Flute & Piano

SKU: SU.12100010

For Flute & Piano. Composed by Bun-Ching Lam. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Subito Music Corporation #12100010. Published by Subito Music Corporation (SU.12100010).

Flute & Piano Composed: 2005 Published by: Distributed Composer.

Flute and Piano. Composed by Aaron Copland (1900-1990). Boosey and Hawkes Chamber Music. Softcover Audio Online. 76 pages. Published by Boosey and Hawkes

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Chamber Music flute, piano

SKU: PR.UE036747

For Flute and Piano. Composed by Tilmann Dehnhard. Set of Score and Parts. With Standard notation. Universal Edition #UE036747. Published by Universal Edition (PR.UE036747).

ISBN 9783702474683. UPC: 803452071792.

A wonderful performance piece constructed around a constant pulsating A. Dehnhard, author of The New Flute (Universal Edition UE035320), casts his flute part in eerie, ethereal forms, using wind, singing, and open hole glissandi. Throughout the piano part, an A note appears in constant tempo, and scratching and dampening strings are used for effect.

Flute and Piano

SKU: BT.EMBZ2142

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1955. 6 pages. Editio Musica Budapest #EMBZ2142. Published by Editio Musica Budapest (BT.EMBZ2142).

English-German-Hungari an.

From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

(A Method for the Intermediate Flutist with Piano Accompaniment, Vol. 2). By Patricia George, Phyllis Avidan Louke. For Flute. Classical. Intermediate. Solo part with piano reduction. Standard notation. 100 pages. Published by Theodore Presser Company

Flute Solo with Piano. Composed by Paul Wetzger. Arranged by James Galway. Southern Music. Softcover. 8 pages. Lauren Keiser Music Publishing #SU798. Published by Lauren Keiser Music Publishing

Flute and Piano. Composed by Igor Stravinsky (1882-1971). Arranged by Kyle MacLeod. Woodwind. Softcover. 42 pages. Schott Music #FTR234. Published by Schott Music