Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Flute and Piano - very easy, easy SKU: BT.DHP-1196124-404 Flauto. ...(+)
Flute and Piano - very
easy, easy
SKU:
BT.DHP-1196124-404
Flauto. Arranged
by Markus Schenk.
Ascolta, Leggi e Suona.
Opera or Operetta. Book
with Part and
Audio-Online. Composed
2019. 80 pages. De Haske
Publications #DHP
1196124-404. Published by
De Haske Publications
(BT.DHP-1196124-404).
ISBN 9789043157346.
Italian.
Ascolta
, leggi & suona
rappresenta oggi il testo
di riferimento dedicato
all’insegnamento
della musica per ottoni e
legni. Questo fantastico
metodo, costituito da
libro e CD, include
canzoni, indovinelli
musicali e giochiche
permetteranno all'allievo
principiante di
progredire nella
conoscenza della musica,
fornendogli al contempo
utilissime informazioni
sul suo strumento e
numerosi brani da suonare
divertendosi. I tre
volumi che
compongonol’opera
sono i primi della
collana e sono affiancati
da testi contenenti
materiale supplementare
per i differenti livelli
del corso.
Incontra
l’opera offre
utile materiale
complementare a tutti e
tre i volumi della
serieAscolta, leggi &
suona e include arie
famose, cori e
ouvertures, proposti
secondo un ordine di
difficolt crescente. Una
selezione delle più
belle melodie mai scritte
per l’opera,
corredate da un quadro
storico
esplicativo.L’alli
evo potr esercitarsi da
solo, utilizzando le
tracce registrate
disponibili online,
scaricabili o ascoltabili
in streaming. Questa
edizione contiene
l’accompagnamento
pianistico, arrangiato
sapientemente a un
moderatolivello di
difficolt .
Lohengrin-Fantasy Flûte traversière et Piano - Intermédiaire/avancé Schott
(Flute and Piano). By Giulio Briccialdi (1818-1881). Arranged by Nikolaus Delius...(+)
(Flute and Piano). By
Giulio Briccialdi
(1818-1881). Arranged by
Nikolaus Delius. For
Flute, Piano. Il Flauto
Traverso (Flute Library).
22 pages. Schott Music
#FTR179. Published by
Schott Music
Published by Santorella Publications. The Moonlight Sonata also known as "Quasi ...(+)
Published by Santorella
Publications. The
Moonlight Sonata also
known as "Quasi Una
Fantasia" may be
considered as one of
Beethoven's most
recognizable themes. This
emotionally melancholy
masterpiece, published by
Santorella Publications,
is heard as the backdrop
to countless venues.
Weddings, recitals and
film scores are a few
diverse examples of its
use in today's
more...marketplace. This
arrangement by Tony
Santorella, edited by
Jonathon Robbins for
flute and piano is a
great addition to any
classic woodwind
repertoire.
For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Sout...(+)
For Flute and Piano.
Composed by Nancy Andrew.
Arranged by James Galway.
Southern Music.
Classical.
Softcover. Southern Music
Company #B579. Published
by
Southern Music Company
Tasty Tunes Flûte traversière et Piano Fentone Music
Flute and Piano - easy-intermediate SKU: HL.44005962 Short Repertoire ...(+)
Flute and Piano -
easy-intermediate
SKU:
HL.44005962
Short
Repertoire or Concert
Pieces for Flute and
Piano. Composed by
Colin Cowles. Fentone
Instrumental Books. Book
and CD. Composed 2005.
Fentone Music #F877.
Published by Fentone
Music (HL.44005962).
ISBN 9789043149495.
UPC: 884088044329. 9x12
inches.
English-German-French-Dut
ch.
Tasty Tunes is
a collection of short
repertoire or concert
pieces forthe developing
instrumentalist. The
descriptive titles, such
as JellyCopters, Dough
Raises Me, A Cream Tease
and Cornish Pastichehelp
conjure the mood of the
music and act as a
stimulus for
theperformer. With a
mixture of styles and
tempi these
piecesrepresent a
worthwhile challenge for
players of grades three
tofive standard. Pieces
may be performed
individually or
combinedin any number to
create a suite - or
perhaps a sweet? Although
themusic is approachable
and light in character,
it provides importantand
technical musical
experience. Enjoy playing
and wet youraudience's
appetite! A separate
pianoaccompaniment part
isincluded with this
book.
'Leckere
Melodien' - ist voll von
kurzen Repertoire oder
Konzertstucken fur den
etwas fortgeschrittenen
Instrumentalisten.
