Night Dances Flûte traversière et Piano Cadenza Music
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.50601963 For Flute an...(+)
Flute; Piano
Accompaniment
(Flute/Piano)
SKU:
HL.50601963
For
Flute and Piano.
Composed by Lynn Plowman.
Instrumental. Concert,
Recital. Softcover.
Cadenza Music #CAZLPND01.
Published by Cadenza
Music (HL.50601963).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
cello/double bass.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-26.
Published by Breitkopf
and Haertel
(BR.OB-5295-26).
ISBN
9790004338438. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
viola. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-19.
Published by Breitkopf
and Haertel
(BR.OB-5295-19).
ISBN
9790004338421. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 1. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-15.
Published by Breitkopf
and Haertel
(BR.OB-5295-15).
ISBN
9790004338407. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 2. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-16.
Published by Breitkopf
and Haertel
(BR.OB-5295-16).
ISBN
9790004338414. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition: wind
parts. Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical. Set
of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5295-30.
Published by Breitkopf
and Haertel
(BR.OB-5295-30).
ISBN
9790004338445. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Flute, Piano SKU: HU.HN674 Composed by Wolfgang Amadeus Mozart. Edited by Andra...(+)
Flute, Piano
SKU: HU.HN674
Composed by Wolfgang
Amadeus Mozart. Edited by
Andras Adorjan. Woodwind,
Repertoire, Solos.
Concerto for Flute and
Orchestra D major K. 314.
Classical. Softcover
Book. 49 pages. G. Henle
#HN674. Published by G.
Henle (HU.HN674).
12.2 x 9.3 x 0.2 inches.
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.
This item will ship directly from our Australia warehouse! Flute, Piano SKU: HU....(+)
This item will ship
directly from our
Australia warehouse!
Flute, Piano
SKU: HU.HN673
Composed by Wolfgang
Amadeus Mozart. Edited by
Andras Adorjan. Woodwind,
Repertoire, Solos.
Concerto for Flute and
Orchestra G major K. 313.
Softcover Book. 54 pages.
G. Henle #HN673.
Published by G. Henle
(HU.HN673).
Allegretto Flûte traversière et Piano PWM (Polskie Wydawnictwo Muzyczne)
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.253939 Flute ...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253939
Flute
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 22 pages.
Polskie Wydawnictwo
Muzyczne #12021010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253939).
9.0x12.0
inches.
Allegretto
for flute and piano by
Jozef Swider is a work of
a great artistic value
that comprises a perfect
didactic material,
filling a gap in the
Polish flute literature.
Allegretto for flute and
piano is a one-part
composition of an ABA1
structure with a cadenza.
A four-bar piano
introduction developsinto
the flute part intoning a
dance and folk-style
melody, which becomes
fragmented in terms of
rhythm and densified in
its facture. The dialogue
between the flute and the
piano involves mutual
motif complementation.
The melody gathers
momentum (numerous
ascending and descending
progressions,
undulations, typical
ties, trills), a dynamic
gradation develops into
the middle, more peaceful
and cantilena-style,
part. The culmination,
initially outlined by the
flute and continued by
the piano, leads to the
cadenza characterised by
considerable performative
freedom across motifs in
parts A and B, exhibiting
the colour and sound
values ofthe instrument.
The link A1 comprises a
quasi-variation
development of the first
passage of the work; it
is the most
dynamic,energetic and
diversified in terms of
the applied sound
registers (characteristic
alloctava marking),
articulation and agogics.
Themarking piu vivo in
bar 136, combined with
irregular metric
divisions and shifts in
accents, intensified
dynamics and expression
adds spontaneity,
ultimately leading to the
work's finale. The
application of the minor
mode, the economy of
expressive means and a
changeable course of
narration reflect
introvert characteristics
of the composer a man of
outstanding humbleness
and modesty, at the same
time full of unrest,
self-criticism and little
faith towards himself,
which is confirmed by
recently found notes of
his.
Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by Henrik Wiese....(+)
Orchestra - Piano
Reduction. By Wolfgang
Amadeus Mozart. Edited by
Henrik Wiese. Piano
reduction by Jan Philip
Schulze. Cadenza by
Robert Levin. Flute.
Pages: Score: III and 6 *
Fl Part: 4. Piano
Reduction-paper bound.
Published by G. Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 34 * Fl Part =16.
Piano Reduction-paper
bound. Published by G.
Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 28 * Fl Part =17.
Piano Reduction-paper
bound. Published by G.
Henle.
Flute (Flute) SKU: HL.48181519 Composed by Eugene Bozza. Leduc. Classical...(+)
Flute (Flute)
SKU:
HL.48181519
Composed
by Eugene Bozza. Leduc.
Classical. Softcover. 8
pages. Alphonse Leduc
#AL21153. Published by
Alphonse Leduc
(HL.48181519).
UPC:
888680842086.
9.0x12.25x0.082
inches.
Exploiting
the Flute to its full
potential, Italian
Fantasy is an exciting
and challenging addition
to the advanced
flautist's repertoire.
From cadenza passages to
a delightful 6/8 melody,
this piece by French
composer Eugene Bozza
(1905-1991) covers a huge
variety of the Flute's
possibilities. The piece
begins with an emotional,
characterised cadenza,
covering a wide range.
This leads dramatically
into a 6/8 section
accompanied by broken
chords in the piano
before ending with a
quirky and lively 2/4
secton. Bozza's Italian
Fantasy for Flute and
Piano is not only
symbolic, but also
includes exciting
challenges, making for an
imperative performance
piece in the Flute
repertoire. .
Little Angel Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422880 Composed by Phyllis Avidan L...(+)
Chamber Music flute,
piano
SKU:
PR.114422880
Composed
by Phyllis Avidan Louke.
Set of Score and Parts.
12+4 pages. Duration 11
minutes, 30 seconds.
Theodore Presser Company
#114-42288. Published by
Theodore Presser Company
(PR.114422880).
ISBN
9781491135143. UPC:
680160686995.
LITTL
E ANGEL was composed in
loving memory of a
friend’s daughter
who was stillborn, to
commemorate a life
unlived. The first
movement, Hopes and
Dreams, opens the work
with sweet optimism and
charm. The second
movement, Anticipation
and Loss is a musical
setting of joy followed
by profound sadness.
LITTLE ANGEL concludes
with Finding Peace as the
third movement opens with
grief and longing,
followed by a plaintive
cadenza, and finally
ending with peace and
hope. Little Angel was
commissioned by Janelle
Barrera in loving memory
of her daughter Daisy
Rose who was stillborn,
to commemorate a life
unlived.Little Angel is
written for flute and
piano in three
movements:1. Hopes and
Dreams: The first
movement begins with
three brief statements
that are introspective
and hopeful, looking
toward the future,
followed by a lyrical
melody in 3/4 meter.2.
Anticipation and Loss:
The second movement opens
with a playful melody in
mixed meter combining
simple time and compound
time. At letter C, the
tempo slows, and the tone
becomes decidedly more
serious and eventually
more somber.3. Finding
Peace: The third movement
opens with a melody
expressing grief and
longing, followed by a
plaintive cadenza, and
finally ending with peace
and hope.
Flute; Piano SKU: HL.49045188 For Flute and Piano. Composed by Cec...(+)
Flute; Piano
SKU:
HL.49045188
For
Flute and Piano.
Composed by Cecile
Chaminade. Edited by
Edmund Waechter and
Elisabeth Weinzierl. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. Op. 107. 36
pages. Schott Music
#FTR229. Published by
Schott Music
(HL.49045188).
ISBN
9790001200806. UPC:
841886023314.
The
great talent of Cecile
Chaminade (1857-1944)
showed very early: At the
age of 12, she published
her first composition.
