Flute and Piano. Composed by Igor Stravinsky (1882-1971). Arranged by Kyle M...(+)
Flute and Piano. Composed
by
Igor Stravinsky
(1882-1971).
Arranged by Kyle MacLeod.
Woodwind. Softcover. 42
pages. Schott Music
#FTR234.
Published by Schott Music
Flute and Piano - very easy, easy SKU: BT.DHP-1185944-404 Dwarsfluit(+)
Flute and Piano - very
easy, easy
SKU:
BT.DHP-1185944-404
Dwarsfluit.
Arranged by Markus
Schenk. Horen, Lezen en
Spelen. Opera or
Operetta. Book with Part
and Audio-Online.
Composed 2018. 28 pages.
De Haske Publications
#DHP 1185944-404.
Published by De Haske
Publications
(BT.DHP-1185944-404).
ISBN 9789043154444.
Dutch.
Horen,
lezen & spelen is
tegenwoordig de standaard
in het
blaasmuziekonderwijs.
Deze aantrekkelijke
beginnersmethode (boek
met cd) bevat liedjes,
puzzels en spelletjes om
leerlingen te helpen
muziek te begrijpen,
informatie over het
instrument, en vooral
veel stukjes die leuk
zijn om te spelen. De
drie delen van de methode
die de basis van de serie
vormen, worden aangevuld
door verschillende boeken
met extra materiaal dat
correspondeert met de
voortgang in de
methode.
In Mijn
eerste opera zijn
beroemde aria’s,
koren en ouvertures
ingedeeld in oplopende
volgorde van
moeilijkheidsgraad; het
boek kan worden gebruikt
in combinatie met alle
drie de delen van deserie
Horen, lezen &
spelen. Een aantal
van de mooiste
melodieën uit de
wereld van de opera zijn
hier bijeengebracht en
voorzien van historische
commentaar. Leerlingen
kunnen pianobegeleidingen
gebruiken die online
klaarstaan om te streamen
of te downloaden.
Daarbovenop bevat deze
uitgave tevens bladmuziek
van de
pianobegeleidingen, die
vakkundig zijn
gearrangeerd voor
enigszins
gevorderden.
Flute and Piano - easy SKU: BT.AMP-297-400 Arranged by Philip Sparke. Ang...(+)
Flute and Piano - easy
SKU:
BT.AMP-297-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
297-400. Published by
Anglo Music Press
(BT.AMP-297-400).
ISBN
9789043138048. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip Sparkes
15 Easy Classical
Solos is aimed at the
young instrumentalist who
can play just over an
octave. Specifically
tailored to suit the
individual instrument,
this book introduces
thebeginning player to
the world of the classics
by using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music from
the 16th to the 20th
century and cover a wide
variety of styles, from
Bach to Grieg and from
Purcell to Satie.
This
book will provide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15
Easy Classical Solos ist
als Ergänzung zur
bewährten Anglo Music
Play-Along Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
®Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden.Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie.Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
1
5 Easy Classical Solos,
de Philip Sparke, est un
ouvrage qui sâ??adresse
aux jeunes musiciens,
maîtrisant un peu plus
dâ??une
octave.
Il
concetto della collana
Anglo Music Play-Along
Series è quello di
integrare al più
presto nel processo di
apprendimento dei giovani
strumentisti la
possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
German Romanticism Flûte traversière et Piano [Partition + CD] - Intermédiaire Mitropa Music
Flute and Piano - intermediate SKU: BT.2004-14-400-M Selected pieces f...(+)
Flute and Piano -
intermediate
SKU:
BT.2004-14-400-M
Selected pieces from
the 19th century.
Composed by Carl Maria
von Weber, Carl Reinecke,
Felix Bartholdy
Mendelssohn, Franz
Schubert, Johannes
Brahms, Richard Wagner,
and Robert Schumann.
Arranged by Franco
Cesarini. Book with CD.
Composed 2014. 48 pages.
Mitropa Music
#2004-14-400 M. Published
by Mitropa Music
(BT.2004-14-400-M).
ISBN 9789043137065.
International.