Aussagekraftige Titel
beschworen verschiedene
musikalische Stimmungen
herauf und machen dem
Spieler die Musik
schmackhaft. Die Stucke
konnen einzeln oder in
beliebiger Anzahl
kombiniert zu einer Suite
gespielt werden. Der
Charakter der Musik ist
zwar eingangig und
leicht, mit Tasty
Tunes werden aber
auch wichtige technische
und musikalische
Erfahrung gesammelt. Die
CD enthalt Demo- und
Mitspielversionen aller
Stucke.
Tasty
Tunes (Melodie
saporite) si sviluppa
attraverso un percorso
musicale gustoso
punteggiato di brani
corti e variati. Le
musiche possono essere
interpretate
singolarmente oppure
unite in una suite.
Nonostante le musiche
siano accessibili e
leggere di carattere,
offrono un materiale
tecnico motivante per
un'esperienza musicale
interessante.
Music Minus One Flute. Composed by Georg F. Handel. Sheet music with CD. Music M...(+)
Music Minus One Flute.
Composed by Georg F.
Handel. Sheet music with
CD. Music Minus One.
Classical. Softcover
Audio Online. 24 pages.
Music Minus One #MMO3374.
Published by Music Minus
One
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
cello/double bass.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-26.
Published by Breitkopf
and Haertel
(BR.OB-5295-26).
ISBN
9790004338438. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
By George Frideric Handel (1685-1759). Edited by David Lasocki and Peter Holman....(+)
By George Frideric Handel
(1685-1759). Edited by
David Lasocki and Peter
Holman. For Flute and
Piano. Masterworks;
Part(s); Solo; Woodwind -
Flute Method or
Collection. Faber
Edition. Form: Sonata.
Baroque; Masterwork.
Published by Faber Music
Little Penguin Flûte traversière et Piano De Haske Publications
Flute and Piano - easy SKU: BT.DHP-1155649-401 Composed by Pascal Proust....(+)
Flute and Piano - easy
SKU:
BT.DHP-1155649-401
Composed by Pascal
Proust. De Haske Flute
Series. Book Only.
Composed 2015. 8 pages.
De Haske Publications
#DHP 1155649-401.
Published by De Haske
Publications
(BT.DHP-1155649-401).
ISBN 9789043147446.
English-German-French-Dut
ch.
A small penguin
accompanies a very young
flautist on his first
steps into the world of
music. Whoops, weâ??re
on an ice floe. Be
careful not to
slip!
The composer
Pascal Proust has many
yearsâ?? experience as a
musician and music
teacher. His output
includes several hundred
compositions for the most
diverse instrumentations.
He wrote Little
Penguin for flautists
at the level of
approximatelyone
yearâ??s study and paid
special attention to an
easy-to-follow,
attractive musical style.
As a result, Little
Penguin is an ideal
performance or
competition work for
young
musicians.
Een
kleine pingu n begeleidt
een zeer jonge fluitist
bij zijn eerste stappen
in de wereld van de
muziek. O jee, daar
hebben we een ijsschots.
Niet uitglijden!
De
componist Pascal Proust
kan bogen op een
jarenlange ervaring als
muzikant en muziekdocent.
Zijn oeuvre omvat
honderden composities
voor de meest diverse
instrumentaties. Hij
schreef Little
Penguin voor
fluitisten die ongeveer
een jaar leshebben gehad,
waarbij hij speciaal
aandacht heeft besteed
aan een makkelijk te
volgen, aantrekkelijke
muziekstijl. Daardoor is
Little Penguin een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
Ein
kleiner Pinguin begleitet
einen ganz jungen
Flötisten bei seinen
ersten Schritten in die
Welt der Musik. Hoppla,
dies ist eine Eisscholle
Rutschgefahr!
Der
Komponist Pascal Proust
kann aus seiner
langjährigen Erfahrung
als Musiker und
Musikpädagoge
schöpfen; sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Little Penguin
für Flötisten mit
ungefähreinem Jahr
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet
sich Little
Penguin ideal als
Vortrags- und
Wettbewerbsstück
für junge
Musiker.
Un petit
pingouin accompagne un
très jeune fl tiste
pour ses premiers pas en
musiqueâ?¦ sur la
banquiseâ?¦
attentionâ?¦ on peut
glisser !
Flute Solos Flûte traversière et Piano [Set de Parties séparées] Music Sales
For flute and piano. Format: set of performance parts (includes separate pull-ou...(+)
For flute and piano.
Format: set of
performance parts
(includes separate
pull-out flute part).
With solo part and piano
accompaniment. Baroque,
classical period and
romantic period. Series:
Everybody's Favorite
Series #38. 190 pages.
9x12 inches. Published by
Music Sales.
For Flute and Piano. Composed by Charles LeThiere. Arranged by James Galway. ...(+)
For Flute and Piano.
