Flute, piano SKU: BR.EB-6723 Composed by Johann Joachim Quantz. Edited by...(+)
Flute, piano
SKU:
BR.EB-6723
Composed
by Johann Joachim Quantz.
Edited by F. Nagel and W
Radeke. Solo instruments;
Softcover. Edition
Breitkopf. Variations;
Baroque. Score. 52 pages.
Breitkopf and Haertel #EB
6723. Published by
Breitkopf and Haertel
(BR.EB-6723).
ISBN
9790004169254. 9 x 12
inches.
This
edition of the 28
variations on the aria
Ich schlief, da traumte
mir for flute and bassa
continuo by Johann
Joachim Quantz, published
here for the first time,
is based on a manuscript
in the Preussischen
Staatsbibliothek in
Berlin, whose title
reads: Solo Traverso cole
Basso Achtundzwantzig
Variation es uber die
Arie Ich schlief da
traumte mir del Sigr:
Qvanz The high degree
which the art of flute
playing had reached at
that time is very clearly
displayed in this set of
variations, a form
unusual in Quantz's
output. For this reason,
this work is very
suitable as a study as
weil as for performance.
The realization of the
figured bass and the
indications of phrasing
merely represent one of
many possibilities, and
are only intended as
suggestions. The source
is in places full of
errors, and these have
been tacitly corrected.
Frank Nagel, Basel, June
1974.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Solo
instruments; Softcover.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2299. Published by
Breitkopf and Haertel
(BR.MR-2299).
ISBN
9790004488669. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Frederick II
the Great - King of
Prussia. Edited by Mary
Oleskiewicz. Arranged by
David (Bc.) Schulenberg.
Solo instruments;
Softbound. Musica Rara.
This volume, which
marks the 300th
anniversary of the king's
birth, contains the first
edition of four sonatas
for solo flute and basso
continuo composed by
Frederick II, known as
the Great (1712-1786),
King of Prussia from 1740
to 1786.
Sonata;
Baroque. Score. 116
pages. Breitkopf and
Haertel #MR 2266.
Published by Breitkopf
and Haertel (BR.MR-2266).
ISBN 9790004488560. 9
x 12 inches.
In the
four sonatas presented
here for the first time,
the royal composer can
lay uncontested claim to
an above-average talent.
The works stand out for
their imaginative power,
their skill and their
stylistic variety. The
grand rooms of Sanssouci
Palace must have been
filled with heartfelt
Adagios and brilliant
Allegros that confirmed
the virtuoso flute
technique of the Quantz
pupil. The sonatas were
recently recorded on CD
(Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Solo
instruments; Softcover.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 44 pages.
Breitkopf and Haertel #MR
2301. Published by
Breitkopf and Haertel
(BR.MR-2301).
ISBN
9790004488683. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Arranged by
David Schulenberg. Solo
instruments; stapled.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2298. Published by
Breitkopf and Haertel
(BR.MR-2298).
ISBN
9790004488652. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Arranged by
David Schulenberg. Solo
instruments; stapled.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2300. Published by
Breitkopf and Haertel
(BR.MR-2300).
ISBN
9790004488676. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
(9 Classic Favorites for Flute and Piano). Composed by Various. Edited by Ba...(+)
(9 Classic Favorites for
Flute
and Piano). Composed by
Various. Edited by
Barbara
Siesel, Keith Torgan.
Arranged
by Bruce Lazarus. For
flute,
piano. Classical. Solo
part
with piano reduction. 28
pages. Duration 0:21:45.
Published by Theodore
Presser
Company
Flute and Piano. Composed by Amanda Maier. Arranged by Carol Wincenc. LKM Mu...(+)
Flute and Piano. Composed
by
Amanda Maier. Arranged by
Carol Wincenc. LKM Music.
Softcover. 36 pages.
Lauren
Keiser Music Publishing
#S111010. Published by
Lauren Keiser Music
Publishing
Flute & piano SKU: HH.HH249-KBD Composed by August Muller. Edited by Niko...(+)
Flute & piano
SKU:
HH.HH249-KBD
Composed
by August Muller. Edited
by Nikolai Jaeger.
