For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

Composed by Camille Saint- Saens (1835-1921). Arranged by Jasmine Choi. Set of Score and Parts. Duration 8 minutes. Theodore Presser Company #114- 41934. Published by Theodore Presser Company

Chamber Music Clarinet, Flute, Piano

SKU: PR.114417590

Composed by Franz Schubert. Arranged by Michael Webster. Sws. Extensive program notes in the score. Set of Score and Parts. 20+8+8 pages. Duration 13:05. Theodore Presser Company #114-41759. Published by Theodore Presser Company (PR.114417590).

ISBN 9781491129586. UPC: 680160636037.

The rich trio literature for Flute, Clarinet, and Piano created by Michael Webster comprises many faithful transcriptions as well as Webster’s original reworkings of opera highlights. Fitting between these opposite approaches, HUNGARIAN MARCH AND RONDO is a newly-formed concert work using two movements from Schubert’s Divertissement à la Hongroise, D. 818, originally for Piano, Four Hands. The opening Hungarian March has all the stately bounce and elegance of a Schubert March Militaire, and the Rondo is a charmed inspiration from the Schubert who created many hundreds of the world’s most beautiful lieder and ornamental instrumental chamber works.

Flute and piano

SKU: M7.APUE-516315

Edited by Karen North. Score with online audio files. Score and part. 160 pages. MDS (Music Distribution Services) #APUE 516315. Published by MDS (Music Distribution Services) (M7.APUE-516315).

ISBN 9781875516315.

Thes e musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishin g.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!

Volume III: Romance and Fantasie (Grades 5-6). By Jozef Olechowski. Arranged by Elena Duran. This edition: ED12656. Schott. Book with CD. 57 pages. Published by Schott Music

For Flute and Piano. Composed by James Galway. Arranged by David Overton. Southern Music. Concert. Softcover. 16 pages. Southern Music Company #B586. Published by Southern Music Company

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

By Katherine Hoover (1937-). For Flute, Piano. Mountain and Mesa was premiered at the National Flute Association Convention in New York, August 15th, 2009, by Mimi Stillman and Jereny Denk. Advanced

Flute and piano - intermediate

SKU: M7.APUE-516285

Edited by Karen North. Sheet music. Score and part. MDS (Music Distribution Services) #APUE 516285. Published by MDS (Music Distribution Services) (M7.APUE-516285).

ISBN 9781875516285.

Welc ome to Lyrical Flute Encores, the eagerly anticipated companion volume to Lyrical Flute Legends. In this book, we continue to explore the rich and diverse world of contemporary flute music, with a variety of styles that will delight intermediate level flute players. This collection of newly commissioned works showcases the creativity and innovation of some of today's most exciting composers, each bringing their unique perspective to the lyrical and expressive qualities of the flute. From haunting melodies to playful rhythms, the music in this collection is sure to inspire and captivate flutists and audiences alike. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for the works. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Encores.

Composed by Mizzy McCaskill and Dona Gilliam. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc

Flute, piano

SKU: FG.55011-462-3

Composed by Tuomas Turriago. Fennica Gehrman #55011-462-3. Published by Fennica Gehrman (FG.55011-462-3).

ISBN 9790550114623.

Sona ta for Flute and Piano was commissioned by Sami Junnonen. It was written between April and August 2018, and the composition process was especially complicated, involving the rewriting of the first movement many times. The Flute Sonata is unusually dark in character, and ends in disaster. While not really programmatic, the Sonata does reflect my feelings about the scary and grim future of humankind facing the climate change and very erratic world politics. The first movement is a light and capricious Allegretto, the second movement is very gloomy and slow and the last movement is a very agitated moto perpetuo.