Flute and Piano. Composed by Igor Stravinsky (1882-1971). Arranged by Kyle M...(+)
Flute and Piano. Composed
by
Igor Stravinsky
(1882-1971).
Arranged by Kyle MacLeod.
Woodwind. Softcover. 42
pages. Schott Music
#FTR234.
Published by Schott Music
Flute and Piano - very easy, easy SKU: BT.DHP-1185944-404 Dwarsfluit(+)
Flute and Piano - very
easy, easy
SKU:
BT.DHP-1185944-404
Dwarsfluit.
Arranged by Markus
Schenk. Horen, Lezen en
Spelen. Opera or
Operetta. Book with Part
and Audio-Online.
Composed 2018. 28 pages.
De Haske Publications
#DHP 1185944-404.
Published by De Haske
Publications
(BT.DHP-1185944-404).
ISBN 9789043154444.
Dutch.
Horen,
lezen & spelen is
tegenwoordig de standaard
in het
blaasmuziekonderwijs.
Deze aantrekkelijke
beginnersmethode (boek
met cd) bevat liedjes,
puzzels en spelletjes om
leerlingen te helpen
muziek te begrijpen,
informatie over het
instrument, en vooral
veel stukjes die leuk
zijn om te spelen. De
drie delen van de methode
die de basis van de serie
vormen, worden aangevuld
door verschillende boeken
met extra materiaal dat
correspondeert met de
voortgang in de
methode.
In Mijn
eerste opera zijn
beroemde aria’s,
koren en ouvertures
ingedeeld in oplopende
volgorde van
moeilijkheidsgraad; het
boek kan worden gebruikt
in combinatie met alle
drie de delen van deserie
Horen, lezen &
spelen. Een aantal
van de mooiste
melodieën uit de
wereld van de opera zijn
hier bijeengebracht en
voorzien van historische
commentaar. Leerlingen
kunnen pianobegeleidingen
gebruiken die online
klaarstaan om te streamen
of te downloaden.
Daarbovenop bevat deze
uitgave tevens bladmuziek
van de
pianobegeleidingen, die
vakkundig zijn
gearrangeerd voor
enigszins
gevorderden.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Poem Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114416460 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114416460
For
Flute and Piano.
Composed by Thaddeus
Kozuch. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1937. 4+1 pages.
Duration 3 minutes.
Theodore Presser Company
#114-41646. Published by
Theodore Presser Company
(PR.114416460).
ISBN
9781598067811. UPC:
680160620616. 9x12
inches.
POEM for
Flute and
PianoKozuch’s POEM
is a plaintive elegy,
perfect for memorial
concerts, in religious
services, or as a lyric
interlude in recital.
Although composed with
piano accompaniment, the
music is also very
effective in performance
with organ. Thaddeus
Kozuch (1913-1991) was a
Chicago-based pianist,
composer, and professor
at DePaul University and
Northwestern University.
His beautiful POEM was
composed originally for
violin and piano in 1937
for his wife-to-be,
Jacqueline Frye. He
revised POEM for flute
and piano in 1988 but the
work was discovered only
recently in a piano bench
by the composer’s
daughter, flutist Ann
Fairbanks.Although the
final pencil manuscript
is musically complete, it
lacks dynamics, and this
publication presents the
music as the composer
left it.The following
performance suggestions
are provided by Ann
Fairbanks:Many nuances of
the work may be left to
the discretion of the
performer. There are
quite a few notes that
may be slurred, such as
sets of eighth notes or
triplet-eighths; if notes
are articulated as
written, the tonguing
should be legato.Dynamics
for both flute and piano
could be as follows:
begin the work p, then
crescendo to f in bars
6-7. Decrescendo in 10-11
to a p in bar 12. The
most intense section
(bars 16-32) should be
played with energy and
full sonority, including
a crescendo in 26 to fin
27. The conclusion,
beginning at bar 42,
should be played p, with
the last measures
performed quietly.
Flute and Piano - intermediate SKU: BT.DHP-1074385-401 Composed by Jaap K...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1074385-401
Composed by Jaap
Kastelein and Klaas de
Jong. Arranged by Colin
Cowles. Easy Steps 2.
Book Only. Composed 2007.
36 pages. De Haske
Publications #DHP
1074385-401. Published by
De Haske Publications
(BT.DHP-1074385-401).
ISBN 9789043128117.
9x12 inches.
Dutch.
[algemeen]De
succesvolle methode
Easy Steps is
ontwikkeld vanuit de
praktijksituatie. Met
name in het begin zijn de
stapjes heel klein:
geleidelijke progressie
is het motto. Zo krijgt
de leerling de kans de
verworven
vaardighedengoed te
verwerken - aan de hand
van begrijpelijke uitleg,
oefeningen, spelletjes,
bekende liedjes en
medleys. Van alle
oefeningen en
speelstukken staat de
begeleiding op de
bijgevoegde cdâ??s. De
duidelijke opzet en
overzichtelijkeopmaak
zorgen voor extra
helderheid. Deze complete
methode is bedoeld voor
gebruik in de muziekles
en laat alle ruimte voor
een persoonlijke
invulling.[deel 1]Naast
de twee cdâ??s bevat
deel 1 van Easy
Steps een dvd metonder
andere instructies over
speelhouding, embouchure
en instrumentonderhoud.
[deel 1 trompet]De
cdâ??s van Easy
Steps voor trompet
zijn ingespeeld door
niemand minder dan Frits
Damrow, solotrompettist
van het
Concertgebouworkest.[deel
2]In deel 2 wordt
toegewerkt naar de eisen
die gesteld zijn aan het
A-examen van de
muziekschool. Achter in
het boek zijn een paar
voorbeelden van
examenstukken
opgenomen.[pianobegeleidi
ngsboek]Eenvoudige
pianopartijenbij de
medleys uit de
methodeboeken: hiermee
ontstaat de mogelijkheid
om al snel leuke
live-optredens te
verzorgen op school of op
een voorspeelavond.
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.