Arranged by Nikolai
Jaeger. Flute & Piano.
Keyboard reduction and
solo part. Edition HH
Music Publishers
#HH249-KBD. Published by
Edition HH Music
Publishers
(HH.HH249-KBD).
ISBN
9790708092056.
As a
confirmed Mozartian it is
natural that Müller's
concertos for flute and
orchestra should follow
the classical pattern,
and the E minor work
published here for the
first time since 1801 is
an attractive and
virtuoso piece in the
less usual minor
tonality. It is edited by
Nikolai Jaeger and
Christopher Hogwood with
a useful introduction
including points of
performance practice
drawn from
Müller’s flute
tutor. A keyboard
reduction of the
orchestral part is also
available.
My First Concertinos Volume 3 Flûte traversière et Piano [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Flute & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-49879 Co...(+)
Flute & Piano or CD Play
Back / Play Along - Grade
2
SKU:
MA.EMR-49879
Composed
by Bertrand Moren. Flute
& CD Playback (Play
Along). Score and parts.
Duration 19'31. Editions
Marc Reift #EMR 49879.
Published by Editions
Marc Reift
(MA.EMR-49879).
1. Once Upon A
Time In A Wonderful
Kingdom / 2. Celtic
Variations / 3. Caribbean
Adventure / 4. Ancient
Dances / 5. A Fairy
Tale.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
For Flute and Piano. Composed by James Galway. Arranged by David Overton. Sout...(+)
For Flute and Piano.
Composed
by James Galway. Arranged
by
David Overton. Southern
Music. Concert.
Softcover. 16
pages. Southern Music
Company
#B586. Published by
Southern
Music Company
Three Romances Flûte traversière et Piano [Conducteur et Parties séparées] Notevole Music Publishing
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by Will...(+)
Flute & Piano
SKU:
SU.97023310
For
Flute & Piano.
Composed by William
Thomas McKinley.
Woodwinds, Flute/Piccolo.
Accompanied by piano.
Score & Parts. Notevole
Music Publishing
#97023310. Published by
Notevole Music Publishing
(SU.97023310).
Inspired by the
French Romantic and
Impressionist traditions,
my romances for fute and
piano, composed during
late July and early
August 1984, was
carefully conceived for
the marvelous lyrical and
technical gifts of Robert
Stallman and Richard
Goode, to whom the work
is warmly dedicated. All
three Romances, although
brief in duration, unfold
with a sense of large
gesture and design. The
first Romance is in 3/4
time and flows generally
in the manner of a
lyrical waltz with
occasional turbulent
interruptions. The second
Romance is in 4/4 time,
unfolding in a stately
Baroque-like manner, and
the third Romance is in
2/4 time, melodically
expansive and often
tempestuous. All three
Romances strive to honor
the goals of traditional
performance practice
while, at the same time,
they create an energy and
drama of modernity and
contemporary richness.
And for these goals I am
indebted to so many of
the most outstanding
performers and conductors
of our time with whom I
have worked and from whom
I have learned
much– those who
have demonstrated the
importance of preserving
in addition to further
developing those
significant natural
attributes of musical
expression and
traditional performance
practice which are so
often ignored in
contemporary
compositional values.
— William Thomas
McKinleyFlute & Piano
Duration: 14' Composed:
1984 Published by:
Notevole Music
Publishing.
(Flute/Piano) SKU: HL.48181380 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181380
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 42 pages. Alphonse
Leduc #AL20857. Published
by Alphonse Leduc
(HL.48181380).
UPC:
888680984427.
9.0x12.0x0.13
inches.
“Wolf
gang Amadeus Mozart's
(1756-1791) Flute
Concerto in D is an
adaptation of the
original Oboe Concerto in
C, which the composer
reworked in 1778. The
Concerto remains widely
studied and performed on
both instruments, making
it one of the more
important Concerti in the
woodwind repertoire.
