Flute and piano

SKU: M7.APUE-516315

Edited by Karen North. Score with online audio files. Score and part. 160 pages. MDS (Music Distribution Services) #APUE 516315. Published by MDS (Music Distribution Services) (M7.APUE-516315).

ISBN 9781875516315.

Thes e musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishin g.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!

Flute and piano - Level 1

SKU: LM.26023

Classical. Score. Editions Henry Lemoine #26023. Published by Editions Henry Lemoine (LM.26023).

ISBN 3327850260239.

Were you there (Negro Spiritual) - BACH : Choral - BARTOK : Danse du gardien de cochons - BEETHOVEN : Theme varie (extrait Op.107 n. 7) - BRAHMS : Berceuse (Lied) - DVORAK : Feuille d'album - HAYDN : La bonne humeur (Lied) - JANACEK : Trois petites danses - JOPLIN : Country Club (Ragtime) - LULLY : Air pour un docteur portant une tete d'ane (Ballet de l'Amour malade) - PURCELL : Ritournelle - SCHUBERT : Deux danses (Valse et Ecossaise) - SMETANA : Danse tcheque - TCHAIKOWSKY : Chant populaire russe - VIVALDI : Il Pastor fido (extrait de la 2e sonate).

Flute and Piano. Composed by Aaron Copland (1900-1990). Boosey and Hawkes Chamber Music. Softcover Audio Online. 76 pages. Published by Boosey and Hawkes

Flute and Piano. By Christopher Norton. (Flute). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Boosey and Hawkes.

Edited by I. Denley. For Flute, Piano. Music Through the Ages. Grades 2-3. Collection. Published by ABRSM (Associated Board of the Royal Schools of Music)

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Composed by David Marchand and Elizabeth Borowsky. Book and CD. Published by Imagine Music (IG.FSW091F).

Flute; Piano Accompaniment

SKU: HL.48011149

Flute and Piano. Composed by Karen Street. Boosey & Hawkes Chamber Music. Classical, Collection, Contemporary. Softcover. 16 pages. Boosey & Hawkes #M060082504. Published by Boosey & Hawkes (HL.48011149).

UPC: 073999370522. 8.5x11.0x0.06 inches.

Contents: Wheel of Fortune * Secrets * Long Ago * Sweet Dreams * Memories * This Time * Easy Street * Go For It.

(Music from Cult Films). Arranged by Richard Harris. For Flute and Piano. Book; Woodwind - Flute Method or Collection. Faber Edition. Intermediate. Published by Faber Music

Flute and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music. Softcover. 22 pages. Boosey & Hawkes #M060133008. Published by Boosey & Hawkes

Flute and Piano. By Carol Barratt. Arranged by Margaret Ogonovsky. (Flute). Boosey and Hawkes Chamber Music. Size 9x12 inches. 52 pages. Published by Boosey & Hawkes.

Flute and piano

SKU: P2.10014

Composed by Alejandro Guardia, Jr. Solo music, 20th century. Published by Potenza Music (P2.10014).

Stress is a constant part of everyone's lives. Finding peace and patience when stressed is a valuable virtue to have. In Scherzo, I play with the idea of chaos and beauty existing together. The chaotic life of a creative person can seen demanding at times, but creating something beautiful in the form of art makes the headaches and stress worth it at the end of the day. This piece recreates this with the piano bringing in wave upon wave of tension. Tight clusters of notes and alternating asymmetric time signatures create a tumultuous and uncomfortable setting for our flutist to try and create something of beauty...

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

Flute, Piano - Grade 2

SKU: FL.FX071922

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071922. Published by FLEX Editions (FL.FX071922).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

For Piano Accompaniment. Solo Collection. Set of parts. Published by Kendor Music Inc.

Chamber Music flute, piano

SKU: PR.114422880

Composed by Phyllis Avidan Louke. Set of Score and Parts. 12+4 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #114-42288. Published by Theodore Presser Company (PR.114422880).

ISBN 9781491135143. UPC: 680160686995.

LITTL E ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.

(Flute/Piano)

SKU: HL.48181380

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. CD. 42 pages. Alphonse Leduc #AL20857. Published by Alphonse Leduc (HL.48181380).

UPC: 888680984427. 9.0x12.0x0.13 inches.

“Wolf gang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C, which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments, making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto, 2. Adagio non troppo, and 3. Rondo: Allegretto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and one concerto. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. De Jean did not approve, yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.”.

