Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of...(+)
Edited by Amy Appleby.
Music Sales America.
Baroque and Classical
Period. Set of
performance parts
(includes separate
pull-out violin part,
softcover). With solo
part and piano
accompaniment (spiral
bound). 237 pages. Music
Sales #AM948882.
Published by Music Sales
My Cross Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114423510 Composed by Carter Pann. Set...(+)
Chamber Music flute,
piano
SKU:
PR.114423510
Composed
by Carter Pann. Set of
Score and Parts. 8+2
pages. Duration 9
minutes. Theodore Presser
Company #114-42351.
Published by Theodore
Presser Company
(PR.114423510).
ISBN
9781491135327. UPC:
680160687480.
My
Cross (2021) was
commissioned as a gift to
Boulder resident Laurie
Hathorn by her husband
Peter Spear and flutist
Christina Jennings who
gave the premiere. The
piece is an exploration
in bel canto writing for
an instrument I have been
in love with since my
first forays as a
composer. The technical
challenges for the
soloist lie primarily in
breath control and in
maintaining a sustained,
beautiful tone
throughout. Any meaning
behind this music will
remain a private,
long-suffered trial for
the composer to
overcome. My Cross
(2021) was commissioned
as a gift to Boulder
resident Laurie Hathorn
by her husband Peter
Spear and flutist
Christina Jennings who
gave the premiere. The
piece is an exploration
in bel canto writing for
an instrument I have been
in love with since my
first forays as a
composer.The technical
challenges for the
soloist lie primarily in
breath control and in
maintaining a sustained,
beautiful tone
throughout. Any meaning
behind this music will
remain a private,
long-suffered trial for
the composer to
overcome.
Flute and Piano - easy SKU: BT.AMP-297-400 Arranged by Philip Sparke. Ang...(+)
Flute and Piano - easy
SKU:
BT.AMP-297-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
297-400. Published by
Anglo Music Press
(BT.AMP-297-400).
ISBN
9789043138048. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip Sparkes
15 Easy Classical
Solos is aimed at the
young instrumentalist who
can play just over an
octave. Specifically
tailored to suit the
individual instrument,
this book introduces
thebeginning player to
the world of the classics
by using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music from
the 16th to the 20th
century and cover a wide
variety of styles, from
Bach to Grieg and from
Purcell to Satie.
This
book will provide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15
Easy Classical Solos ist
als Ergänzung zur
bewährten Anglo Music
Play-Along Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
®Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden.Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie.Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
1
5 Easy Classical Solos,
de Philip Sparke, est un
ouvrage qui sâ??adresse
aux jeunes musiciens,
maîtrisant un peu plus
dâ??une
octave.
Il
concetto della collana
Anglo Music Play-Along
Series è quello di
integrare al più
presto nel processo di
apprendimento dei giovani
strumentisti la
possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Flute; Piano - very easy to easy SKU: HL.49033117 Spielbuch 1. Spiel- ...(+)
Flute; Piano - very easy
to easy
SKU:
HL.49033117
Spielbuch 1. Spiel-
und Vortragsstucke fur
1-2 Querfloten &
Querflote und Klavier
(Neuauflage).
Composed by Cathrin
Ambach. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Performance
book. 64 pages. Schott
Music #ED 9486. Published
by Schott Music
(HL.49033117).
ISBN
9783795757595.
German.
Jetzt in
einer uberarbeiteten und
erweiterten
Neuauflage:Lernen mit
viel Spass und
Abwechslung - dafur steht
das zweibandige Lehrwerk
Flote spielen - mein
schonstes Hobby. Die
begleitenden Spielbucher
1 und 2 bieten ein
reichhaltiges Repertoire
an Spiel- und
Vortragsstucken, die im
Tonumfang und
Schwierigkeitsgrad
jeweils auf den
Lernfortschritt der
Flotenschule angestimmt
sind. Die Stucke fur
Flote und Klavier oder
fur Floten-Duo stammen
aus den verschiedensten
Epochen und
Stilrichtungen, schulen
viele Spieltechniken und
machen viel Freude beim
Spielen. Neuauflage
2017Das Spielbuch 1
bietet 22 Stucke neue
Stucke, darunter viele
Originalwerke von
Mittelalter bis
Moderne.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Pan Penseroso Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute,
piano
SKU:
CF.W2650
Version 3
- Flute With Multiphonics
and Piano. Composed
by Martin Bresnick. Sws.