G
erman Romanticism
includes selected works
from some of the most
important composers of
the style, to
whom—in terms of
musical
history—the
Austrian Franz Schubert
also belongs. Besides
Carl Maria von Weber he
represents the Early
Romanticperiod, while
Felix Mendelssohn
Bartholdy and Robert
Schumann belong to the
High Romantic era.
Richard Wagner, Carl
Reinecke and Johannes
Brahms represent the
later 19th
century. The enclosed
CD provides a
demonstration of each
piece, followed by the
piano accompaniment with
which to play
along.
German
Romanticism bevat
meesterwerken van een
aantal van de
belangrijkste componisten
in deze stijl, tot wie in
muzikaal-historisch
opzicht ook de
Oostenrijker Franz
Schubert behoorde.
Evenals Carl Maria von
Weber vertegenwoordigt
hij devroegromantische
periode, terwijl Felix
Mendelssohn Bartholdy en
Robert Schumann tot de
hoogromantiek behoren.
Richard Wagner, Carl
Reinecke en Johannes
Brahms componeerden hun
werken later in de 19e
eeuw. Op de
meegeleverde cd staat van
elk stuk een demoversie,
gevolgd door een
play-alongversie met
alleen de
pianobegeleiding.
Internationale
Ausgabe.
Deutschsprachi
ge Ausgabe:
Meisterwerke der
deutschen Romantik
(2008-14-400
M)
<
I>German Romanticism
raccoglie opere di alcuni
dei più importanti
esponenti di questo
stile, cui appartiene
storicamente anche il
compositore austriaco
Franz Schubert. Accanto a
Carl Maria von Weber,
Schubert rappresenta il
primo Romanticismo,mentre
Felix Mendelssohn
Bartholdy e Robert
Schumann ne sono il
cuore. Richard Wagner,
Carl Reinecke e Johannes
Brahms rappresentano
l’ultima parte del
19° secolo. Il CD
incluso propone
lincisione completa di
ogni brano, seguita da
una traccia con il solo
accompagnamento del piano
per consentirvi di
eseguire la parte
solista.
Belle Époque Flûte traversière et Piano [Partition + CD] - Avancé Mitropa Music
Flute and Piano - advanced SKU: BT.1771-11-400-M French Romantic Piece...(+)
Flute and Piano -
advanced
SKU:
BT.1771-11-400-M
French Romantic Pieces
for Flute and Piano.
Composed by Various.
Arranged by Franco
Cesarini. Book with CD.
Composed 2011. 48 pages.
Mitropa Music
#1771-11-400 M. Published
by Mitropa Music
(BT.1771-11-400-M).
ISBN 9789043134583.
9x12 inches.
International.
This
collection contains works
from the so-called
“Belle
Époqueâ€, the
time period right around
the turn of the 20th
century which have been
arranged for flute and
piano by Franco Cesarini.
It includes pieces by
Dukas and Massenet, two
early works by Ravel that
are on the cusp of the
impressionistic period
and compositions by Bizet
and Saint-Saëns which
represent the
late-romantic period. The
book comes with a CD
which contains a demo of
each piece, followed by
the piano accompaniment
which you can play along
with.
Diese Ausgabe, die einige
romantische Sätze aus
der so genannten Belle
Epoque“ in
Bearbeitungen für
Flöte und Klavier
vorstellt, will allen
fortgeschrittenen
Flötisten die
Möglichkeit geben,
mehr Musik der Romantik
aus der Perspektive eines
Solisten kennenzulernen.
Neben Dukas und Massenet
ist auch Ravel sowie
spätromantische Musik
von Bizet und
Saint-Saëns enthalten.
Auf der beiliegenden CD
ist sowohl eine
vollständige Aufnahme
jedes Stückes als
auch die Begleitung, zu
der die Solostimme
gespielt werden kann, zu
hören.