Georges Bizet, a friend
of the family, predicted
her great future. After
her successful debut as a
pianist in Paris in 1877,
she began busy concert
activities as a solo
pianist, chamber musician
and conductor in many
European countries as
well as in the USA and
Canada.Although many of
her compositions became
bestsellers during her
lifetime, they are almost
all missing in the
concert programmes of
today. Only the
Concertino for flute and
orchestra Op. 107 is
still performed
regularly. The demanding
piece was written in 1902
as a competition piece at
the Paris Conservatoire -
initially still with
piano accompaniment. The
orchestral version was
composed by Chaminade two
years later.The piece
begins with a wide melody
and then turns into a
virtuoso solo section
which is followed by a
cadenza. The piece ends
with the initial theme as
recapitulation and a
coda.
Woodwinds - Flute Flute and Piano SKU: AY.FRD05 Composed by John La Monta...(+)
Woodwinds - Flute Flute
and Piano
SKU:
AY.FRD05
Composed by
John La Montaine.
Woodwinds - Flute.
Fredonia Press #FRD05.
Published by Fredonia
Press (AY.FRD05).
ISBN
9790302114406.
The
product available here
for purchase is the solo
flute part and piano
reduction for John La
Montaine's Concerto for
Flute. Premiered on April
12, 1981 by Keith Bryan
and the National Gallery
Orchestra, John La
Montaine's Concerto for
Flute and Orchestra is
best summed up in this
review from Paul Hume at
The Washington Post: The
world premiere of a flute
concerto by John La
Montaine was the
centerpiece. La Montaine
clearly had a great time
writing the concerto,
since he filled it with
wit and open, songful
beauty. The formal design
is neatly broken up into
imaginative divisions.
There are some exotic
touches for woodblocks,
and bass clarinet, but
the heart of the work
lies in the brilliance of
the writing for the
soloist. The cadenza in
the final movement is
impressively introduced
and beautifully
concluded..
Flute and Piano SKU: IS.FP4175EM Composed by Jef Schampaert. Woodwinds - ...(+)
Flute and Piano
SKU:
IS.FP4175EM
Composed
by Jef Schampaert.
Woodwinds - Flute.
Metropolis Music
Publishers #FP4175EM.
Published by Metropolis
Music Publishers
(IS.FP4175EM).
ISBN
9790365041756.
Joze
f (Jef) Schampaert's 1952
Notturno e Danza
(Nocturne and Danse) for
flute and piano, written
as a concours piece for
the Royal Conservatoire
Antwerp in Belgium, is a
bit of a curious beast.
While the rest of the
Belgian school was
experimenting with a
return to lush
romanticism (Alpaerts,
Maes, and the musical
progeny of Benoit), or
beginning to prod the
tonal bounds of
listenable 12-tone and
serialism (Constant and
Verbesselt), Schampaert
took towards a different
sound: that of the
Impressionists,
transmuted through his
distinctly Flemish touch.
The Nocturne and Danse is
no exception. The core of
the Nocturne is a
relatively
straightforward melody,
but it's quickly pulled
apart into Debussyian
fragments and melodic
cells - a rhapsody in
miniature, with touches
of Ibert's stranger runs
and figures through. The
Danse retains a clearer
sense of melody, but one
that's even closer to
Debussy and Ravel - grace
notes and intertwined,
changing runs are
integral melodic
material, by turns dark
then playful. A small
cadenza again touches on
a sense of Ibert before
the piece is brought to a
quiet close.
Capriccio Flûte traversière et Piano [Set de Parties séparées] Advance Music
Flute & Piano SKU: AP.1-ADV8506 Composed by Ludmila Ulehla. Series; Solo;...(+)
Flute & Piano
SKU:
AP.1-ADV8506
Composed
by Ludmila Ulehla.
Series; Solo; Solo Small
Ensembles; Woodwind -
Flute Solo. Advance
Music. Part(s). Advance
Music #01-ADV8506.
Published by Advance
Music (AP.1-ADV8506).
UPC: 805095085068.
English.
