13 PIECES FOR FLUTE AND PIANO INSTRUMENTATION : FLUTE AND PIANO DESCRIPTION : IN THIS COLLECTION, ELISABETH WEINZIERL-WÄCHTER AND BARBARA HELLER PRESENT WORKS FOR FLUTE AND PIANO BY 13 FEMALE COMPOSERS: STARTING WITH THE 18TH CENTURY, WITH SONATAS BY ANNA AMALIA VON PREUßEN AND ANNA BON DI VENEZIA, VIA THE 19TH CENTURY WITH VARIATIONS BY BLAHETKA AND 'SÉRÉNADE AUX ÉTOILES' BY CECILE CHAMINADE, AND VIA WORKS BY MÉLANIE BONIS, LILI BOULANGER, GERMAINE TAILLEFERRE TO THE PRESENT TIME WITH WORKS BY BARBARA HELLER, GLORIA COATES, DOROTHEE EBERHARDT, CAROLINE ANSINK, ANNETTE SCHLÜNZ AND CHRISTINE K. BRÜCKNER. CONTENU : PREFACE - NOTES ON THE COMPOSERS - ANNA AMALIA VON PREUßEN (1723-1787): SONATE F-DUR FÜR FLÖTE UND B.C. - ANNA BON DI VENEZIA (UM 174 - NACH 1767): SONATE G-DUR FÜR FLÖTE UND B.C. OP. 1/6 - LEOPOLDINE BLAHETKA (189-1887): VARIATIONEN FÜR FLÖTE UND KLAVIER OP. 39 - CÉCILE CHAMINADE (1857-1944): SÉRÉNADE AUX ETOILES FÜR FLÖTE UND KLAVIER OP. 142 (1911) - MÉLANIE BONIS (1858-1937): PIÈCE FÜR FLÖTE UND KLAVIER OP. 189 - GERMAINE TAILLEFERRE (1892-1983): FORLANE FÜR FLÖTE UN KLAVIER (1972) - LILI BOULANGER (1893-1918): NOCTURNE FÜR FLÖTE UND KLAVIER (1911) - BARBARA HELLER (GEB. 1936): PARLANDO FÜR FLÖTE UND KLAVIER (1993) - GLORIA COATES (GEB. 1938): PHANTOM FÜR FLÖTE UND KLAVIER (1988/24) - DOROTHEE EBERHARDT (GEB. 1952): TRÄUME FÜR FLÖTE UND KLAVIER (22) - CAROLINE ANSINK (GEB. 1959): EPITAPH FÜR MARIUS FÜR FLÖTE UND KLAVIER (22) - ANNETTE SCHLÜNZ (GEB. 1964): TASTEND, TRÄNEND FÜR FLÖTE UND KLAVIER (21) - CHRISTINE K. BRÜCKNER (GEB. 1967): TSETONO FÜR FLÖTE UND KLAVIER (24) DATE DE PARUTION : 31/03/2008 NOMBRE DE PAGES : 152 LANGUE : GERMAN - ENGLISH FORMAT : NEW EDITION PORTRAIT

Stylish arrangements of selected highlights from the leading 20th century composer. Par BARTOK BELA. The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. The Romanian Folk Dances were originally written in 1915 as a suite of six short piano pieces, which Bartók subsequently orchestrated for small ensemble. In this edition, Hywel Davies has arranged the suite for clarinet with piano accompaniment. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Flûte Traversière et Piano

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions, Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005./ Répertoire / Flûte Traversière et Piano ou Harpe

Bach était considéré comme le maître de la musique chorale de composer plus de 200 cantates. Cet arrangement somptueux de Jesu, Joy of Man Désireux pour deux flûtes et piano donne désormais aux joueurs la chance d'expérimenter la joie de Bach à son meilleur niveau. / Flûte Traversière Et Piano / niveau : Elémentaire / Partition

Par KOECHLIN CHARLES. Fourteen Pieces for Flute and Piano by French composer Charles Koechlin./ Répertoire / Flûte Traversière ou Plusieurs Flûtes Traversières