Danny Boy and Irish Eyes for Flute and Piano arranged by Jonathon Robbins. For f...(+)
Danny Boy and Irish Eyes
for Flute and Piano
arranged by Jonathon
Robbins. For flute solo
and piano accompaniment.
Solo with Accompaniment.
Ethnic. Score and solo
part. Text Language:
English. 12 pages.
Published by Santorella
Publications
Ollie and Me Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and
Piano. Composed by
Gary Schocker. Solo part
with piano reduction.
With Standard notation.
10 pages. Duration 4
minutes. Theodore Presser
Company #114-41363.
Published by Theodore
Presser Company
(PR.114413630).
Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bac...(+)
Jesu, Joy Of Man's
Desiring for Flute and
Piano composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Jonathon Robbins. For
flute solo and piano
accompaniment. Solo with
Accompaniment. Classical.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Elegy Flûte traversière et Piano Theodore Presser Co.
For Flute and Piano. Composed by Lowell Liebermann. Contemporary. Solo part wi...(+)
For Flute and Piano.
Composed
by Lowell Liebermann.
Contemporary. Solo part
with
piano reduction. With
Standard notation.
Composed
2012. Opus 119. 16 pages.
Duration 8 minutes.
Theodore
Presser Company
#114-41683.
Published by Theodore
Presser
Company
Composed by Gary Schocker. Contemporary. Solo part with piano reduction. With St...(+)
Composed by Gary
Schocker. Contemporary.
Solo part with piano
reduction. With Standard
notation. Composed 2014.
40 pages. Duration 13
minutes. Theodore Presser
Company #114-41714.
Published by Theodore
Presser Company
(PR.114417140).
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Flute, piano SKU: FG.55011-583-5 Composed by Heikki Sarmanto. Fennica Geh...(+)
Flute, piano
SKU:
FG.55011-583-5
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-583-5. Published
by Fennica Gehrman
(FG.55011-583-5).
ISBN
9790550115835.
A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
Flute and Piano, Level 2-3 Flute; Piano Accompaniment (Score and Solo Part) - ea...(+)
Flute and Piano, Level
2-3 Flute; Piano
Accompaniment (Score and
Solo Part) - easy to
intermediate
SKU:
HL.49045505
Schott
Student Edition
Repertoire Level 2-3.
Composed by Wilhelm Popp.
Edited by Edmund Waechter
and Elisabeth Weinzierl.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover. 24
pages. Schott Music
#SE1016. Published by
Schott Music
(HL.49045505).
ISBN
9790001162579. UPC:
841886028999.
9.0x12.0x0.101 inches.
(ed. Edmund Waechter &
Elisabeth Weinzierl)
Schott Student Edition
Repertoire.
This
edition contains three
beautiful and rather easy
performance pieces which
have been selected from
the large number of
pieces by Wilhelm Popp in
a Romantic concert style.
Cantabile and virtuoso
passages were always
arranged specifically for
the instrument by the
court flutist (and
pianist) of the court
theatre of the Duke of
Saxe-Coburg-Gotha. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
For Flute and Piano (Originally for Clarinet and Piano). By Johannes Brahms. Edi...(+)
For Flute and Piano
(Originally for Clarinet
and Piano). By Johannes
Brahms. Edited by Jeffrey
Khaner. For Flute, Piano.
Romantic. Solo part with
piano reduction. Composed
2002. Opus 120, Number 1.
26 pages. Duration 21:00.
Published by Theodore
Presser Company.
For Flute and Piano (Originally for Clarinet and Piano). By Johannes Brahms. Edi...(+)
For Flute and Piano
(Originally for Clarinet
and Piano). By Johannes
Brahms. Edited by Jeffrey
Khaner. For Flute, Piano.
Romantic. Solo part with
piano reduction. Composed
2002. Opus 120, Number 2.
24 pages. Duration 21:00.
Published by Theodore
Presser Company.
Canto Flûte traversière et Piano [Reduction] Theodore Presser Co.
Flute and Piano. By Luigi Zaninelli. For Flute, Piano, Clarinet, Bassoon. Classi...(+)
Flute and Piano. By Luigi
Zaninelli. For Flute,
Piano, Clarinet, Bassoon.
Classical. Solo part with
piano reduction. 7 pages.
Published by Theodore
Presser Company.
Woodwinds - Flute Flute and Piano SKU: AY.FRD05 Composed by John La Monta...(+)
Woodwinds - Flute Flute
and Piano
SKU:
AY.FRD05
Composed by
John La Montaine.
Woodwinds - Flute.
Fredonia Press #FRD05.
Published by Fredonia
Press (AY.FRD05).
ISBN
9790302114406.
The
product available here
for purchase is the solo
flute part and piano
reduction for John La
Montaine's Concerto for
Flute. Premiered on April
12, 1981 by Keith Bryan
and the National Gallery
Orchestra, John La
Montaine's Concerto for
Flute and Orchestra is
best summed up in this
review from Paul Hume at
The Washington Post: The
world premiere of a flute
concerto by John La
Montaine was the
centerpiece. La Montaine
clearly had a great time
writing the concerto,
since he filled it with
wit and open, songful
beauty. The formal design
is neatly broken up into
imaginative divisions.
There are some exotic
touches for woodblocks,
and bass clarinet, but
the heart of the work
lies in the brilliance of
the writing for the
soloist. The cadenza in
the final movement is
impressively introduced
and beautifully
concluded..