Set of Score and Parts.
With Standard notation.
Composed 2010. 36+16
pages. Duration 24
minutes. Carl Fischer
Music #W2650. Published
by Carl Fischer Music
(CF.W2650).
ISBN
9780825882920. UPC:
798408082925. Sc.9x112 -
pt.8.5 x 12 inches. Key:
C major.
Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltons great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier LAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunnst the
noise of folly Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltonas great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poetas earlier LaAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all avain
deluding joyes,a so as to
better hear the aSweet
Bird that shunnast the
noise of follya|a Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Milton's great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet's earlier L'Allegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunn'st the
noise of folly... Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(than meets the ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts areflective musical
eye on the world,
renouncing all
“vain deluding
joyes,†so as to
better hear
the“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
exploredin his pioneering
book The Other Flute: A
Performance Manual of
Contemporary
Techniques.
Moments musicaux Flûte traversière et Piano [Conducteur] Breitkopf & Härtel
Flute, piano SKU: BR.EB-8285 Composed by York Holler. Solo instruments; S...(+)
Flute, piano
SKU:
BR.EB-8285
Composed
by York Holler. Solo
instruments; Softcover.
Edition Breitkopf. World
premiere Cologne,
February 26, 1984. Music
post-1945. Score.
Composed 1979. 20 pages.
Duration 10'. Breitkopf
and Haertel #EB 8285.
Published by Breitkopf
and Haertel (BR.EB-8285).
ISBN 9790004176016. 9
x 12 inches.
World
premiere Cologne,
February 26, 1984 For me,
one of the most
interesting aspects of
composition is to draw
the most varied
consequences from one and
the same musical idea.
Thus my pieces Umbra,
Mythos, Resonance and
Moments Musicaux, for all
their disparity, form a
group of works in that
they are based on a
common Klanggestalt, a
34-note melodic-harmonic
structure from whose
formal basis the overall
shape of the piece is
derived by projection. I
have called the method
'Gestalt composition',
Thus there are 12 clearly
differentiated formal
characters or motives,
which appear frequently
in irregular sequence and
are variously
interconnected. The
'bell' motives play a
special role here: the
piano part frequently
bears the instruction
quasi Campane,
Campanelli, Campane
grandi.(York Holler,
translated by Niall
Hoskin)
Leduc. CD
only. 16 pages. Alphonse
Leduc #AL30501. Published
by Alphonse Leduc
(HL.48186311).
UPC:
888680838713. 9x12
inches.
“Comp
osed between 1920 and
1921, this set of Stories
is a suite of four short
movements by Jacques
Ibert selected out of the
ten initial ones, for
Flute and Piano. This
publication was
commissioned by the
Alphonse Leduc editors
and increased Jacques
Ibert's popularity. This
four pieces are as
followed : 3. Le vieux
mendiant (The old beggar)
4. 'A Giddy girl' 6. Le
palais abandonné
(The abandoned palace) 7.
Bajo la mesa (Under the
table) The difficulty of
these works will fit
intermediate to upper
intermediate players.
Jacques Ibert (1890-1962)
also composed many
symphonic suites, operas
and seven orchestras,
including 'Angelique'
(1926) and
'Entertainment' (1930).
He also was in charge of
the French Academy in the
Villa Médicis
(Roma) and became later
administrator for the
Paris Opera.&rdquo.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Sout...(+)
For Flute and Piano.
Composed by Nancy Andrew.
Arranged by James Galway.
Southern Music.
Classical.
Softcover. Southern Music
Company #B579. Published
by
Southern Music Company
By Various. For Flute, Piano plus backing CD. Jazz Flute Tunes Level / Grade 1 (...(+)
By Various. For Flute,
Piano plus backing CD.
Jazz Flute Tunes Level /
Grade 1 (with Piano
accompaniment and CD).