Concerto in D is in three
movements; 1. Allegro
aperto, 2. Adagio non
troppo, and 3. Rondo:
Allegretto. The first and
last movements are in the
tonic key, whilst the
second movement is in the
subdominant key of G
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and one
concerto. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
De Jean did not approve,
yet the Concerto in D for
Flute remains as popular
to this day as the
Concerto in C for
Oboe.â€.
Little Angel Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422880 Composed by Phyllis Avidan L...(+)
Chamber Music flute,
piano
SKU:
PR.114422880
Composed
by Phyllis Avidan Louke.
Set of Score and Parts.
12+4 pages. Duration 11
minutes, 30 seconds.
Theodore Presser Company
#114-42288. Published by
Theodore Presser Company
(PR.114422880).
ISBN
9781491135143. UPC:
680160686995.
LITTL
E ANGEL was composed in
loving memory of a
friend’s daughter
who was stillborn, to
commemorate a life
unlived. The first
movement, Hopes and
Dreams, opens the work
with sweet optimism and
charm. The second
movement, Anticipation
and Loss is a musical
setting of joy followed
by profound sadness.
LITTLE ANGEL concludes
with Finding Peace as the
third movement opens with
grief and longing,
followed by a plaintive
cadenza, and finally
ending with peace and
hope. Little Angel was
commissioned by Janelle
Barrera in loving memory
of her daughter Daisy
Rose who was stillborn,
to commemorate a life
unlived.Little Angel is
written for flute and
piano in three
movements:1. Hopes and
Dreams: The first
movement begins with
three brief statements
that are introspective
and hopeful, looking
toward the future,
followed by a lyrical
melody in 3/4 meter.2.
Anticipation and Loss:
The second movement opens
with a playful melody in
mixed meter combining
simple time and compound
time. At letter C, the
tempo slows, and the tone
becomes decidedly more
serious and eventually
more somber.3. Finding
Peace: The third movement
opens with a melody
expressing grief and
longing, followed by a
plaintive cadenza, and
finally ending with peace
and hope.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Mouvement Perpetuel Flûte traversière et Piano [Conducteur et Parties séparées] - Débutant FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1 SKU: FL.FX07287...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 1
SKU:
FL.FX072877
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 2 minutes, 10
seconds. FLEX Editions
#FX072877. Published by
FLEX Editions
(FL.FX072877).
As its name
suggests, here is a
little air that can last
a very long time! For
young instrumentalists
from the first year of
practice. - Pascal PROUST
; Instruments: 1 Flute 1
Piano; Difficuly Level:
Grade 1.
Flute and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music...(+)
Flute and Piano. Composed
by
Karl Jenkins. Boosey
&
Hawkes Chamber Music.
Softcover. 22 pages.
Boosey
& Hawkes #M060133008.
Published by Boosey &
Hawkes
(Flute/Piano) SKU: HL.48181379 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181379
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 32 pages. Alphonse
Leduc #AL20856. Published
by Alphonse Leduc
(HL.48181379).
UPC:
888680857073.
9.0x12.0x0.114
inches.
Wolfgang
Amadeus Mozart's
(1756-1791) Flute
Concerto in G was written
by the composer in 1778.
The Concerto remains
widely studied and
performed on the Flute,
making it one of the most
important Concerti in the
instrument's repertoire.
Concerto in G is in three
movements; 1. Allegro
maestoso, 2. Adagio ma
non troppo, and 3. Rondo:
Tempo di Menuetto. The
first and last movements
are in the tonic key,
whilst the second
movement is in the
subdominant key of D
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and two
concertos. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
This edition of Mozart's
Concerto in G includes
cadences by virtuosos
Taffanel, Gaubert and
Bozza, making for an
unmissable version of the
famed work. .
Flute, piano SKU: FG.55011-462-3 Composed by Tuomas Turriago. Fennica Geh...(+)
Flute, piano
SKU:
FG.55011-462-3
Composed by Tuomas
Turriago. Fennica Gehrman
#55011-462-3. Published
by Fennica Gehrman
(FG.55011-462-3).
ISBN
9790550114623.