Questo
volume che contiene opere
scirtte in gran parte
durante la cosiddetta
“Belle
Époqueâ€,
include brani di Dukas e
Massenet e due tra le
prime opere di Ravel
collocabili alla fine del
periodo
dell'impressionismo. Le
due composizioni di Bizet
e Saint-Saens
appartengono invece al
periodo del tardo
romanticismo. Il CD
incluso propone
l'incisione completa di
ogni brano, seguita da
una traccia con il solo
accompagnamento del
piano.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Poem Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114416460 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114416460
For
Flute and Piano.
Composed by Thaddeus
Kozuch. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1937. 4+1 pages.
Duration 3 minutes.
Theodore Presser Company
#114-41646. Published by
Theodore Presser Company
(PR.114416460).
ISBN
9781598067811. UPC:
680160620616. 9x12
inches.
POEM for
Flute and
PianoKozuch’s POEM
is a plaintive elegy,
perfect for memorial
concerts, in religious
services, or as a lyric
interlude in recital.
Although composed with
piano accompaniment, the
music is also very
effective in performance
with organ. Thaddeus
Kozuch (1913-1991) was a
Chicago-based pianist,
composer, and professor
at DePaul University and
Northwestern University.
His beautiful POEM was
composed originally for
violin and piano in 1937
for his wife-to-be,
Jacqueline Frye. He
revised POEM for flute
and piano in 1988 but the
work was discovered only
recently in a piano bench
by the composer’s
daughter, flutist Ann
Fairbanks.Although the
final pencil manuscript
is musically complete, it
lacks dynamics, and this
publication presents the
music as the composer
left it.The following
performance suggestions
are provided by Ann
Fairbanks:Many nuances of
the work may be left to
the discretion of the
performer. There are
quite a few notes that
may be slurred, such as
sets of eighth notes or
triplet-eighths; if notes
are articulated as
written, the tonguing
should be legato.Dynamics
for both flute and piano
could be as follows:
begin the work p, then
crescendo to f in bars
6-7. Decrescendo in 10-11
to a p in bar 12. The
most intense section
(bars 16-32) should be
played with energy and
full sonority, including
a crescendo in 26 to fin
27. The conclusion,
beginning at bar 42,
should be played p, with
the last measures
performed quietly.
Flute and Piano - intermediate SKU: BT.DHP-1074385-401 Composed by Jaap K...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1074385-401
Composed by Jaap
Kastelein and Klaas de
Jong. Arranged by Colin
Cowles. Easy Steps 2.
Book Only. Composed 2007.
36 pages. De Haske
Publications #DHP
1074385-401. Published by
De Haske Publications
(BT.DHP-1074385-401).
ISBN 9789043128117.
9x12 inches.
Dutch.
[algemeen]De
succesvolle methode
Easy Steps is
ontwikkeld vanuit de
praktijksituatie. Met
name in het begin zijn de
stapjes heel klein:
geleidelijke progressie
is het motto. Zo krijgt
de leerling de kans de
verworven
vaardighedengoed te
verwerken - aan de hand
van begrijpelijke uitleg,
oefeningen, spelletjes,
bekende liedjes en
medleys. Van alle
oefeningen en
speelstukken staat de
begeleiding op de
bijgevoegde cdâ??s. De
duidelijke opzet en
overzichtelijkeopmaak
zorgen voor extra
helderheid. Deze complete
methode is bedoeld voor
gebruik in de muziekles
en laat alle ruimte voor
een persoonlijke
invulling.[deel 1]Naast
de twee cdâ??s bevat
deel 1 van Easy
Steps een dvd metonder
andere instructies over
speelhouding, embouchure
en instrumentonderhoud.
[deel 1 trompet]De
cdâ??s van Easy
Steps voor trompet
zijn ingespeeld door
niemand minder dan Frits
Damrow, solotrompettist
van het
Concertgebouworkest.[deel
2]In deel 2 wordt
toegewerkt naar de eisen
die gesteld zijn aan het
A-examen van de
muziekschool. Achter in
het boek zijn een paar
voorbeelden van
examenstukken
opgenomen.[pianobegeleidi
ngsboek]Eenvoudige
pianopartijenbij de
medleys uit de
methodeboeken: hiermee
ontstaat de mogelijkheid
om al snel leuke
live-optredens te
verzorgen op school of op
een voorspeelavond.
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.