Education. Level: Level /
Grade 1. Book and CD;
CD/DVD. Published by
ABRSM (Associated Board
of the Royal Schools of
Music).
With online audio of piano accompaniments. Composed by Richard Rodgers and Osc...(+)
With online audio of
piano
accompaniments. Composed
by
Richard Rodgers and Oscar
Hammerstein. Broadway,
Movies, Musicals.
Softcover
Audio Online. 60 pages.
Published by Hal Leonard
Flute, piano SKU: FG.55011-462-3 Composed by Tuomas Turriago. Fennica Geh...(+)
Flute, piano
SKU:
FG.55011-462-3
Composed by Tuomas
Turriago. Fennica Gehrman
#55011-462-3. Published
by Fennica Gehrman
(FG.55011-462-3).
ISBN
9790550114623.
Sona
ta for Flute and Piano
was commissioned by Sami
Junnonen. It was written
between April and August
2018, and the composition
process was especially
complicated, involving
the rewriting of the
first movement many
times. The Flute Sonata
is unusually dark in
character, and ends in
disaster. While not
really programmatic, the
Sonata does reflect my
feelings about the scary
and grim future of
humankind facing the
climate change and very
erratic world politics.
The first movement is a
light and capricious
Allegretto, the second
movement is very gloomy
and slow and the last
movement is a very
agitated moto
perpetuo.
Acadian Dreams Flûte traversière et Piano Theodore Presser Co.
Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 mi...(+)
Composed by Adrienne
Albert.
Set of Score and Parts.
12 4
pages. Duration 6
minutes.
Theodore Presser Company
#114-
42266. Published by
Theodore
Presser Company
Chamber Music flute, piano SKU: PR.114417750 Composed by Eric Ewazen. Per...(+)
Chamber Music flute,
piano
SKU:
PR.114417750
Composed
by Eric Ewazen.
Performance Score. 12+2
pages. Duration 7
minutes. Theodore Presser
Company #114-41775.
Published by Theodore
Presser Company
(PR.114417750).
ISBN
9781491108161. UPC:
680160636570.
A
beautiful cantabile song
without words, A SONG
FROM THE HEART has all of
Ewazen’sexpressive
elegance, yet is
performable by
student-level players as
well as on formal
recitals.Originally
composed for Trumpet and
Piano, Ewazen created the
flute transcription for
CindyAnne Broz as the
title track for her
Albany CD including three
Ewazen works. A SONG
FROM THE HEART was
originally composed for
Trumpet andPiano and is
dedicated to Dennis Caron
on the occasion of his
retirement. It
wascommissioned by his
wife, Marsha Caron, and
was premiered at
Dennis’s
retirementparty by our
mutual friend Charles
Schlueter, long-time
principal trumpet of
theBoston Symphony. A
SONG FROM THE HEART is
filled with lyricism and
richharmonies, as the
trumpet line sings and
soars over a rich
accompaniment.The flute
version of this work was
written for my dear
friend Cindy Anne Broz,
for herAlbany CD
including first
recordings of 3 of my
flute pieces. Cindy was
wonderfulin helping me
with my flute
arrangement, as I heard
her lovely, bright high
register– hence my
putting some key passages
of the piece up an
octave, shaping the
phrasestructures to
flatter the lyrical flute
sonorities.
Flute and piano SKU: M7.DUX-1185 Arranged by Arturo Himmer. Sheet music. ...(+)
Flute and piano
SKU:
M7.DUX-1185
Arranged
by Arturo Himmer. Sheet
music. Score and part. 68
pages. Edition Dux Verlag
#DUX 1185. Published by
Edition Dux Verlag
(M7.DUX-1185).
ISBN
9783868491135.
16
weltbekannte populäre
Melodien aus allen
Bereichen der Musik. Der
Bläser findet
unvergessene Standards
und Classics, Pop-Songs,
Filmmusik und Evergreens.
Die passende Playalong
Doppel-CD ist mit der
Bestellnummer D1180
separat erhältlich.
Der Ausgabe liegt ein
32-seitiger Einleger mit
der Solo-Stimme bei.