SKU: BT.AMP-442-400

ISBN 9789043151351. English-German-French-Dut ch.

Sounds Classical is a collection of graded solos selected specifically for the developing flute player.
Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawnfrom four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material for practice or recital.

Sounds Classical is een verzameling van solos die speciaal voor fluitleerlingen zijn geselecteerd - in oplopend niveau.
De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of theRoyal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormen ideaal materiaal voor zowel lessen als optredens.

Soun ds Classical ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für den Instrumentalunterricht von Flötisten ausgewählt wurden.
Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire ausvier Jahrhunderten aus - von Susato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!

Sou nds Classical est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les fl tistes débutants.
Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtent parfaitement l’étude comme une interprétation en concert.

SKU: BT.DHP-1185928-404

ISBN 9789043155083. French.

La collection Écouter, lire et jouer est aujourd’hu i une référence pour l’enseigne ment des cuivres et des bois. Tous accompagnés d’un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l’instrume nt concerné, et de nombreuses pièces agréables jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode.

Dans Les Grands Classiques, les mélodies sont présentées en ordre croissant de difficulté et peuvent êtretravaillà©es conjointement avec les trois volumes de la méthode Écouter, lire et jouer. Emmenés dans un voyage travers l’histoire de la musique, les élèves rencontrent les plus importants compositeurs de la musique classique, depuis Tielman Susato jusqu’ Anton n Dvo ák, et bénéficient de commentaires historiques pertinents. La présente édition comprend des partitions pour accompagnement au piano soigneusement arrangées dans un niveau de difficulté modéré, dont les enregistrements sont disponibles sous forme de fichiers en ligne écouter en streaming ou télécharger .

SKU: PR.114417610

ISBN 9781491107904. UPC: 680160636051. 9x12 inches.

SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers.______________ _________________________ Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinetâ € in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively.

SKU: BT.1946-13-400-M

ISBN 9789043137317. 9x12 inches. International.

Unde r the title LUX NORDICA, this edition contains a selection of Romantic pieces by various composers of northern origin. Franco Cesarini collected seven works from Niels W. Gade and Carl Nielsen (Denmark) as well as Johan Svendsen, ChristianSinding and Edvard Grieg (Norway) and arranged them for flute and piano. The enclosed CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.

Contents: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August) Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).

Inhou d: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).

Inhalt: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).

Sommaire: Romance Op. 26 (Svedsen, Johan) Intermezzo (Grieg, Edvard) Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels) Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian) Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).

SKU: BT.DHP-1074425-400

ISBN 9789043133470. 9x12 inches. English-German-French-Dut ch.

Team up together! The pieces in this book are perfect for playing with a friend, a classmate, or even your brother or sister, since the piano part is not very difficult. The enclosed CD will be a great study aid. Nearly all the tunes have been written in the pop and swing rhythms of our time: you will definitely be successful performing them. Have lots of â??fun on stageâ??!

Samen sta je sterk. De stukken in dit boek zijn heel geschikt om uit te voeren met een vriend of vriendin, een klasgenoot, je zus of je broer achter de piano. De pianopartijen zijn namelijk niet zo moeilijk. Bovendien helpt de bijgevoegdecd met het instuderen ervan. Bijna alle nummers zijn geschreven in de pop- en swingritmes van onze tijd: je zult er vast en zeker succes mee hebben bij optredens. Veel â??fun on stageâ?? gewenst!

Die Stücke in Fun on Stage eignen sich prima für das Zusammenspiel mit Freunden, Klassenkameraden oder Familienmitgliedern, da die Klavierstimmen nicht sehr schwer sind. Die meisten Melodien wurden in modernen Pop- oder Swingstilen geschrieben. Die Demoversionen auf der CD werden auf verschiedenen Instrumenten vorgespielt. AuÃ?erdem sind auf der CD Begleitungen zum Mitspielen enthalten. Have fun on stageâ?? - viel SpaÃ? auf der Bühne!

Faites équipe avec un élève, un membre de la famille ou un ami pianiste pour interpréter les compositions originales réunies dans cet ouvrage. Les parties de piano sont relativement simples. Le compact disc inclus est une aide précieuse pour le travail de préparation. La plupart des mélodies sâ??appuient sur des rythmes swing-pop actuels qui séduiront votre public. Avec Fun on Stage, le plaisir de monter sur scène est intact !

Una pubblicazione ideale per suonare assieme agli amici, compagni di classe, ecc. Si tratta di brani scritti negli stili pop e swing, eseguiti sul CD da strumenti diversi. E' proposta anche una traccia play-along.

SKU: HL.253939

9.0x12.0 inches.

Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.