1-2 Flutes and Piano. Composed by Various. Arranged by Carlo Morena. Woodwind Solo. Softcover. 52 pages. Ricordi #NR141358. Published by Ricordi

Flute and Piano

SKU: BT.MUSM570366569

Composed by Thomas Simaku. Classical. Score Only. University of York Music Press #MUSM570366569. Published by University of York Music Press (BT.MUSM570366569).

English.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. TS.

By Watson, Anthony Scott. For Flute and Piano (or Harp). This edition: Parts. More good music for Christmas. Duration 20:00. Published by Trillenium Music Company.

Flute and Piano - intermediate

SKU: BT.DHP-1175830-401

Composed by Pascal Proust. De Haske Flute Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175830-401. Published by De Haske Publications (BT.DHP-1175830-401).

ISBN 9789043153041. English-German-French-Dut ch.

Which instrument is better suited to lend its voice as fairy queen Titania than the flute?
Pascal Proust is among the best known of French composers in the field of musical pedagogy. He has produced a whole series published by De Haske that is constantly being expanded. Proust wrote Titania for more advanced flute students witharound 4 5 years’ progress. Proust’s style is easily accessible to the student and at the same time appeals to the audience, so this piece is especially suitable as a recital or competition piece.

Er is toch geen instrument geschikter om elfenkoningin Titania te verklanken dan de fluit?
Pascal Proust behoort tot een van de bekendste Franse componisten op het gebied van de muziekpedagogie. Voor De Haske heeft hij inmiddels een complete serie gemaakt die nog steeds verder wordt uitgebreid. Proust schreef Titania speciaal voormeer gevorderde fluitisten die zo’n vier tot vijf jaar les hebben gehad. Zijn stijl is toegankelijk voor de leerling, maar ook aantrekkelijk voor het publiek; daardoor is dit stuk ideaal voor een optreden of wedstrijd.

Welches andere Instrument wäre besser als die Flöte dazu geeignet, seine Stimme der Feenkönigin Titania zu leihen?
Pascal Proust zählt zu den renommiertesten französischen Komponisten auf dem Gebiet der Instrumentalpädagogik. Bei De Haske hat er inzwischen eine ganze Serie mit Instrumentalstücken vorgelegt, die laufend erweitert wird. Proust schriebTitania für fortgeschrittenere Flötenschüler mit etwa 4 5 Jahren Unterrichtserfahrung. Prousts Stil ist leicht verständlich für den Schüler und zugleich attraktiv für das Publikum, sodass das Stück sich besonders gut als Vortrags- oder auchWettbewerbsstück eignet.

Quel autre instrument que la fl te pouvait mieux prêter sa voix Titania, la reine des fées?
Pascal Proust est l’un des compositeurs français les plus renommés dans le domaine de la pédagogie instrumentale. La série de compositions qu’il a produite pour De Haske est régulièrement élargie. Proust a écrit Titania pour les élèves defl te avancés abordant le deuxième cycle de leurs études. Son style très accessible convient parfaitement aux élèves et plaira tout autant au public, ce qui en fait un morceau idéal pour des concerts ou des concours.

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

(Flute/Piano)

SKU: HL.48181380

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. CD. 42 pages. Alphonse Leduc #AL20857. Published by Alphonse Leduc (HL.48181380).

UPC: 888680984427. 9.0x12.0x0.13 inches.

“Wolf gang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C, which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments, making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto, 2. Adagio non troppo, and 3. Rondo: Allegretto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and one concerto. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. De Jean did not approve, yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.”.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 4

SKU: FL.FX072523

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072523. Published by FLEX Editions (FL.FX072523).

I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more Rock'n Roll! The player will find a particular interest in studying this piece to assert her/his instrumental technique. - Jerome NAULAIS ;

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4; Duration: 6 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS;.

Flute, Piano - Grade 3

SKU: FL.FX071359

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071359. Published by FLEX Editions (FL.FX071359).

What else can be better than a Samba to tackle the Syncopation with fun! In the second part, the player will have to articulate the syncopation to become a credible Samba player! one could also add the sounds of a reco-reco or a pandeiro (small Brasilian drums) to make this Samba even more captivating!

Flute and Piano

SKU: IS.FP4052EM

Composed by Jef Maes. Woodwinds - Flute. Metropolis Music Publishers #FP4052EM. Published by Metropolis Music Publishers (IS.FP4052EM).

ISBN 9790365040520.

Belg ian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano.

From Trios Gymnopedies. By Erik Satie. Edited by Donald Peck. For Flute, Piano. Carl Fischer Solo Series. Classical. Score and Audio CD. 3 pages. Published by Carl Fischer.
Level: beginning.

By Phillip Rawle. For alto flute and piano. Intermediate-Advanced. Score and parts. Published by Forton Music

For Flute and Piano. Composed by James Galway. Arranged by David Overton. Southern Music. Concert. Softcover. 16 pages. Southern Music Company #B586. Published by Southern Music Company

Chamber Music flute, piano

SKU: PR.114422880

Composed by Phyllis Avidan Louke. Set of Score and Parts. 12+4 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #114-42288. Published by Theodore Presser Company (PR.114422880).

ISBN 9781491135143. UPC: 680160686995.

LITTL E ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9351. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Graded pieces for intermediate-level players. Composed by Various. Arranged by James Rae. Score and part(s). With Standard notation. 57 46 pages. Universal Edition #UE21497. Published by Universal Edition (PR.UE021497).

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9352. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9353. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9349. Published by Breitkopf and Haertel