My Cross Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114423510 Composed by Carter Pann. Set...(+)
Chamber Music flute,
piano
SKU:
PR.114423510
Composed
by Carter Pann. Set of
Score and Parts. 8+2
pages. Duration 9
minutes. Theodore Presser
Company #114-42351.
Published by Theodore
Presser Company
(PR.114423510).
ISBN
9781491135327. UPC:
680160687480.
My
Cross (2021) was
commissioned as a gift to
Boulder resident Laurie
Hathorn by her husband
Peter Spear and flutist
Christina Jennings who
gave the premiere. The
piece is an exploration
in bel canto writing for
an instrument I have been
in love with since my
first forays as a
composer. The technical
challenges for the
soloist lie primarily in
breath control and in
maintaining a sustained,
beautiful tone
throughout. Any meaning
behind this music will
remain a private,
long-suffered trial for
the composer to
overcome. My Cross
(2021) was commissioned
as a gift to Boulder
resident Laurie Hathorn
by her husband Peter
Spear and flutist
Christina Jennings who
gave the premiere. The
piece is an exploration
in bel canto writing for
an instrument I have been
in love with since my
first forays as a
composer.The technical
challenges for the
soloist lie primarily in
breath control and in
maintaining a sustained,
beautiful tone
throughout. Any meaning
behind this music will
remain a private,
long-suffered trial for
the composer to
overcome.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Flute and piano - Intermediate-Advanced SKU: YM.GTW01091432 Woodwinds. Ja...(+)
Flute and piano -
Intermediate-Advanced
SKU:
YM.GTW01091432
Woodwinds. Japanese
Traditional Songs. Score
& part with CD. Yamaha
Music Media #GTW01091432.
Published by Yamaha Music
Media (YM.GTW01091432).
ISBN
9784636914320.
25
songs arranged for solo
flute and piano. Flute
part with a book for
piano accompaniment and
Karaoke CD. 25Shou
Chang Di Du Zou Qu ,Gang
Qin Ban Zou . Han Chang
Di Pu Ji Gang Qin Ban Zou
Pu &Ban Zou CD.
1. Soshunfu(Ode
to Early Spring); 2. Haru
no Umi(Sea in Spring); 3.
Oborozukiyo(A Night with
a Hazy Moon); 4. Sakura
Sakura; 5. Hana; 6. Kono
Michi; 7. Natsu no
Omoide(A Memory from
Summer); 8. Hamabe no
Uta(A Song at the
Seaside); 9. Aka
Tombo(Red Dragonfly); 10.
Momiji; 11. Nanatsu no
Ko; 12. Furusato(My Old
Town); 13. Kojo no
Tsuki(Moon over the
Ruined Castle); 14.
Chiisai Aki
Mitsuketa(I've Found a
Little Autumn); 15.
Yuyake Koyake; 16. Kita
no Kunikara(From Northern
Country); 17. Nada
SouSou(Down Come My
Tears); 18. Jidai; 19.
Kawa no nagare no Yo
ni(As a River's Running);
21. Haru yo Koi(Come
spring!); 22. Hana wa
Saku(Flowers Will Bloom);
23. Sen no Kaze ni
natte(A Thousand Winds);
24. Satoukibi Batake(In a
Large Field of
Sugarcane); 25. Miagete
goran Yoru no Hoshi
wo(Look up at the Night
sky) 1. Zao Chun Fu ;
2. Chun Zhi Hai ; 3. Meng
Long Yue Ye ; 4. Ying Hua
; 5. Hua ; 6. Zhe Tiao Lu
; 7. Xia Ri Hui Yi ; 8.
Hai Bin Zhi Ge ; 9. Hong
Qing Ting ; 10. Hong Xie
; 11. Qi Ge Hai Zi ; 12.
Gu Xiang ; 13. Huang
Cheng Zhi Yue ; 14. Zhao
Dao Liao Xiao Xiao De Qiu
Tian ; 15. Wan Xia Jian
Dan ; 16. Bei Guo Zhi
Lian ; 17. Lei Guang Shan
Shan ; 18. Shi Dai ; 19.
Chuan Liu Bu Xi ; 21. Hua
Zheng Zai Kai ; 22. Feng
Di ; 23. Hua Wei Qian
Feng ; 24. Gan Zhe Tian ;
25. Yang Wang Xing
Kong.
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.
Allegretto Flûte traversière et Piano PWM (Polskie Wydawnictwo Muzyczne)
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.253939 Flute ...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253939
Flute
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 22 pages.
Polskie Wydawnictwo
Muzyczne #12021010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253939).
9.0x12.0
inches.
Allegretto
for flute and piano by
Jozef Swider is a work of
a great artistic value
that comprises a perfect
didactic material,
filling a gap in the
Polish flute literature.
Allegretto for flute and
piano is a one-part
composition of an ABA1
structure with a cadenza.
A four-bar piano
introduction developsinto
the flute part intoning a
dance and folk-style
melody, which becomes
fragmented in terms of
rhythm and densified in
its facture. The dialogue
between the flute and the
piano involves mutual
motif complementation.
The melody gathers
momentum (numerous
ascending and descending
progressions,
undulations, typical
ties, trills), a dynamic
gradation develops into
the middle, more peaceful
and cantilena-style,
part. The culmination,
initially outlined by the
flute and continued by
the piano, leads to the
cadenza characterised by
considerable performative
freedom across motifs in
parts A and B, exhibiting
the colour and sound
values ofthe instrument.
The link A1 comprises a
quasi-variation
development of the first
passage of the work; it
is the most
dynamic,energetic and
diversified in terms of
the applied sound
registers (characteristic
alloctava marking),
articulation and agogics.
Themarking piu vivo in
bar 136, combined with
irregular metric
divisions and shifts in
accents, intensified
dynamics and expression
adds spontaneity,
ultimately leading to the
work's finale. The
application of the minor
mode, the economy of
expressive means and a
changeable course of
narration reflect
introvert characteristics
of the composer a man of
outstanding humbleness
and modesty, at the same
time full of unrest,
self-criticism and little
faith towards himself,
which is confirmed by
recently found notes of
his.