Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114418900
Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900).
ISBN
9781491129517. UPC:
680160668632.
A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist.
Composed by John Kember. Series; Woodwind - Flute Method or Collection. Faber Ed...(+)
Composed by John Kember.
Series; Woodwind - Flute
Method or Collection.
Faber Edition: Play
Ballads. Book. 32 pages.
Faber Music
#12-0571520022. Published
by Faber Music
For Flute and Piano. Composed by Charles LeThiere. Arranged by James Galway. ...(+)
For Flute and Piano.
Composed by Charles
LeThiere. Arranged by
James
Galway. Southern Music.
Opera, Flute, Classical.
Softcover. 12 pages.
Southern Music Company
#SU802. Published by
Southern Music Company
Sweet Sunset Flûte traversière et Piano - Intermédiaire De Haske Publications
Flute and Piano - intermediate SKU: BT.DHP-1145588-401 For Flute and P...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1145588-401
For Flute and
Piano. Composed by
Jan de Haan. De Haske
Flute Series. Book Only.
Composed 2014. 6 pages.
De Haske Publications
#DHP 1145588-401.
Published by De Haske
Publications
(BT.DHP-1145588-401).
ISBN 9789043136785.
International.
The
heat of the day ebbs away
as the sun slowly dips
from view over the
western horizon. A
dazzling display of warm
hues, vibrant yellows,
glowing oranges and
burning reds, lights up
the evening before
cooling to calm blues,
dark, cool purples
andfinally the black of
night. Such are the
unforgettable sunsets
that inspired Jan de Haan
to write this
piece.
De hitte
van overdag ebt weg
terwijl de zon in het
westen langzaam achter de
horizon verdwijnt. Een
schitterend schouwspel
van warme schakeringen -
levendig geel, gloedvol
oranje en vurig rood -
verlicht nog even de
avond, waarna koele
kleuren volgenmet serene
tinten blauw, donkere
nuances van paars en ten
slotte het zwart van de
nacht. Fraaie
zonsondergangen als deze
vormden voor Jan de Haan
de inspiratie tot het
schrijven van dit
sfeervolle werk voor
blaasinstrument en
piano.
Die Hitze
des Tages verebbt,
während die Sonne
langsam am westlichen
Horizont versinkt. Ein
schillernder Reigen
warmer Farben aus
pulsierendem Gelb,
glühendem Orange und
brennendem Rot erhellt
den Abendhimmel, bevor
ruhige Blautöne,
kühle
Lilaschattierungen und
schließlich die
Schwärze der Nacht
Abkühlung bringen.
Solcheunvergesslichen
Sonnenuntergänge
inspirieren Jan de Haan
zur Komposition dieses
Stückes für diverse
Blasinstrumente und
Klavierbegleitungen.
Il calore
del giorno si stempera
mentre il sole scompare
lentamente all`orizzonte.
Una brillante
combinazione di calde
tonalit di giallo
vibrante, arancio
luccicante e rosso
incandescente riscalda la
sera. Colori che lasciano
il passo a un blu
cherilassa, a
rinfrescanti tonalit del
viola, e infine al nero
della notte. Questi sono
i tramonti
indimenticabili che hanno
ispirato Jan de Haan nel
scirvere questo brano per
diversi strumenti a fiati
e pianoforte.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Flute and Piano SKU: IM.3901 Composed by Amy Marcy Beach. Arranged by Gra...(+)
Flute and Piano
SKU:
IM.3901
Composed by
Amy Marcy Beach. Arranged
by Graham Bastable. Score
and Parts. International
Music Co. #3901.
Published by
International Music Co.
(IM.3901).
This
sparkling, opening
movement of the piano
suite took its
inspiration from
Columbine, the tricky
servant from the Commedia
dell'arte. Now available
for flute and piano.
Fanmi Imèn Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114419090 Poem for Flute and Piano<...(+)
Chamber Music flute,
piano
SKU:
PR.114419090
Poem
for Flute and Piano.
Composed by Valerie
Coleman. Set of Score and
Parts. With Standard
notation. 12 4 pages.