This
happy, brilliant piece is
fun to perform and
challenges the soloist
with contrasting sections
and a cadenza. The
accompanying piano part
supports the flute with a
modern harmonic style
that introduces young
players to the
contemporary idiom.
Flute (Flute) SKU: HL.48180783 For Flute and Piano. Composed by Wo...(+)
Flute (Flute)
SKU:
HL.48180783
For
Flute and Piano.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Marcel Moyse. Leduc.
Classical. Softcover.
Alphonse Leduc #AL19196.
Published by Alphonse
Leduc (HL.48180783).
Number 80 of
the collection Classics
for Flute by Marcel
Moyse, Minuet of Mr.
Duport is a piece
initially composed by
Mozart and arranged for
flute and piano
accompaniment. The main
theme starts with a Tempo
di Minuetto, which is
then followed by four
variations and a final
part Allegro ending up
with a Cadenza. Quite
amazing, this piece is
difficult to play and
will fit upper
intermediate players. It
is a great piece to
listen to that would
definitely work well in a
concert or in a
recital.
Flute and piano SKU: DM.DMP-109125 Composed by Nadine de la Croix. Digita...(+)
Flute and piano
SKU:
DM.DMP-109125
Composed by Nadine de la
Croix. Digital Music
Print #DMP 109125.
Published by Digital
Music Print
(DM.DMP-109125).
ISBN
9790365312436.
Comp
osed by one of the finest
Belgium female composers.
A slow introduction
followed by a virtuose
tarantella, but the
tarantella has seven
beats (hepta), then
followed by a free
cadenza, finishing with
the tarantella. A
challenge to play.
Flute, Piano Accompaniment (Score and Solo Part) - intermediate SKU: HL.49046...(+)
Flute, Piano
Accompaniment (Score and
Solo Part) - intermediate
SKU: HL.49046132
Flute and Piano
Reduction. Composed
by Wolfgang Amadeus
Mozart. Edited by Annabel
Knight and Wolfgang
Birtel. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Dieser
hubsche Einzelsatz wird
hier in einer sorgfaltig
edierten Neuausgabe, mit
einer Kadenz des
Herausgebers, vorgelegt -
ein serenadenhafter Satz,
der dem Solisten alle
Moglichkeiten fur
kantables Spiel bietet.
Classical. Softcover.
Composed 1778. 16 pages.
Duration 5'. Schott Music
#SE1051. Published by
Schott Music
(HL.49046132).
ISBN
9783795716639. UPC:
888680955762. 9x12
inches. German - English
- French.
Even
though Wolfgang Amadeus
Mozart (1756-1791),
admittedly, was no fan of
the flute, he wrote
unforgettable music for
this instrument 'that I
can't stand': two
concertos, a double
concerto with harp, the
original version of the
Wind Concertante and the
four flute quartets.
Commissioned by the Dutch
physician and amateur
musician Ferdinand
Dejean, Mozart wrote his
two solo concertos in
1777/78 during a stay in
Mannheim. As the middle
movement of the Concerto
in G major KV 313
supposedly was too
difficult for the client
-with regard to the
playing technique and/or
music - the composer
wrote an alternative
version, 'Andante' KV 315
(285e). This nice
individual movement is
now presented in a
carefully edited new
edition, with a cadenza
of the editor - a
serenade-like setting
that offers the soloist
many possibilities for
cantabile playing.
![Flute Concerto [No. 1] in G major K. 313 (285c)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwa36785e8/images/5094/18455094_cover-large_file.png)
![Flute Concerto [No. 1] in G major K. 313 (285c)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw0ff7f5b2/images/5083/18455083_cover-large_file.png)
![Flute Concerto [No. 1] in G major K. 313 (285c)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwe196027b/images/5065/18455065_cover-large_file.png)
![Flute Concerto [No. 1] in G major K. 313 (285c)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw4bed5567/images/5078/18455078_cover-large_file.png)
![Flute Concerto [No. 1] in G major K. 313 (285c)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw0ac838c1/images/5100/18455100_cover-large_file.png)
