Fete A Camelot Flûte traversière et Piano Leduc, Alphonse
(Flute/Piano) SKU: HL.48186476 Composed by Eric Ledeuil. Leduc. 16 pages....(+)
(Flute/Piano)
SKU:
HL.48186476
Composed
by Eric Ledeuil. Leduc.
16 pages. Alphonse Leduc
#AL30740. Published by
Alphonse Leduc
(HL.48186476).
Teacher,
soloist, chamber
musician, conductor and
composer ? flautist Eric
Ledeuil, a student of
Patrick Gallois and
Benoit Fromanger, wears
many hats. This diversity
continually enriches his
educational work, as can
be seen by the success of
his flute method La flute
imaginative, published by
Leduc in two volumes (AL
30 365 and 30 367). Fete
a Camelot, a piece for
flute and piano (or harp)
for fourth-year students,
reconnects with the
Knights of the Round
Table, an imaginary world
that has long been a
source of musical
inspiration for Ledeuil:
the key figures of the
legend appear in his Les
Meandres de Viviane (AL
30 495, Beginner) and Les
Mysteres de Broceliande
(AL 29 589,
Intermediate). This work
is set in King Arthur?s
fortress: the great halls
ring out with the sounds
of joyful festivities,
interspersed with echoes
of Viviane?s song. A
Knight?s story of his
quest for the Holy Grail
is followed by the
furtive appearance of
Morgan le Fay, but she
gives way to the Lady of
the Lake ? Viviane ?
whose distant melody
shrouds itself in
melancholy tones. The
work concludes with a
fisel, a traditional
Breton dance that whips
the troubadours?
enchanted instruments
into a frenzy..
Flute and Piano SKU: BT.MUSM570366569 Composed by Thomas Simaku. Classica...(+)
Flute and Piano
SKU:
BT.MUSM570366569
Composed by Thomas
Simaku. Classical. Score
Only. University of York
Music Press
#MUSM570366569. Published
by University of York
Music Press
(BT.MUSM570366569).
English.
Moj e
Bukura Moré (My
Beautiful Morea) has its
origin in Southern Italy,
in Calabria, where an
Albanian community has
lived for more than 500
years, and so has the
song! The tenderness of
the melodic lines
expresses the natural
beauty of the distant
homeland, which according
to legend can be seen
from the Calabrian
mountain-tops. As in most
folk songs, this tune is
remarkably short; the
melody itself has not
been altered, but has
been extended, enriched
in texture and presented
in different ways. The
melodic lines serve as a
point of departure for
the proliferation of a
distinct harmonic
vocabulary. TS.