Flute and piano - Level 3

SKU: LM.27958

Composed by Jean Marc Allerme and Vincent Charrier. Pop, jazz. Score and CD. Editions Henry Lemoine #27958. Published by Editions Henry Lemoine (LM.27958).

ISBN 9790230979580.

Josh ua Fit the Battle of Jericho (trad.) - TCHAIKOVSKI P.I. : Fantasia, Valse des Fleurs extr. de Casse-noisette - CARMEN E. : All by Myself - BETTI H. / HORNEZ A. : C'est si bon - MENDELSSOHN F. : Les Visiteurs, Concerto pour violon - Nobody Knows The Trouble l've Seen (Trad.) - MANCINI H. : The Pink Panther - SCHIFFRIN L. : Mission impossible - WILLIAMS J. : Les Aventuriers de l'Arche perdue, Raider's March - ALBINONI T. : Quatre mariages et un enterrement, Adagio.

Flute and Piano

SKU: IS.FP7396EM

Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7396EM. Published by Metropolis Music Publishers (IS.FP7396EM).

ISBN 9790365073962.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.

Flute; Piano Accompaniment

SKU: HL.50600830

For Flute and Piano. Composed by Dejan Lazic. Woodwind Solo. Classical. Softcover. 32 pages. Sikorski #SIK1684. Published by Sikorski (HL.50600830).

8.25x11.75x0.097 inches.

“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.” (Dejan Lazic).

For Flute and Piano. By Gary Schocker. For Flute Solo, Piano. Solo part with piano reduction. 20 pages. Duration 14:00. Published by Theodore Presser Company.