Duration 6:30. Theodore
Presser Company
#114-41909. Published by
Theodore Presser Company
(PR.114419090).
ISBN
9781491113578. 9 x 12
inches.
The title
Fanmi Imèn is
Haitian Creole for Maya
Angelouââ¬â¢s
famous work, Human
Family. Both the musical
and literary poems
acknowledge differences
within mankind due to
ethnicity, background,
and geography, but
Angelouââ¬â¢s
refrain: ââ¬Åwe
are more alike, my
friends, than we are
unalikeââ¬Â,
reaffirms our humanity as
a reminder of unity.
Colemanââ¬â¢s
work draws inspiration
from French flute music
blended with an
underlying pentatonicism
found in Asian
traditions, a caravan
through Middle Eastern
parts of the world
merging with Flamenco,
and an upbeat journey
southward into Africa
with the sounds of
Kalimba (thumb piano).
Fanmi Imèn was
commissioned by the
National Flute
Association for its 2018
High School Soloist
Competition.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417590 Composed by Franz ...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417590
Composed
by Franz Schubert.
Arranged by Michael
Webster. Sws. Extensive
program notes in the
score. Set of Score and
Parts. 20+8+8 pages.
Duration 13:05. Theodore
Presser Company
#114-41759. Published by
Theodore Presser Company
(PR.114417590).
ISBN
9781491129586. UPC:
680160636037.
The
rich trio literature for
Flute, Clarinet, and
Piano created by Michael
Webster comprises many
faithful transcriptions
as well as
Webster’s original
reworkings of opera
highlights. Fitting
between these opposite
approaches, HUNGARIAN
MARCH AND RONDO is a
newly-formed concert work
using two movements from
Schubert’s
Divertissement à la
Hongroise, D. 818,
originally for Piano,
Four Hands. The opening
Hungarian March has all
the stately bounce and
elegance of a Schubert
March Militaire, and the
Rondo is a charmed
inspiration from the
Schubert who created many
hundreds of the
world’s most
beautiful lieder and
ornamental instrumental
chamber works.
Piano, flute - Early intermediate SKU: GI.G-8296 Seven Meditations for...(+)
Piano, flute - Early
intermediate
SKU:
GI.G-8296
Seven
Meditations for Flute and
Piano. Composed by
Kathleen Basi. Sacred. 36
pages. GIA Publications
#8296. Published by GIA
Publications (GI.G-8296).
UPC:
785147829690.
This
work was born out of
family stories about
walking in the woods that
were passed down from one
generation to the next.
The subtext of these
stories is a connection
with God’s
creation: a world full of
beauty and wonder. This
is where Kathleen Basi
found the inspiration for
her collection. A Walk in
the Woods is filled with
an assortment of pieces
for piano and flute that
call to mind images from
nature. Each are suitable
for use as preludes,
postludes, or anywhere
you need a quiet,
meditative moment.
CONTENTS: Stanislaus
• Mockingbird
• Dance of the
Sycamores • Clouds
on the Mountain •
Winter Walk •
Starlit • Lluvia
Colores. Â .
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.
Inspiration Flûte traversière et Piano Hal Leonard
(Flute with Piano Accompaniment). By David N. Baker. For Flute, Piano Accompanim...(+)
(Flute with Piano
Accompaniment). By David
N. Baker. For Flute,
Piano Accompaniment. LKM
Music. 20 pages. Hal
Leonard #X111003.
Published by Hal Leonard
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Jasmine Choi....(+)
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Jasmine Choi.
Sws.
Score. 52 pages. Duration
6
minutes. Theodore Presser
Company #114-41935.
Published
by Theodore Presser
Company
Fete A Camelot Flûte traversière et Piano Leduc, Alphonse
(Flute/Piano) SKU: HL.48186476 Composed by Eric Ledeuil. Leduc. 16 pages....(+)
(Flute/Piano)
SKU:
HL.48186476
Composed
by Eric Ledeuil. Leduc.
16 pages. Alphonse Leduc
#AL30740. Published by
Alphonse Leduc
(HL.48186476).
