Flûte traversière et Piano [Set de Parties séparées] - Intermédiaire Hal Leonard
Performed by James Galway, Phil Coulter. For flute solo and piano accompaniment....(+)
Performed by James
Galway, Phil Coulter. For
flute solo and piano
accompaniment. Format:
set of performance parts
(includes separate
pull-out flute part).
With chord names. Celtic
and irish. 64 pages. 9x12
inches. Published by Hal
Leonard.
For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Sout...(+)
For Flute and Piano.
Composed by Nancy Andrew.
Arranged by James Galway.
Southern Music.
Classical.
Softcover. Southern Music
Company #B579. Published
by
Southern Music Company
Jazz Time Flûte traversière et Piano Boosey and Hawkes
Flute; Piano Accompaniment (Flute) SKU: HL.48011264 Flute and Piano(+)
Flute; Piano
Accompaniment (Flute)
SKU: HL.48011264
Flute and Piano.
Composed by Stuart
Isacoff. Boosey & Hawkes
Chamber Music.
Contemporary, Jazz. Book
only. Boosey & Hawkes
#M060087356. Published by
Boosey & Hawkes
(HL.48011264).
UPC:
073999765830.
8.5x11.0x0.105
inches.
Contents: A
Little Mo' Satch *
Spiritual * Mythic Blue *
Sphere * Weighin' Wayne *
The Gospel Truth * Bird
Song * The Master * Snow
Dance * On the Rise *
Like a Man Walking on
Eggshells.
(Stylized Selections for Flute and Piano). Composed by Ed Hogan. Woodwind solo. ...(+)
(Stylized Selections for
Flute and Piano).
Composed by Ed Hogan.
Woodwind solo. For flute,
piano. Worship Suite.
Moderate. Book/CD Combo.
Published by Lillenas
Publishing Company
(Stylized Selections for Flute and Piano). By Ed Hogan. Woodwind solo. For flute...(+)
(Stylized Selections for
Flute and Piano). By Ed
Hogan. Woodwind solo. For
flute, piano. Worship
Suite. Moderate.
Published by Lillenas
Publishing Company
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Illuminations Flûte traversière et Piano - Avancé Wilhelm Hansen
Flute and Piano - Grade 5 SKU: HL.14015939 Composed by Erik Norby. Music ...(+)
Flute and Piano - Grade 5
SKU: HL.14015939
Composed by Erik Norby.
Music Sales America.
Classical. Book and
Part(s). Composed 2005.
44 pages. Edition Wilhelm
Hansen #WH30509.
Published by Edition
Wilhelm Hansen
(HL.14015939).
ISBN
9788759888469.
9.5x14.25x0.125
inches.
Illuminatio
ns - Capriccio For Flute
And Orchestra was
composed by Erik Norby in
1977. Programme Note: The
title should rightly be
pronounced in French
(same spelling), as the
piece was composed for
and is dedicated to
French flute virtuoso
Jean-Pierre Rampal, who
premiered ILLUMINATIONS
in connection
withhimreceiving the
Danish Sonnings Musikpris
in 1978. The title
reflects my endeavour to
create different
illuminative effects in
sound, for which the
flute is an excellent
medium, with its apparent
ability to transform
light phenomena into
musical shapes. Tue music
in ILLUMINATIONS
sometimes sounds like
glittering reflections,
sometimes like a roaring
bonfire. The absence of
ordinaryflutes in the
orchestra further enables
the soloist to shine
above a darker orchestral
background. Several
motives and shapes are
illuminated along the
way, and the music
progresses in
kaleidoscopic pattems of
prismatic refractions.
Erik Norby.
Fete A Camelot Flûte traversière et Piano Leduc, Alphonse
(Flute/Piano) SKU: HL.48186476 Composed by Eric Ledeuil. Leduc. 16 pages....(+)
(Flute/Piano)
SKU:
HL.48186476
Composed
by Eric Ledeuil. Leduc.
16 pages. Alphonse Leduc
#AL30740. Published by
Alphonse Leduc
(HL.48186476).
Teacher,
soloist, chamber
musician, conductor and
composer ? flautist Eric
Ledeuil, a student of
Patrick Gallois and
Benoit Fromanger, wears
many hats. This diversity
continually enriches his
educational work, as can
be seen by the success of
his flute method La flute
imaginative, published by
Leduc in two volumes (AL
30 365 and 30 367). Fete
a Camelot, a piece for
flute and piano (or harp)
for fourth-year students,
reconnects with the
Knights of the Round
Table, an imaginary world
that has long been a
source of musical
inspiration for Ledeuil:
the key figures of the
legend appear in his Les
Meandres de Viviane (AL
30 495, Beginner) and Les
Mysteres de Broceliande
(AL 29 589,
Intermediate). This work
is set in King Arthur?s
fortress: the great halls
ring out with the sounds
of joyful festivities,
interspersed with echoes
of Viviane?s song. A
Knight?s story of his
quest for the Holy Grail
is followed by the
furtive appearance of
Morgan le Fay, but she
gives way to the Lady of
the Lake ? Viviane ?
whose distant melody
shrouds itself in
melancholy tones. The
work concludes with a
fisel, a traditional
Breton dance that whips
the troubadours?
enchanted instruments
into a frenzy..
V: Periferia di un paese SKU: HL.50603660 For Flute and Piano. Com...(+)
V: Periferia di un paese
SKU: HL.50603660
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142176. Published by
Ricordi (HL.50603660).
ISBN 9781705127810.
UPC:
840126952278.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
II: Trattoria di Campagna - Banchetto di nozze SKU: HL.50603657 For Fl...(+)
II: Trattoria di Campagna
- Banchetto di nozze
SKU: HL.50603657
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142173. Published by
Ricordi (HL.50603657).
ISBN 9781705127780.
UPC:
840126952247.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
I: Strada costiera, baracche e lampioni SKU: HL.50603656 For Flute and...(+)
I: Strada costiera,
baracche e lampioni
SKU: HL.50603656
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142172. Published by
Ricordi (HL.50603656).
ISBN 9781705127773.
UPC:
840126952230.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
For Flute and Piano with Recorded Accompaniments. Composed by John Williams. ...(+)
For Flute and Piano with
Recorded Accompaniments.
Composed by John
Williams.
For Classical Players.
Classical, Movies.
Softcover
Audio Online. 72 pages.
Published by Hal Leonard
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Fl...(+)
IV: Viottolo di campagna
- Gelsomina vaga sola
SKU: HL.50603659
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142175. Published by
Ricordi (HL.50603659).
ISBN 9781705127803.
UPC:
840126952261.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
VII: Movimento dei vari artisti SKU: HL.50603662 For Flute and Piano(+)
VII: Movimento dei vari
artisti
SKU:
HL.50603662
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142178.
Published by Ricordi
(HL.50603662).
ISBN
9781705127834. UPC:
840126952292.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
VI: Numero del matto sul filo SKU: HL.50603661 For Flute and Piano...(+)
VI: Numero del matto sul
filo
SKU:
HL.50603661
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142177.
Published by Ricordi
(HL.50603661).
ISBN
9781705127827. UPC:
840126952285.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
III: Debutto di Gelsomina nel numero del 'ciufile' SKU: HL.50603658 Fo...(+)
III: Debutto di Gelsomina
nel numero del 'ciufile'
SKU: HL.50603658
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142174. Published by
Ricordi (HL.50603658).
ISBN 9781705127797.
UPC:
840126952254.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).