(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

36 Repertoire Pieces With Piano Accompaniment. Compiled and Edited By Donald Peck.. Edited by Donald Peck. Repertoire Classics. Book and CD. 48 pages. Carl Fischer #WF0110. Published by Carl Fischer

"Andante Cantabile" from String Quartet No. 8, Nob. III: No. 17, Flute and Piano with Piano Accompaniment On CD. By Franz Joseph Haydn. Edited by Donald Peck. For Flute Solo, Piano. Carl Fischer CD Solo Series Grade 2: Apprentice Level. Book and Audio CD. 3 pages. Published by Carl Fischer.

Flute and Piano with Piano Accompaniment On CD. By Benedetto Marcello. Edited by Donald Peck. Arranged by Donald Peck. For Flute Solo, Piano. Carl Fischer CD Solo Series. Level: Intermediate Level. Score and parts. 8 pages. Published by Carl Fischer.

From the Opera "Carmen" - Flute and Piano with Piano Accompaniment On CD. By Georges Bizet. Edited by Donald Peck. For Piano, Flute Solo. Carl Fischer CD Solo Series. Score and Audio CD. 4 pages. Published by Carl Fischer.
Level: Grade 3, Achievement Level.

From Trios Gymnopedies. By Erik Satie. Edited by Donald Peck. For Flute, Piano. Carl Fischer Solo Series. Classical. Score and Audio CD. 3 pages. Published by Carl Fischer.
Level: beginning.

(Flute and Piano with Piano Accompaniment On CD). By Arcangelo Corelli (1653-1713). Edited by Donald Peck. For Solo Flute and Piano. Carl Fischer CD Solo Series. BEGINNING. Score and Audio CD. Standard notation. 3 pages

(20 Easy Solos with Piano Accompaniments). By Various. Arranged by Larry Clark, Sean O'Loughlin. For flute and piano. First Festival Solos. Book and CD. 32 pages. Published by Carl Fischer

By Cecile Chaminade. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

By Johann Sebastian Bach. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

(From Sonata in F Major). By George Frideric Handel (1685-1759). Edited by Donald Peck. Arranged by Donald Peck. For Flute, Piano. Carl Fischer Solo Series. Classical. Score and Audio CD. Standard notation. Opus 1. 3 pages

By Robert Schumann. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

By Franz Schubert. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

(For Flute and Piano). By David Carlson. For Flute, Piano. Score and solo part. 10 pages. Published by Carl Fischer

For Flute. Composed by Matheus André Reichert. Arranged by James Galway. Southern Music. Softcover. 4 pages. Lauren Keiser Music Publishing #SU794. Published by Lauren Keiser Music Publishing

Flute and Piano - very easy, easy

SKU: BT.DHP-1185869-404

Flöte. Arranged by Markus Schenk. Hören, Lesen und Spielen. Tuition. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185869-404. Published by De Haske Publications (BT.DHP-1185869-404).

ISBN 9789043154802. German.

Hören , lesen & spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen & spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.

Im Klassik-Spielbuch unternehmen die Schüler einen Streifzug durch die Musikgeschichte und lernen die wichtigsten Komponisten der klassischen Musik kennen, von Tielman Susato bis Anton nDvo ák. Die Melodien sind in ansteigendem Schwierigkeitsgrad geordnet und können parallel zu allen drei Bänden von Hören, lesen & spielen verwendet werden. Gut spielbare Klavierbegleitungen aller Stücke liegen der Ausgabe in gedruckter Form bei: zusätzlich mitgeliefert werden Aufnahmen dieser Begleitungen zum Mitspielen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Flute and Piano

SKU: IS.FP4052EM

Composed by Jef Maes. Woodwinds - Flute. Metropolis Music Publishers #FP4052EM. Published by Metropolis Music Publishers (IS.FP4052EM).

ISBN 9790365040520.

Belg ian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano.

Scherzo from the Opera "the Legend of Tsar Saltan," for Flute and Piano. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Gerardo Iasilli. For Solo Flute and Piano. Solo part with piano reduction. 7 pages. Published by Carl Fischer.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

(Flute and Piano). Composed by Paul Taffanel (1844-1908). Edited by Stefan Albrecht. For Flute, Piano Accompaniment. Schott. Softcover. 20 pages. Schott Music #FTR218. Published by Schott Music

Flute and piano - Level 1

SKU: LM.26024

Classical. Score. Editions Henry Lemoine #26024. Published by Editions Henry Lemoine (LM.26024).

ISBN 9790230960243.

Weep in'Mary (Negro Spiritual) - BACH : Choral - BEETHOVEN : Theme varie (extrait Op.105 n. 3) - BRAHMS : Dimanche (Lied) - BRITTEN : Air gallois - DVORAK : Melodie tzigane - GRIEG : Poulain bai (Melodie) - HAYDN : Une histoire tres courante! (Lied) - JANACEK : Trois petites danses - JOPLIN : Peacherine Rag - LULLY : Gavotte pour les Suisses - PURCELL : Danse - SCHUBERT : Deux danses (Valse et Ecossaise) - TCHAIKOWSKY : Chant populaire russe - VIVALDI : Il Pastor fido (extrait de la 5 sonate).