Chamber Music flute, piano

SKU: PR.114424240

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42424. Published by Theodore Presser Company (PR.114424240).

ISBN 9781491137581. UPC: 680160691036.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.
Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry” and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,” a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.

Flute & Piano

SKU: SU.97023310

For Flute & Piano. Composed by William Thomas McKinley. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Notevole Music Publishing #97023310. Published by Notevole Music Publishing (SU.97023310).

Inspired by the French Romantic and Impressionist traditions, my romances for fute and piano, composed during late July and early August 1984, was carefully conceived for the marvelous lyrical and technical gifts of Robert Stallman and Richard Goode, to whom the work is warmly dedicated. All three Romances, although brief in duration, unfold with a sense of large gesture and design. The first Romance is in 3/4 time and flows generally in the manner of a lyrical waltz with occasional turbulent interruptions. The second Romance is in 4/4 time, unfolding in a stately Baroque-like manner, and the third Romance is in 2/4 time, melodically expansive and often tempestuous. All three Romances strive to honor the goals of traditional performance practice while, at the same time, they create an energy and drama of modernity and contemporary richness. And for these goals I am indebted to so many of the most outstanding performers and conductors of our time with whom I have worked and from whom I have learned much– those who have demonstrated the importance of preserving in addition to further developing those significant natural attributes of musical expression and traditional performance practice which are so often ignored in contemporary compositional values. — William Thomas McKinleyFlute & Piano Duration: 14' Composed: 1984 Published by: Notevole Music Publishing.

Flute and piano

SKU: P2.10029

Composed by Seth Johnson. Solo music, 20th century. Published by Potenza Music (P2.10029).

Inspired by a tour to Brazil with the Campbellsville Univeristy Chorale, Rio de Janeiro for Flute and Piano was written for Cristina Soares, a native of Rio de Janiero. The opening section in 7-beat phrases is meant to evoke the laid back attitude of the city with some bossa-nova style. An abrupt change in character leads to the more energetic side of the city, incorporating Latin rhythms, syncopation, and some blues inspired chromaticsim. There is a return to the original section, but this time in a minor mode and at a faster tempo, concluding with the lively energy that Rio de Janiero is known for.

Seth Johnson (b.1989) is a composer, pianist, and cellist from Kentucky. He holds a Bachelor's of Arts in Music Theory/Composition and a Master's Degree in Music from Campbellsville University, where he served as composer-in-residence, principal cellist for the University Orchestra, and accompanist for the University Chorale. His works include numerous pieces for orchestra including Superhero Symphony, various solo/chamber pieces, as well as scores for the award winning Kentucky Education Television series My Kentucky Home.

Solo Part Included: Flute.

Chamber Music flute, piano

SKU: PR.114417750

Composed by Eric Ewazen. Performance Score. 12+2 pages. Duration 7 minutes. Theodore Presser Company #114-41775. Published by Theodore Presser Company (PR.114417750).

ISBN 9781491108161. UPC: 680160636570.

A beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’sexpressive elegance, yet is performable by student-level players as well as on formal recitals.Originally composed for Trumpet and Piano, Ewazen created the flute transcription for CindyAnne Broz as the title track for her Albany CD including three Ewazen works.
A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It wascommissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirementparty by our mutual friend Charles Schlueter, long-time principal trumpet of theBoston Symphony. A SONG FROM THE HEART is filled with lyricism and richharmonies, as the trumpet line sings and soars over a rich accompaniment.The flute version of this work was written for my dear friend Cindy Anne Broz, for herAlbany CD including first recordings of 3 of my flute pieces. Cindy was wonderfulin helping me with my flute arrangement, as I heard her lovely, bright high register– hence my putting some key passages of the piece up an octave, shaping the phrasestructures to flatter the lyrical flute sonorities.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1

SKU: FL.FX072877

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 10 seconds. FLEX Editions #FX072877. Published by FLEX Editions (FL.FX072877).

As its name suggests, here is a little air that can last a very long time! For young instrumentalists from the first year of practice. - Pascal PROUST ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1.

(Flute/Piano)

SKU: HL.48181379

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. CD. 32 pages. Alphonse Leduc #AL20856. Published by Alphonse Leduc (HL.48181379).

UPC: 888680857073. 9.0x12.0x0.114 inches.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute, making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso, 2. Adagio ma non troppo, and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and two concertos. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel, Gaubert and Bozza, making for an unmissable version of the famed work. .