(Solos for Flute and Clarinet). Composed by Lloyd Larson. Woodwind solo. For flute (clarinet), piano. Christmas. Lorenz Publishing Company #30/3146L. Published by Lorenz Publishing Company

A Series for Solo Instruments with CD Play-Along and Piano Accompaniment. Arranged by David Feldstein; Larry Clark. For Flute. E-Solos. Solo part. 16 pages. Published by Carl Fischer.

Flute & Piano + CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-13792

Composed by Ted Barclay. Flute & CD Playback (Play Along). Score and parts. Duration 27'16. Editions Marc Reift #EMR 13792. Published by Editions Marc Reift (MA.EMR-13792).

Go Tell It On The Mountain / Holy Night / Il est ne le divin enfant / Jingle Bells / Joy To The World / O Christmas Tree / O Come All Ye Faithfull / Silent Night / We Wish You A Merry Christmas / What Child Is This.

(10 Carols Arranged in a Jazz Style). By Various. Arranged by Lennie Niehaus. For flute with piano accompaniment. Christmas. Grade 3-4. Solo part and accompaniment part. Published by Kendor Music Inc

By Martin Luther; Rowland H. Prichard; Wolfgang Amadeus Mozart; Anonymous; Antonin Dvorak; Charles F. Gounod; Franz Schubert; Hans Leo Hassler; Johann Pachelbel; Johann Sebastian Bach. Edited by Steven L Rosenhaus; William Arms Fisher. Arranged by Johann Sebastian Bach; Steven L Rosenhaus. For Flute Solo, Piano. Classical. Solo part with piano reduction. Composed 1999. 32 pages. Published by Theodore Presser Company.

Arranged by Costel Puscoiu. For Flute. Solos. Classic. Level: Intermediate. Book. Size 8.5x11. 56 pages. Published by Mel Bay Publications, Inc.

50 Popular Classics in Easy Arrangements. Composed by Various. Arranged by Barrie Carson Turner. Woodwind Solo. Softcover Audio Online. 56 pages. Schott Music #ED13870. Published by Schott Music (HL.49045388).

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

(Flute/Piano)

SKU: HL.48186476

Composed by Eric Ledeuil. Leduc. 16 pages. Alphonse Leduc #AL30740. Published by Alphonse Leduc (HL.48186476).

Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..