Teacher,
soloist, chamber
musician, conductor and
composer ? flautist Eric
Ledeuil, a student of
Patrick Gallois and
Benoit Fromanger, wears
many hats. This diversity
continually enriches his
educational work, as can
be seen by the success of
his flute method La flute
imaginative, published by
Leduc in two volumes (AL
30 365 and 30 367). Fete
a Camelot, a piece for
flute and piano (or harp)
for fourth-year students,
reconnects with the
Knights of the Round
Table, an imaginary world
that has long been a
source of musical
inspiration for Ledeuil:
the key figures of the
legend appear in his Les
Meandres de Viviane (AL
30 495, Beginner) and Les
Mysteres de Broceliande
(AL 29 589,
Intermediate). This work
is set in King Arthur?s
fortress: the great halls
ring out with the sounds
of joyful festivities,
interspersed with echoes
of Viviane?s song. A
Knight?s story of his
quest for the Holy Grail
is followed by the
furtive appearance of
Morgan le Fay, but she
gives way to the Lady of
the Lake ? Viviane ?
whose distant melody
shrouds itself in
melancholy tones. The
work concludes with a
fisel, a traditional
Breton dance that whips
the troubadours?
enchanted instruments
into a frenzy..
Flute, piano SKU: FG.55011-613-9 Composed by Kai Nieminen. Fennica Gehrma...(+)
Flute, piano
SKU:
FG.55011-613-9
Composed by Kai Nieminen.
Fennica Gehrman
#55011-613-9. Published
by Fennica Gehrman
(FG.55011-613-9).
ISBN
9790550116139.
The
music of Finnish composer
Kai Nieminen (b. 1953)
does not conform to any
isms. He remarks: I feel
like I am a painter in
music, who having seen or
experienced something
attempts to give that
something a shape in
music. The flute concerto
Palomar was written for
Patrick Gallois and
premiered 2001 in Milan,
Italy. The idea for his
Flute Concerto came to
Nieminen at the Villa
Lante in Rome when he was
kept awake by persistent
birdsong in the heat of
the night. The title
alludes to the last
novel, Palomar, by Italo
Calvino. Though Nieminen
finds inspiration in
literature, the visual
arts and nature, he has
no desire to confine the
listener to any
programme. The aim of the
extra-musical stimuli is
at most to fire his
listeners' imagination
and to make them savour
musical visions with a
mind as open as that of
Calvino's Mr Palomar
examining the little
wonders of the world
around him. The
orchestral score is
available for sale (ISMN
9790550096370) and the
performance material for
hire from Fennica
Gehrman.
Flute SKU: UT.XXS-84 Composed by Salvatore Di Stefano. Saddle stitching. ...(+)
Flute
SKU:
UT.XXS-84
Composed by
Salvatore Di Stefano.
Saddle stitching.
Contemporary Music.
Classical. Score and
Parts. 92 pages. Ut
Orpheus #XXS 84.
Published by Ut Orpheus
(UT.XXS-84).
ISBN
9790215320413. 9 x 12
inches.
Racconto
(Tale)/ Capri/ Cielo
sereno (Clear sky)/ Tano/
Napolitango/ Luci della
spiaggia (Beach lights)/
Fantasia mediterranea
(Mediterranean fantasy)/
Una lacrima ridente (A
smiling tear)/ Quartieri
spagnoli/ Marcia dei
pomodori (March of the
tomatos)
Being
interested in certain
aspects of popular music,
I became aware of several
similarities between
popular Neapolitan
melodies and the
Argentinean tango.
Napolitango is
based on an imaginary
journey to Naples and
Buenos Aires. In
retaining certain
characteristics of the
original music,
Napolitango
embodies an inspiration
and an almost
theatrically passionate
character which is common
to these two
genres. The piece has
been composed for the
Parisian Festival
Paris Banlieues
Tango 2001. (S. Di
Stefano).
(flute/piano) SKU: HL.48185301 Composed by Serge Lancen. Leduc. Classical...(+)
(flute/piano)
SKU:
HL.48185301
Composed
by Serge Lancen. Leduc.
Classical. CD only. 12
pages. Alphonse Leduc
#AL28786. Published by
Alphonse Leduc
(HL.48185301).
