Arranged by Iwan Malachowskij. For Flute, Piano. Play Along - World Music. Inclu...(+)
Arranged by Iwan
Malachowskij. For Flute,
Piano. Play Along - World
Music. Includes Kalinka,
Schwarze Augen, Der Mond
scheint, Steppe rund
herum, and Valenky.. Play
along; world music. Solo
part, accompaniment part,
and play along CD.
Composed 2000/2008
Flute and Piano - intermediate SKU: BT.AMP-427-400 Arranged by Philip Spa...(+)
Flute and Piano -
intermediate
SKU:
BT.AMP-427-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series. Book
with CD. Composed 2015.
40 pages. Anglo Music
Press #AMP 427-400.
Published by Anglo Music
Press (BT.AMP-427-400).
ISBN 9789043148580.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Latin Nights Flûte traversière et Piano [Partition + CD] - Intermédiaire De Haske Publications
12 flute pieces in Latin music styles. Composed by Joachim Johow. Book with CD...(+)
12 flute pieces in Latin
music styles. Composed by
Joachim Johow. Book with
CD.
Composed 2012. 32 pages.
De
Haske Publications #DHP
1125246-400. Published by
De
Haske Publications
Volume III: Romance and Fantasie (Grades 5-6). By Jozef Olechowski. Arranged by ...(+)
Volume III: Romance and
Fantasie (Grades 5-6). By
Jozef Olechowski.
Arranged by Elena Duran.
This edition: ED12656.
Schott. Book with CD. 57
pages. Published by
Schott Music
Flûte traversière et Piano [Partition + Accès audio] Hal Leonard
A Christmas Collection for Flute and Piano. Arranged by David Snyder and Karen S...(+)
A Christmas Collection
for Flute and Piano.
Arranged by David Snyder
and Karen Smith.
Instrumental Folio.
Christmas, Christmas
Sacred. Softcover Audio
Online. 96 pages.
Published by Hal Leonard
Flute, Piano, Play-Along CD SKU: HU.F0571526314 For Flute and Piano/CD. Arrange...(+)
Flute, Piano, Play-Along
CD
SKU: HU.F0571526314
For Flute and Piano/CD.
Arranged by John Kember.
Woodwind, Repertoire,
Collections. Play
Broadway. Softcover Book
and CD. 16 pages. Faber
Music #F0571526314.
Published by Faber Music
(
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Flute, piano SKU: BR.EB-8625 Arrangements from The Tale of Tsar Saltan...(+)
Flute, piano
SKU:
BR.EB-8625
Arrangements from The
Tale of Tsar Saltan.
Composed by Nikolaj A
Rimskij-Korsakow. Edited
by Joseph Strimer.
Arranged by Joseph
Strimer. Solo
instruments; stapled.
Edition Breitkopf.
Practically no one
knows that this bravura
piece comes from the
opera The Tale of
Czar Saltan by
Nikolay Rimsky-Korsakov.
It did not take long
before the Flight of
the Bumblebee began
showing up in many
arrangements for solo
instrumen. Romantic
period. Score. 10 pages.
Breitkopf and Haertel #EB
8625. Published by
Breitkopf and Haertel
(BR.EB-8625).
ISBN
9790004179833. 9 x 12
inches.
Nikolay
Rimsky-Korsakovs Flight
of the Bumblebee is one
of those little
orchestral interludes
from operas, excerpts
that have long since
become immortal even
while denying their
origins; in this
particular case,
practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan. It
did not take long before
the Flight of the
Bumblebee began showing
up in many arrangements
for solo
instruments.
Pract
ically no one knows that
this bravura piece comes
from the opera The Tale
of Czar Saltan by Nikolay
Rimsky-Korsakov. It did
not take long before the
Flight of the Bumblebee
began showing up in many
arrangements for solo
instruments.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114418900
Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900).
ISBN
9781491129517. UPC:
680160668632.
A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist.
Flute & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44945 (+)
Flute & Piano or CD Play
Back / Play Along - Grade
1
SKU:
MA.EMR-44945
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Flute &
CD Playback (Play Along).
Score and parts. Duration
21'08. Editions Marc
Reift #EMR 44945.
Published by Editions
Marc Reift
(MA.EMR-44945).
The Partridge /
Merrily We Roll Along /
Little Mozart / Le Bon
Roi Dagobert / Jingle
Bells / How To Slur / How
To Play Staccato / J'ai
du Bon Tabac / Serenade /
Slurring Is Fun / Flea
Jumps / Ode To Joy / Ah
vous dirais-je Maman /
Old Mac Donald ...