Sona
ta for Flute and Piano
was commissioned by Sami
Junnonen. It was written
between April and August
2018, and the composition
process was especially
complicated, involving
the rewriting of the
first movement many
times. The Flute Sonata
is unusually dark in
character, and ends in
disaster. While not
really programmatic, the
Sonata does reflect my
feelings about the scary
and grim future of
humankind facing the
climate change and very
erratic world politics.
The first movement is a
light and capricious
Allegretto, the second
movement is very gloomy
and slow and the last
movement is a very
agitated moto
perpetuo.
Ollie and Me Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and
Piano. Composed by
Gary Schocker. Solo part
with piano reduction.
With Standard notation.
10 pages. Duration 4
minutes. Theodore Presser
Company #114-41363.
Published by Theodore
Presser Company
(PR.114413630).
Allegretto Flûte traversière et Piano PWM (Polskie Wydawnictwo Muzyczne)
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.253939 Flute ...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253939
Flute
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 22 pages.
Polskie Wydawnictwo
Muzyczne #12021010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253939).
9.0x12.0
inches.
Allegretto
for flute and piano by
Jozef Swider is a work of
a great artistic value
that comprises a perfect
didactic material,
filling a gap in the
Polish flute literature.
Allegretto for flute and
piano is a one-part
composition of an ABA1
structure with a cadenza.
A four-bar piano
introduction developsinto
the flute part intoning a
dance and folk-style
melody, which becomes
fragmented in terms of
rhythm and densified in
its facture. The dialogue
between the flute and the
piano involves mutual
motif complementation.
The melody gathers
momentum (numerous
ascending and descending
progressions,
undulations, typical
ties, trills), a dynamic
gradation develops into
the middle, more peaceful
and cantilena-style,
part. The culmination,
initially outlined by the
flute and continued by
the piano, leads to the
cadenza characterised by
considerable performative
freedom across motifs in
parts A and B, exhibiting
the colour and sound
values ofthe instrument.
The link A1 comprises a
quasi-variation
development of the first
passage of the work; it
is the most
dynamic,energetic and
diversified in terms of
the applied sound
registers (characteristic
alloctava marking),
articulation and agogics.
Themarking piu vivo in
bar 136, combined with
irregular metric
divisions and shifts in
accents, intensified
dynamics and expression
adds spontaneity,
ultimately leading to the
work's finale. The
application of the minor
mode, the economy of
expressive means and a
changeable course of
narration reflect
introvert characteristics
of the composer a man of
outstanding humbleness
and modesty, at the same
time full of unrest,
self-criticism and little
faith towards himself,
which is confirmed by
recently found notes of
his.
Flute; Piano Accompaniment (FLUTE/PIANO) - easy to intermediate SKU: HL.49045...(+)
Flute; Piano
Accompaniment
(FLUTE/PIANO) - easy to
intermediate
SKU:
HL.49045817
Flute
and Piano. Composed
by Wilhelm Popp. Edited
by Edmund Waechter and
Elisabeth Weinzierl. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. 60 pages.
Schott Music #ED22775.
Published by Schott Music
(HL.49045817).
ISBN
9790001165587. UPC:
841886032019.
9.0x12.0x0.158
inches.
In the 19th
century nationalist
themes came into fashion.
Composers drew on songs
and dances from their
native lands, working
them into paraphrased
adaptations, potpourri
arrangements and sets of
variations or
incorporating folk
elements from various
cultures in their
compositions. Flautist
Wilhelm Popp (1828-1902),
who wrote music for his
instrument at every level
of difficulty, also took
up this popular trend. In
this collection seven of
his easily
playablecompositions have
been chosen with musical
links to different
European countries. Here
again Popp shows his
ability to distil the
essence from musical
styles and fashions of
his time, setting lyrical
and virtuoso passages so
well for the instrument
that their effectiveness
far outweighs any
difficulties. The
popularity of his pieces
for tuition purposes,
school concerts or youth
music competitions
remains undiminished to
this day. This edition is
essentially based on the
first printed versions of
these pieces - with just
a small number of
printing errors and
inconsistencies corrected
without comment.