By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Flute or ...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Jonathon Robbins. For
Flute or violin and piano
(all C instruments).
Published by Santorella
Publications
Chamber Music flute, piano SKU: PR.144405840 Poem for Flute & Piano(+)
Chamber Music flute,
piano
SKU:
PR.144405840
Poem
for Flute & Piano.
Composed by Jay Reise.
Premiere: Christina
Jennings, flute, Mark
Loria, piano; 25th Havana
Hestival of Contemporary
Music. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 2013. 12+8
pages. Duration 6
minutes. Theodore Presser
Company #144-40584.
Published by Theodore
Presser Company
(PR.144405840).
UPC:
680160615049.
For
the 25th Havana Festival
of Contemporary Music,
Reise adapted the larger
Flight to create the
shorter Ghost of the Red
Sea Swallow for flute and
piano, premiered by
Christina Jennings and
James Freeman. As with
Flight, Ghost of the Red
Sea Swallow exists in two
versions, for flute and
for violin. Duration:
6'.
Chamber Music flute, piano SKU: PR.144407310 Composed by Johann Sebastian...(+)
Chamber Music flute,
piano
SKU:
PR.144407310
Composed
by Johann Sebastian Bach.
Arranged by Ali Ryerson.
Sws. Set of Score and
Parts. 4+2 pages.
Duration 1:30. Theodore
Presser Company
#144-40731. Published by
Theodore Presser Company
(PR.144407310).
ISBN
9781491132319. UPC:
680160681662. 9 x 12
inches.
Inspired by
one of the flute
repertoire’s
loveliest melodies,
SICILIANO (REIMAGINED) is
a gently adapted
“jazz-flavoredâ€
setting of the slow
movement from
Bach’s Sonata in
Eb Major. Solo parts are
provided both for C Flute
and for Alto Flute. With
a fairly close rendering
of the authentic flute
line and more
contemporary chords in
the piano part, SICILIANO
(REIMAGINED) is an
inviting way to play
music with a modernized
jazz sound, while reading
traditional classical
notation. Inspired by
one of the flute
repertoire’s
loveliest melodies,
Siciliano (Reimagined)
never strays far from the
source, except for its
reharmonization.
Occasional jazz-infused
touches give the melody a
fresh perspective,
without diluting its
purity. I am always moved
by how beautifully the
music of the 18th century
and contemporary music
coexist.Performers may
play this arrangement in
the Baroque style.