Composed by Charles
LeThiere. Arranged by
James
Galway. Southern Music.
Opera, Flute, Classical.
Softcover. 12 pages.
Southern Music Company
#SU802. Published by
Southern Music Company
Two is a Team Flûte traversière et Piano [Partition + CD] - Facile De Haske Publications
Flute and Piano - early intermediate SKU: BT.DHP-1125290-400 Composed by ...(+)
Flute and Piano - early
intermediate
SKU:
BT.DHP-1125290-400
Composed by Ed Wennink
and Nettie Vening. Two is
a team. Book with CD.
Composed 2013. 56 pages.
De Haske Publications
#DHP 1125290-400.
Published by De Haske
Publications
(BT.DHP-1125290-400).
ISBN 9789043141758.
9x12 inches.
English-German-French-Dut
ch.
Performance
pieces for piano and
flute in which the level
of difficulty for both
players is similar are
always in demand. The 20
pieces in this book
— arrangements of
well-known tunes as well
as original compositions
— are aimed at
pupils who have been
playing for approximately
three years. Both players
will learn a great deal
and will have double the
playing fun. Two is a
Team — after
all playing together is
almost always at the
heart of music!
Er
blijkt steeds weer
behoefte te zijn aan
samenspeelstukken voor
piano en fluit waarin
beide partijen een
vergelijkbare
moeilijkheidsgraad
hebben. De 20 stukken in
dit boek — zowel
bewerkingen van bekende
liedjes als originele
composities — zijn
bedoeld voor leerlingen
die ongeveer drie jaar
spelen. Beiden zullen er
veel van leren en er
dubbel plezier aan
beleven. Two is a
Team — in de
muziek draait het immers
vrijwel altijd om
samenspel!
Es gibt
immer Bedarf an
Stücken für
Klavier und Querflöte,
in denen die Stimmen
für beide Spieler
ähnlich schwer sind.
Die 20 Stücke in
diesem Buch — die
sowohl bekannte Melodien
als auch originale
Kompositionen umfassen
— richten sich an
Instrumentalschüler
, die bereits etwa drei
Jahre Unterricht hatten.
So können beide etwas
lernen und haben doppelt
Spaß. Two is a
Team — denn
schließlich geht es
beim Musizieren doch fast
immer um das gemeinsame
Musikerlebnis!
Two is a
Team raccoglie
composizioni originali e
brani del repertorio
classico noto al
pubblico, indirizzati
agli strumentisti con
circa tre anni di studio
alle spalle. Il livello
di difficolt dei brani
contenuti nella
pubblicazione è molto
simile per entrambi gli
strumentisti, rendendo
così più facile
un’esecuzione con
l’accompagnamento
del piano.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
viola. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-19.
Published by Breitkopf
and Haertel
(BR.OB-5295-19).
ISBN
9790004338421. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 1. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-15.
Published by Breitkopf
and Haertel
(BR.OB-5295-15).
ISBN
9790004338407. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 2. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-16.
Published by Breitkopf
and Haertel
(BR.OB-5295-16).
ISBN
9790004338414. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition: wind
parts. Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical. Set
of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5295-30.
Published by Breitkopf
and Haertel
(BR.OB-5295-30).
ISBN
9790004338445. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
In this edition, we
present two shorter works
by Wolfgang Amadeus
Mozart, which were not
originally intended as a
continuous work, but
which are ideally suited
to such a performance,
especially as they
complement one another in
character so beautifully.
The edition allows you to
work through the piece
systematically and at
different tempi with the
accompaniment. The
enclosed CD begins with
the concert version of
each movement, following
which you will hear the
piano accompaniment at
slow and medium tempo to
help you practice. Having
mastered these slower
versions, you’ll
now be ready to play with
orchestral accompaniment
at the original tempo.
All of the versions
wererecorded live. The CD
tracks are also available
in downloadable MP3
format.
Mit
dieser Ausgabe
präsentieren wir Ihnen
zwei kürzere Werke von
Wolfgang Amadeus Mozart,
die ursprünglich nicht
als ein fortlaufendes
Werk vorgesehen waren,
sich jedoch bestens
für eine solche
Aufführung eignen,
zumal sie einander
charakterlich schön
ergänzen. Diese
Ausgabe ermöglicht es
Ihnen, das Werk
systematisch und in
verschiedenen Tempi mit
Begleitung zu
erarbeiten. Auf der
beiliegenden CD hören
Sie zuerst die
Konzertversion eines
jeden Satzes. Zum Ãœben
folgt nun im langsamen
und mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
vom Orchester begleiten
lassen. Alle
eingespielten Versionen
wurden live aufgenommen.
SämtlicheCD-Tracks
stehen auch online im
MP3-Format zur
Verfügung.