: Numero del matto sul filo SKU: HL.50603661 For Flute and Piano...(+)
VI: Numero del matto sul
filo
SKU:
HL.50603661
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142177.
Published by Ricordi
(HL.50603661).
ISBN
9781705127827. UPC:
840126952285.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
III: Debutto di Gelsomina nel numero del 'ciufile' SKU: HL.50603658 Fo...(+)
III: Debutto di Gelsomina
nel numero del 'ciufile'
SKU: HL.50603658
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142174. Published by
Ricordi (HL.50603658).
ISBN 9781705127797.
UPC:
840126952254.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
Jazzworks (flute / piano) Flûte traversière et Piano [Partition + CD] - Intermédiaire Faber Music Limited
By Andy Hampton. For flute and piano. Book; Method/Instruction; Woodwind - Clari...(+)
By Andy Hampton. For
flute and piano. Book;
Method/Instruction;
Woodwind - Clarinet
Method or Collection.
Faber Edition. Play
Along. Grade 3-4. Book
and CD. Published by
Faber Music
Three Romances Flûte traversière et Piano [Conducteur et Parties séparées] Notevole Music Publishing
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by Will...(+)
Flute & Piano
SKU:
SU.97023310
For
Flute & Piano.
Composed by William
Thomas McKinley.
Woodwinds, Flute/Piccolo.
Accompanied by piano.
Score & Parts. Notevole
Music Publishing
#97023310. Published by
Notevole Music Publishing
(SU.97023310).
Inspired by the
French Romantic and
Impressionist traditions,
my romances for fute and
piano, composed during
late July and early
August 1984, was
carefully conceived for
the marvelous lyrical and
technical gifts of Robert
Stallman and Richard
Goode, to whom the work
is warmly dedicated. All
three Romances, although
brief in duration, unfold
with a sense of large
gesture and design. The
first Romance is in 3/4
time and flows generally
in the manner of a
lyrical waltz with
occasional turbulent
interruptions. The second
Romance is in 4/4 time,
unfolding in a stately
Baroque-like manner, and
the third Romance is in
2/4 time, melodically
expansive and often
tempestuous. All three
Romances strive to honor
the goals of traditional
performance practice
while, at the same time,
they create an energy and
drama of modernity and
contemporary richness.
And for these goals I am
indebted to so many of
the most outstanding
performers and conductors
of our time with whom I
have worked and from whom
I have learned
much– those who
have demonstrated the
importance of preserving
in addition to further
developing those
significant natural
attributes of musical
expression and
traditional performance
practice which are so
often ignored in
contemporary
compositional values.
— William Thomas
McKinleyFlute & Piano
Duration: 14' Composed:
1984 Published by:
Notevole Music
Publishing.
Blue Silence Flûte traversière et Piano Bote and Bock
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.48025320 Flute and Pi...(+)
Flute; Piano
Accompaniment
(Flute/Piano)
SKU:
HL.48025320
Flute
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202536308. Published by
Bote & Bock
(HL.48025320).
UPC:
196288175407.
Note
by the
composer:“This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. Thebasis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.48025330 Flute and Pi...(+)
Flute; Piano
Accompaniment
(Flute/Piano)
SKU:
HL.48025330
Flute
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 270
seconds. Bote & Bock
#M202536520. Published by
Bote & Bock
(HL.48025330).
UPC:
196288175506.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Chamber Music flute, piano SKU: PR.114417750 Composed by Eric Ewazen. Per...(+)
Chamber Music flute,
piano
SKU:
PR.114417750
Composed
by Eric Ewazen.
Performance Score. 12+2
pages. Duration 7
minutes. Theodore Presser
Company #114-41775.
Published by Theodore
Presser Company
(PR.114417750).
ISBN
9781491108161. UPC:
680160636570.
A
beautiful cantabile song
without words, A SONG
FROM THE HEART has all of
Ewazen’sexpressive
elegance, yet is
performable by
student-level players as
well as on formal
recitals.Originally
composed for Trumpet and
Piano, Ewazen created the
flute transcription for
CindyAnne Broz as the
title track for her
Albany CD including three
Ewazen works. A SONG
FROM THE HEART was
originally composed for
Trumpet andPiano and is
dedicated to Dennis Caron
on the occasion of his
retirement. It
wascommissioned by his
wife, Marsha Caron, and
was premiered at
Dennis’s
retirementparty by our
mutual friend Charles
Schlueter, long-time
principal trumpet of
theBoston Symphony. A
SONG FROM THE HEART is
filled with lyricism and
richharmonies, as the
trumpet line sings and
soars over a rich
accompaniment.The flute
version of this work was
written for my dear
friend Cindy Anne Broz,
for herAlbany CD
including first
recordings of 3 of my
flute pieces. Cindy was
wonderfulin helping me
with my flute
arrangement, as I heard
her lovely, bright high
register– hence my
putting some key passages
of the piece up an
octave, shaping the
phrasestructures to
flatter the lyrical flute
sonorities.