UPC:
888680858612. 9x12
inches.
“If I
were... by Serge Lancen
is a set of easy works
for Flute and Piano. Each
piece was written as if
the author were
impersonating a famous
composer and this book
includes those inspired
by Schubert, Chopin and
Grieg. Written for upper
beginners / intermediate
level players, these
works can all be
interpreted separately. -
N. 10 ”“If I
were
Schubert”“
has a slow tempo, starts
Allegro Moderato and
lasts 1''10 - N.11
”“If I were
Chopin”“ is
slower than the first
piece, in Moderato and
uses Chopin''s musical
style,. Ithas an
introduction and
twodistinctive parts -
N.12 ”“If I
were Grieg”“
is starts with the piano
at a tempo 84. The
introduction is followed
by a main theme which is
repeated before an
harmonious close If I
were... can also be found
with pieces inspired by
Offenbach, Beethoven or
Albeniz among others.
Serge Lancen is a French
musician and composer. He
wrote numerous pieces
including chamber music,
orchestral works, for
solo instruments and for
voice. He won many radio
prizes and received a
Prix de Rome.&rdquo.
Jazz Suite Flûte traversière et Piano - Intermédiaire Schott
(Flute and Piano). Composed by Jeremy Norris. For Flute, Piano Accompaniment (Sc...(+)
(Flute and Piano).
Composed by Jeremy
Norris. For Flute, Piano
Accompaniment (Score and
Parts). Schott. Schott
Music #ED20922. Published
by Schott Music
Acadian Dreams Flûte traversière et Piano Theodore Presser Co.
Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 mi...(+)
Composed by Adrienne
Albert.
Set of Score and Parts.
12 4
pages. Duration 6
minutes.
Theodore Presser Company
#114-
42266. Published by
Theodore
Presser Company
Under The Sultan Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114415090 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114415090
For
Flute and Piano.
Composed by Gary
Schocker. Sws. Premiere:
NFA 2011 - Nora Lee
Garcia, flute.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 20
2011. 16+8 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41509. Published by
Theodore Presser Company
(PR.114415090).
ISBN
9781598063516. UPC:
680160600168. 9x12
inches.
Under the
Sultan is an enchanting
showpiece inspired by
Turkish folk and popular
music. This jazz-infused
slow-fast recital work is
bound to be a
show-stopper! For
advanced players.
Duration:
8'_______________________
________________Text from
the scanned back
cover:Under the Sultan
for Flute and Piano
(114-41509)New in 2011,
Under the Sultan is an
enchanting showpiece
inspired by Turkish folk
and popular music. This
jazz-infused slow-fast
recital work is bound to
be a show-stopper!
Chamber Music flute, piano SKU: PR.144407310 Composed by Johann Sebastian...(+)
Chamber Music flute,
piano
SKU:
PR.144407310
Composed
by Johann Sebastian Bach.
Arranged by Ali Ryerson.
Sws. Set of Score and
Parts. 4+2 pages.
Duration 1:30. Theodore
Presser Company
#144-40731. Published by
Theodore Presser Company
(PR.144407310).
ISBN
9781491132319. UPC:
680160681662. 9 x 12
inches.
Inspired by
one of the flute
repertoire’s
loveliest melodies,
SICILIANO (REIMAGINED) is
a gently adapted
“jazz-flavoredâ€
setting of the slow
movement from
Bach’s Sonata in
Eb Major. Solo parts are
provided both for C Flute
and for Alto Flute. With
a fairly close rendering
of the authentic flute
line and more
contemporary chords in
the piano part, SICILIANO
(REIMAGINED) is an
inviting way to play
music with a modernized
jazz sound, while reading
traditional classical
notation. Inspired by
one of the flute
repertoire’s
loveliest melodies,
Siciliano (Reimagined)
never strays far from the
source, except for its
reharmonization.
Occasional jazz-infused
touches give the melody a
fresh perspective,
without diluting its
purity. I am always moved
by how beautifully the
music of the 18th century
and contemporary music
coexist.Performers may
play this arrangement in
the Baroque style.